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Ellen Priest

1951
(USA) AMERICAN

Ellen Priest هي فنانة تجريدية أمريكية تستلهم من الموسيقى وخاصة من الجاز. تعيش وتعمل بالقرب من فيلادلفيا.

التعليم

حصلت Priest على درجة الماجستير في اللاهوت من كلية اللاهوت بجامعة ييل عام 1977 مع تأهيل مزدوج في المسيحية والفنون البصرية. كفنانة، هي إلى حد كبير متعلمة ذاتيًا.

التقنية

توازن تجريدات Ellen Priest المستندة إلى الجاز مباشرة على الحدود بين الرسم والنحت – أوهام مكانية ملونة حيوية عند النظر من بعيد وبناءات بارزة ثلاثية الأبعاد من الورق المطبّق والمُركب عند النظر عن قرب.

الإلهام

الجاز كان موضوعها منذ عام 1990. الرسم دائمًا مركزي في عمليتها، بالإضافة إلى كونه قائمًا بذاته.
إلهام الفنانة يأتي من مصادر متنوعة بشكل مدهش:
• التأثيرات البصرية مدى الحياة تشمل الألوان المائية المتأخرة لسيزان، وألوان ماتيس وبنيته التكوينية، والتعبيرية التجريدية، خاصة لوحات ويلم دي كونينغ وجوان ميتشيل.
• الهياكل الإيقاعية والتناغمية في الجاز والموسيقى الأفريقية والأمريكية اللاتينية ذات الصلة.
• ممارساتها الرياضية، حيث أن لوحاتها تدور حقًا حول الحركة. الرياضات المفضلة لدى Priest هي "رياضات التوازن"، حيث تعتمد الحركة على الوزن والتوازن المرمى خارج المركز، غالبًا استجابة للتضاريس، مثل التزلج.

تميّزات بارزة

منحت مؤسسة Pollock-Krasner Priest مرتين منحًا كبيرة لدعم ابتكاراتها.

اقتباس ذو صلة

في يوليو 2010، كتبت الناقدة الفنية فيكتوريا دونوه عن أعمال Priest في معرضين في ويلمنغتون لصحيفة The Philadelphia Inquirer: "Priest تعمد إلى طمس الحدود بين الرسم والجاز في مجموعتها المرسومة الكولاجية Venezuelan Suite. تستخدم هذه الأشكال كلغة للموسيقى... ورؤية الجاز كمليء بالفرح والطاقة، وقادر على تحويل الحزن، تستخدمه Priest بنجاح هنا لخلق حركة مادية في عوالم فعلية من الفضاء الملون."

معارض

معرض ALVA، نيو لندن، كونيتيكت

Education

1977 Master of Divinity, Yale University Divinity School, New Haven, Connecticut.
Christianity and the Visual Arts: Interdisciplinary Program in Collaboration with Yale University School of Art
1972 B.A. Lawrence University, Wisconsin

Solo Exhibitions

2020 On Being American/Jazz: Ryan Cohan’s ‘The River’, Delaware Contemporary, Wilmington, Delaware.
2019 On Being American/Jazz: Ryan Cohan’s ‘The River’, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York.
2015 Jazz Cubano: Color and Paper Constructions, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York. March 21 - May 3.
2013 Ellen Priest, Delaware Division of the Arts Gallery, Wilmington, Delaware.
2012 Jazz: Thinking Out Loud, Reaching for Song, Joint painting/jazz project with Berklee College of Music, Boston, Massachusetts. Residency: November 2010.
Improvising on Jazz: Ellen Priest’s Paintings on Collaged Paper, Yale Institute of Sacred Music and Yale Divinity School, New Haven, Connecticut.
2010 Jazz: Improvisations on the ‘Venezuelan Suite,’ Delaware Division of the Arts Gallery, Wilmington, Delaware.
2009 The Art and the Jazz, Gail Pierson Gallery, Cape May, New Jersey.
2007 Jazz Paintings on Paper: Improvisations on the ‘Venezuelan Suite,’ The Philip and Muriel Berman Museum of Art at Ursinus College, Pennsylvania.
2006 The Jazz Series: Paintings on Paper, The Dupont Clifford Brown Jazz Festival in conjunction with Carspecken Scott Gallery Wilmington, Delaware.
2004 Jazz: Paintings on Paper, The Alva Gallery, New London, Connecticut.
Jazz: The Brubeck Series, Bryn Mawr Presbyterian Church, Bryn Mawr, Pennsylvania. In conjunction with performance by Dave Brubeck and Singing City Choir.
2001 The Jazz Series: Paintings on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.
2000 The Jazz Series: Paintings on Paper, Gallery 10 Ltd. Washington D.C.
1983 Soul Devils: Works on paper, J. Hoffman Gallery, Kent, Connecticut.
1982 Soul Devils: Oils and Works on Paper, Berkeley Center, Yale Divinity School. Sponsored by Department of Religion and the Arts, Yale Divinity School.
1979 Works on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.

Selected Group Exhibitions

2018 Transforming Jazz: A Visual Journey, City of Philadelphia Office of Arts, Culture and the Creative Economy, Philadelphia City Hall, Philadelphia, PA.
2017-18 On Another Note: The Intersection of Art and Music, Lyman Allyn Art Museum, New London, Connecticut. Curated by Alva Greenberg.
2016 On Another Note: The Intersection of Art, Green Hall Gallery, Yale School of Art, New Haven, Connecticut. Curated by Alva Greenberg.
2014 35th Anniversary Exhibition, Delaware Center for the Contemporary Arts, Wilmington, Delaware.
2010 SPECTRUM: Contemporary Color Abstraction, Delaware Center for the Contemporary Arts, Wilmington, DE. Curated by Carina Evangelista.
2001 Form and Color, The Alva Gallery, New London, Connecticut.
Artist's Choice 3rd Street Gallery, Philadelphia, Pennsylvania.

Awards

2012 Delaware Division of the Arts Established Artist Fellowship
2010 Delaware Division of the Arts Opportunity Grant
2007 Pollock-Krasner Foundation Grant
2001 Pollock-Krasner Foundation Grant

Publications

“Chapter 7: Ellen Priest: Seeing the World” Camille Colatosti, To Be an Artist: Musicians, Visual Artists, Writers and Dancers Speak. © 2012 E. L. Kurdyla Publishing, LLC, Baltimore, Maryland. (Dr. Colatosti is Dean of Graduate Studies at Berklee College of Music, Boston, Massachusetts.)

Publication Covers

2014 The Kenyon Review, 75th Anniversary Year edition. Literary magazine, full year of cover art.
Edward Simon, The Venezuelan Suite. Sunnyside Records. Music CD.
2013 Thomas Troeger, Music As Prayer. Oxford University Press. Print book, e-book.

Projects Listed By Their Jazz Subject Matter

Each project includes one or more series of preparatory brush studies, finished paintings on layered, collaged paper, and in recent projects, drawings. Each series is based on a single jazz composition. Prior to 2005, work was done from publicly available recorded music and score (where possible).
2012 - Ongoing Afro-Cuban Jazz. Part 1 using the music of Arturo Stable and Elio Villafranca, Part 2 using the music of Stefon Harris and the Ninety Miles Project. Worked in dialog with the composers.
2010 - 2012 Experimental project with Berklee College of Music’s Global Jazz Institute, Boston, Massachusetts. Based on student compositions in progress, recorded during two residency periods at Berklee. Worked in dialog with four student composers and BGJI faculty.
2005 - 2010 Four-movement jazz suite by Venezuelan-born pianist/composer Edward Simon titled, The Venezuelan Suite. Based on Venezuelan song forms, rhythms, and instrumentation. Worked in dialog with the composer.
2003 - 2004 Chick Corea composition titled, Chelsea Shuffle.
2002 - 2006 Herbie Hancock compositions titled, Maiden Voyage and Dolphin Dance.
1994 - 2004 Gonzaguinha composition, Tanacara. Brazilian folk-jazz musician/songwriter.
1994 - 2001 Dave Brubeck composition titled, Take 5.
1999 - 2002 Miles Davis version of Someday My Prince Will Come, arranged by Gil Evans. Composed by Frank Churchill.
1997 - 1998 Luiz Gonzaga composition titled, Asa Branca. Classic Brazilian song, often described as Brazil’s ‘folk’ national anthem.
1990 - 1993 Michel Camilo composition titled, Island Stomp.

Art Education / Teaching

2013-Present and 1992-1999 Created Eyeball It! TM studio art education program for children. Online free to users beginning June 2014 funded by Ellen Priest Projects at Fractured Atlas. Originally written/developed 1992 - 1999. A series of discreet art projects for elementary-age children to do at home with a parent. Adaptable for groups (e.g., after-school programs, public libraries). Currently in pilot phase by Delaware Division of Libraries, Teach for America Delaware. [www.eyeballitart4kids.org](http://www.eyeballitart4kids.org)
2009 New York University, New York, New York, Department of Music Colloquium with Edward Simon, “Composing the Venezuelan Suite – the Music and the Paintings,” February.
2007 - 2010 Delaware Center for the Contemporary Arts, Education Committee.
2002 - 2008 University of the Arts, Philadelphia, Pennsylvania, Professional Institute for Educators.
2002 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, Adjunct Faculty, Fall.
1979-1999 Taught studio art in schools (primary and secondary) and community arts centers including:
Ocean City Arts Center, Ocean City, New Jersey. 1996-99.
Choate-Rosemary Hall, Wallingford, Connecticut. 1979, 1995-96.
Saint Thomas’s Day School, New Haven, Connecticut. 1992-93.
Educational Center for the Arts, New Haven, Connecticut. 1982-83. (All-arts public high school.)
Concord Academy, Concord, Massachusetts. Art Department Chairperson, 1979-80.

Writing

1980-84 Art in America. “Reggie Bradford,” December 1983. “Robert Taplin,” May 1983.
American Ceramics. “Arnold Zimmerman,” Fall 1983. “Jane Gustin,” Summer 1984.
New Haven Advocate. Series of profiles of local artists and their work. 1980 - 82.

Selected Collections

Agnes Gund, New York, New York.
Yale Institute of Sacred Music, New Haven, Connecticut.
Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania.
Christine L. Delucchi, Washington D.C.
Alva Greenberg, Connecticut.
Cil and Gary Knutsen, Cleveland, Ohio.
Lisetta Menardi Orlandi, Cortina D’Ampezzo, Italy.
Jane Lyons and Mark Sucher, Washington D.C.
Astra Zeneca Corporation, Wilmington, Delaware.
Pfizer Corporation, New London, Connecticut.
Morgan, Lewis & Bockius LLP, Philadelphia, Pennsylvania.
BTG, Incorporated, West Conshohocken, Pennsylvania.

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