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Gina Werfel

1951
(USA) AMERICAN

BalanceBalance
Gina Werfel
Balance
Painting
63.5 X 48.2 X 0.1 cm Sale price£1,200.00
Gesture 2Gesture 2
Gina Werfel
Gesture 2
Painting
63.5 X 48.2 X 0.1 cm Sale price£1,200.00
Spatial senseSpatial sense
Gina Werfel
Spatial sense
Painting
63.5 X 48.2 X 0.1 cm Sale price£1,200.00
Early SpringEarly Spring
Gina Werfel
Early Spring
Painting
76.2 X 55.8 X 0.1 cm Sale price£1,600.00
CompanionCompanion
Gina Werfel
Companion
Painting
30.5 X 30.5 X 0.1 cm Sale price£850.00
ReflectionReflection
Gina Werfel
Reflection
Painting
76.2 X 55.8 X 0.0 cm Sale price£1,800.00
PerchPerch
Gina Werfel
Perch
Painting
76.2 X 55.8 X 0.0 cm Sale price£1,800.00
WoodsWoods
Gina Werfel
Woods
Painting
45.7 X 36.8 X 0.0 cm Sale price£850.00
WindsweptWindswept
Gina Werfel
Windswept
Painting
127.0 X 96.5 X 0.0 cm Sale price£2,100.00
FragmentFragment
Gina Werfel
Fragment
Painting
88.0 X 127.0 X 0.0 cm Sale price£2,100.00
SpringSpring
Gina Werfel
Spring
Painting
76.2 X 56.0 X 0.0 cm Sale price£1,650.00
Faded LightFaded Light
Gina Werfel
Faded Light
Painting
137.0 X 122.0 X 0.0 cm Sale price£6,550.00
HieroglyphHieroglyph
Gina Werfel
Hieroglyph
Painting
81.0 X 71.0 X 0.0 cm Sale price£2,500.00
TumbleTumble
Gina Werfel
Tumble
Painting
152.5 X 122.0 X 0.0 cm Sale price£6,550.00
RestraintRestraint
Gina Werfel
Restraint
Painting
152.5 X 122.0 X 0.0 cm Sale price£6,550.00
FlashFlash
Gina Werfel
Flash
Painting
121.9 X 91.4 X 0.0 cm Sale price£3,950.00
Sunset RouteSunset Route
Gina Werfel
Sunset Route
Painting
121.92 X 213.36 X 0.0 cm Sale price£6,550.00
NotationNotation
Gina Werfel
Notation
Painting
76.2 X 56.0 X 0.0 cm

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GatheringGathering
Gina Werfel
Gathering
Painting
76.2 X 101.6 X 0.0 cm

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GestureGesture
Gina Werfel
Gesture
Painting
122.0 X 122.0 X 0.0 cm

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Angular ImprovisationAngular Improvisation
Gina Werfel
Angular Improvisation
Painting
127.0 X 96.5 X 0.0 cm

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Classical FragmentsClassical Fragments
Gina Werfel
Classical Fragments
Painting
127.0 X 96.5 X 0.0 cm

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Binocular VisionBinocular Vision
Gina Werfel
Binocular Vision
Painting
48.0 X 63.5 X 0.0 cm

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StencilStencil
Gina Werfel
Stencil
Painting
63.5 X 48.1 X 0.0 cm

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IntrigueIntrigue
Gina Werfel
Intrigue
Painting
56.0 X 76.2 X 0.0 cm

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Trembling PrecisionTrembling Precision
Gina Werfel
Trembling Precision
Painting
76.2 X 56.0 X 0.0 cm

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TwistedTwisted
Gina Werfel
Twisted
Painting
63.5 X 48.0 X 0.0 cm

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Pink HazePink Haze
Gina Werfel
Pink Haze
Painting
46.3 X 35.0 X 0.0 cm

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Night-1Night-1
Gina Werfel
Night-1
Painting
76.2 X 56.0 X 0.0 cm

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Gina Werfel is an American abstract painter whose work uses vivid color, lyrical gesture, and complex compositional structures to explore harmonies within visual space. Raised on Long Island, she currently lives and works near Sacramento, California, where she is a Professor of Art at the University of California, Davis.

Gina Werfel

Education

Werfel received her Bachelor of Arts degree from Kirkland College (now part of Hamilton College), in Clinton, New York and post-graduated at the New York Studio School. She then earned her Masters of Fine Arts degree from Columbia University in New York. She is also the recipient of a number of prestigious fellowships and grants, and leads a distinguished career as a professor of art, a visiting university lecturer, and an artist in residence at important schools and institutions around the world.

Gina Werfel Image 2

Technique

Werfel works with a mixture of oils, acrylics and mixed media on canvas. Her background is in landscape painting, which helped her develop a keen eye for light, color relationships, and compositional harmony. As she transitioned into abstraction, she heightened her ability to use those sensibilities to convey emotional and atmospheric states within pictorial space. In her abstract paintings, she employs expressive, lyrical gestures that create bursts of movement and energy. Her color choices create a range of tones from the muted and serene to the vibrant and electric. In addition to traditional brushwork, she incorporates mediums like spray paint and stencils to build layered, complex, and expressive compositions.

Inspiration

Werfel has studied and taught all over the world. She has found inspiration in the variations between the pictorial landscapes to which she has been exposed: for example, the interplay between the hills and light of Northern California and the textures and colors of Brittany, France. She is interested in the way everyday experiences influence her paintings. She may become inspired early in the day by a spontaneous gesture then be guided later by the view from her studio. In the end, her compositions do not reference any one thing. They are examinations of the qualities of light, transparency and color in space.

Gina Werfel Image 3
Gina Werfel Image 4

Artist statement

“Like polyphony in music, Werfel’s work consists of textures of multiple independent “voices” or sources. She layers multiple elements to create painted universes; embedded vestiges of gestures suggest fragments of memories, glimpses inside the studio or outside her window. Werfel creates compositions that echo the spatial complexities of landscapes to which she had been drawn when painting outdoors - tumbling hills or underwater reflections. But now, fragments float in fluid, veiled spaces.”

Exhibitions

Werfel has exhibited extensively in solo and group shows throughout the United States, with recent solo exhibitions at the American University in Paris, France, and at the Prince Street Gallery in New York City.

Galleries

Prince Street Gallery, New York City

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Contemporary Gestural Abstraction At Your Fingertips

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Brighten Up Your Quarantine With Some Colorful Abstract Art!

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The Importance of Color in the Art of Hans Hofmann

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What is Gestural Abstraction in Painting ?

What is Gestural Abstraction in Painting ?

The phrase gestural abstraction refers to a way of making art. It is a process, not a movement. With an abstract gestural painting, the point is not what gets painted. The point is how it gets pai...

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The Revolution Abstract Acrylic Painting Brought to the Medium

The Revolution Abstract Acrylic Painting Brought to the Medium

Every artistic medium possesses qualities that affect the way viewers interact with it. As one of the newest mediums, acrylic paint communicates, among other things, modernity. What else is unique...

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How Action Painting Changed Art

How Action Painting Changed Art

If the phrase “action painting” sounds confusing, that could be because it seems to contain a redundancy. Painting implies action. Can there be inaction paintings? But neither the fact that painti...

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Dynamic Sequences of Giacomo Balla - The Abstract in Futurism

Dynamic Sequences of Giacomo Balla - The Abstract in Futurism

The martial artist Bruce Lee used to instruct his students to learn everything, keep what’s useful and then throw away the rest. This is precisely what abstract artists have done with the legacy o...

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Spontaneous, Ecstatic and Free: A Primer on Lyrical Abstraction

Spontaneous, Ecstatic and Free: A Primer on Lyrical Abstraction

Before discussing what Lyrical Abstraction is, and what it means to art lovers and collectors, we should give due respect to the most persnickety among us by stating that the origin of the term is...

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What Makes Someone Choose a Piece of Art?

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Art is uniquely personal, not only to the artist who creates it, but also to the person viewing it. Nowhere is this truer than with abstract art. Art is an extension - a reflection of - the viewer...

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Solo Exhibitions

2018 Korn Gallery, Drew University, Madison, NJ
2017 American University in Paris, Paris, France
2017 Prince Street Gallery, East/West, New York, NY
2017 Elizabeth Moss Gallery, Geographies, Falmouth, ME
2016 Mondavi Winery, Clearing, Margrit Mondavi Gallery, Napa, CA
2014 Shasta College Art Gallery, Redding, CA, Screens and Passages, with Hearne Pardee
2013 Google Headquarters, Mountain View, CA
2013 Adler and Co Gallery, San Francisco, He Said, She Said, with Hearne Pardee
2013 Prince Street Gallery, New York, NY
2013 Stanilar Gallery, Washington and Lee University, Lexington, VA
2012 Alex Bult Gallery, Sacramento, CA
2012 Jane Deering Gallery, Polyphonics, Santa Barbara, CA
2011 California State University, Stanislaus, Persistence of Vision (catalogue & essay by DeWitt Cheng)
2010 Adler & Co Gallery, San Francisco, CA
2009 Prince Street Gallery, New York City
2009 Adler & Co Gallery, San Francisco, CA
2009 Mondavi Winery, Vineyard Gallery, Napa, CA
2007 Landscape, Observation and Abstraction, Wiegand Gallery, College of Notre Dame de Nur, Belmont, CA (catalogue & essay by Mark van Proyen)
2007 Prince Street Gallery, New York City
2007 Monty Stabler Galleries, Birmingham, AL
2007 B. Sakata Garo Gallery, Sacramento, CA
2007 Mondavi Winery, Vineyard Gallery, Napa, CA
2007 Prince Street Gallery, New York City
2001 Prince Street Gallery, New York City
2001 Monty Stabler Galleries, Birmingham, AL
1998 Prince Street Gallery, New York City
1995 Monty Stabler Galleries, Birmingham, AL
1994 Prince Street Gallery, New York, NY
1994 Second Street Gallery, Charlottesville, VA
1994 Dupont Gallery, Washington and Lee University, Lexington, VA
1993 Monty Stabler Galleries, Birmingham, AL
1992 Maier Museum of Art, Lynchburg, VA
1992 Prince Street Gallery, New York, NY
1992 Congress Square Gallery, Portland, ME
1989 Prince Street Gallery, New York, NY
1989 Colby College Museum of Art, Waterville, ME
1989 Gallery 127, Portland, ME
1986 Prince Street Gallery, New York, NY
1986 Jersey City Museum, Jersey City, NJ
1985 Prince Street Gallery, New York, NY
1983 College of William and Mary, Williamsburg, VA
1983 Colby College Museum of Art, Waterville, ME
1982 Prince Street Gallery, New York, NY
1982 University of Maine, Farmington, ME
1981 Colby College Museum of Art, Waterville, ME
1980 Prince Street Gallery, New York, NY

Group Exhibitions

2017 Shapeshifters: Superheavies, NIAD Gallery, Oakland, CA, curated by Jessica Snow; catalog essay by Scott Hewicker
2017 Alumni Exhibition, NY Studio School, curated by Stephen Harvey and Jennifer Samet
2016 Berkeley Art Center, Berkeley, CA
2016 Alumni Exhibition, NY Studio School, NYC, curated by Andrew Arnot
2016 Winter Art Salon, Park City, Utah, curated by Lucy Buchanan
2016 American Embassy, Ljubljana, group show (catalog)
2012 Tomorrow’s Legacies: Gifts Celebrating the Next 125 Years, Crocker Museum, Sacramento, CA
2012 Between the Quotes, Pence Gallery, Davis, CA
2012 Flatlanders on the Slant Step, Nelson Gallery, Davis, CA
2009 Fourth of July Show, Jancar Gallery, Los Angeles, CA
2009 Artists in Residence, Yosemite Museum, Yosemite, CA
2009 The Nature of Landscape, San Francisco Studio School Gallery, San Francisco, CA
2008 Surface and Substance, San Francisco Studio School Gallery, San Francisco, CA
2008 Cool and Austere, Jancar Gallery, Los Angeles, CA
2008 Plein Air Abstraction, curated by Peter Frank, Riverside Art Museum, Riverside, CA
2006 From Postwar to Postmodernism, curated by Jerome Neuner, Noah Fischer, Garth Graeper, and Gareth James (catalogue), Columbia University
2006 Sacramento Valley Landscape Show, John Natsoulas Gallery, Davis, CA
2006 The Continuous Mark: 40 Years of the New York Studio School, curated by Jennifer Samet, New York Studio School
2003 Gone West (catalogue & essay by Peter Frank), John Natsoulas Gallery
2003 Pieces of the Puzzle, curated by Melissa Chandon, Woodland City Hall
2002 Art Afficionado, Birmingham Art Museum, Birmingham, AL (3-person show), Washington Art Association, Washington, CT
2002 Les Yeux du Monde, Charlottesville, VA
2002 Personal Views: Four Painters and Landscape, Karl Drerup Fine Arts Gallery, Plymouth State College, Plymouth, NH
1995 Thirty Years of Drawing, New York Studio School, New York, NY
1995 Site 250, Fairbanks, AK
1995 Pennsylvania School of Design, Lancaster, PA, curated by Ruth Bernard
1995 Contemporary Landscape, curated by Martin Mugar, Art Institute of Boston
1995 Landscape Revisited, Gaumann-Cicchino Gallery, Fort Lauderdale, FL, traveling to Philadelphia, Washington, and New York City, 1989-91
1995 Visions of the Southwest, Area Gallery, Portland, ME
1987 Inaugural Group Show, Gallery 127, Portland, ME
1987 Artists Who Teach in Maine, curated by Sarah Fawcett, Maine Coast Artists, Rockport, ME
1987 Faculty Invitational, Chautauqua Institute, Chautauqua, NY
1987 Landscape, College of William and Mary, Williamsburg, VA
1987 Juried Alumni Show, New York Studio School, New York, NY
1987 Painters Who Look at the Environment, curated by Tom Higgins, University of Maine, Farmington, ME
1987 Juried Show, Maine Coast Artists, Rockport, ME
1987 Contemporary Gallery Artists, Barridoff Galleries, Portland, ME
1982 Drawings from Nature, curated by Judith Sobol, Director, Joan Whitney Payson Gallery, Portland, ME
1981 Juried Show, Maine Coast Artists, Rockport, ME
1980 New Drawings, Bette Stoler Gallery, New York, NY
1980 Contemporary Gallery Artists, Barridoff Galleries, Portland, ME
1978 Hudson River Museum, Yonkers, NY, juried by Irving Sandler

Art Fairs

2017 Art Apart Fair, Singapore (invited, but declined)
2014-2015 Art Silicon Valley/SF- 2014 (Adler & Co, UC Davis)
2010-2015 Art Market San Francisco (Adler & Co)
2009-2010 Los Angeles Art Show (Adler & Co)

Public Art

2017 Clearing: Burnett Miller Park, McKinley Village, Sacramento, CA, seven panel installation
2010 On the Go: Artists’ Traveling Sketchbooks, Terminal B, Sacramento Airport

Public Collections

Betty Moore School of Nursing, UC Davis, Sacramento, CA
Kaiser Permanente, Sacramento, CA
Kaiser Permanente, Davis, CA
West Village, UC Davis, Davis, CA
Crocker Art Museum, Sacramento, CA
Sheraton Roanoke Hotel and Conference Center, Roanoke, VA

Recent Reviews

Reproduction of “Ascent” on Cal Aggie Alumni Association’s Premier Alumni Wine Collection, Heringer Winery, Clarksburg, CA, September 16, 2017
Cohen, David, “three more shout-outs of shows opening today, artcritical.com, March 31, 2017
Kany, Dan, “Abstract and Landscape by a Single Brush at Elizabeth Moss Galleries”, Portland Press Herald, February 12, 2017
Reproduction, Maine Art and Design, February 2017
“Get the Look”, reproduction, Cheshire Life, July 2016
Groff, Larry, “Interview with Gina Werfel“, Painting Perceptions, November 2015
Granett, Sarah, “Gina Werfel’s Loosening Forms”, Dime and Honey, October 27, 2015
Seed, John, “Hearne Pardee and Gina Werfel: {he said, she said…} at Adler and Co.” Huffington Post, November 2013
Roth, David, “Flatlanders on the Slant Step at the Nelson”,
Square/Cylinder.com, July 30, 2012
Dalkey, Victoria, “Bold and Beautiful”, Sacramento Bee, April 29, 2012
Cheng, DeWitt, “Gina Werfel at Alex Bult Gallery”, Art Ltd, July/Aug 2012
Woodard, Josef, “Musical Gesturing”, Santa Barbara News Press, February 17, 2012
Donelan, Charles, “Abstract and Beautiful”, Santa Barbara Independent, February 15, 2012
Baker, Kenneth, “Don’t Miss” color reproduction, San Francisco Chronicle, April 25, 2010
Baker, Kenneth, "Werfel at Adler", San Francisco Chronicle, February 19, 2009
Baker, Kenneth, “Cheap Thrill” San Francisco Chronicle, January 18, 2009
Berlind, Robert, “Gina Werfel at Prince Street” Art in America, Nov 2007
Goodrich, John, www.exhibitionspreview.com2007
Cohen, David, “The Continuous Mark: 40 Years of the New York Studio
School”, New York Sun, February 17, 2005
Dalkey, Victoria, “Nature Untamed” Sacramento Bee, March 20, 2005
“Valleyscapes” Sacramento Bee, July 24, 2005
Katz, Vincent, “Gina Werfel” Art in America, May 2004
U. S. Art in Embassies Program, Anniversary Catalog, Reproduction, 2004
Sievert, Robert “Gina Werfel” Artezine Fall 2003
Munich, Suzanne, “Gone West” Davis Enterprise, February 2003
Sievert, Robert “Gina Werfel” Artezine, Spring 2002
Nelson, James R. Nelson, Birmingham News, October 9, 2001
Driscoll, John & Skolnick, Arnold, The Artist and the American Landscape,
First Glance Books, 1998.
Skolnick, Arnold, and Little, David, Paintings of Maine, New York, 1991

Grants And Awards

2016 American Academy in Rome, Visiting Artist, April 2016
2005-2007 International School of Art, Montecastello, Italy, Senior Artist in Residence
2005-2007 Yosemite National Park, Artist in Residence
2005-2007 Connecticut Arts Commission Grant in Painting
2005-2007 Artist–in-Residence, Auvillar, France,
1993 Yosemite National Park, Artist in Residence
1986 Djerassi Foundation, Woodside, CA (residency)
1984 Rockefeller Foundation, Bellagio, Italy (fellowship)
1981 Virginia Center for Creative Arts, Sweet Briar, VA (residency)

Related Experience

2017 Turps Banana Art School, London, England, Visiting Artist
2013 Washington and Lee University, Visiting Artist
2013 University of Virginia, Visiting Artist
2013 Randolph College, Visiting Artist
2011 Haverford College, Distinguished Visiting Artist
2011 Brandeis University, Visiting Artist, Post- Baccalaureate Program
2009 UC Santa Barbara, Visiting Artist
2009 Western Carolina University, Visiting Artist
2009 American University, Corciano Italy, visiting artist, MFA program
1998 Trinity College, Visiting Artist
1994 Fairbanks Summer Arts Festival, Visiting Artist
1994 Washington and Lee University, Visiting Artist

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