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Marcy Rosenblat

1952
(USA) AMERICAN

Untitled 10Untitled 10
Marcy Rosenblat
Untitled 10
Painting
26.0 X 36.0 X 0.0 cm 10.2 X 14.2 X 0.0 inch Sale price£900.00
Untitled 3Untitled 3
Marcy Rosenblat
Untitled 3
Painting
22.8 X 25.4 X 0.0 cm 9.0 X 10.0 X 0.0 inch Sale price£900.00
Untitled 9Untitled 9
Marcy Rosenblat
Untitled 9
Painting
28.0 X 27.0 X 0.0 cm 11.0 X 10.6 X 0.0 inch Sale price£900.00
Untitled 7Untitled 7
Marcy Rosenblat
Untitled 7
Painting
34.9 X 31.7 X 0.0 cm 13.7 X 12.5 X 0.0 inch Sale price£900.00
Untitled 6Untitled 6
Marcy Rosenblat
Untitled 6
Painting
31.7 X 34.9 X 0.0 cm 12.5 X 13.7 X 0.0 inch Sale price£900.00
Untitled 4Untitled 4
Marcy Rosenblat
Untitled 4
Painting
27.9 X 25.4 X 0.0 cm 11.0 X 10.0 X 0.0 inch Sale price£900.00
Untitled 11Untitled 11
Marcy Rosenblat
Untitled 11
Painting
33.0 X 31.0 X 0.0 cm 13.0 X 12.2 X 0.0 inch Sale price£900.00
MoonscapeMoonscape
Marcy Rosenblat
Moonscape
Painting
41.0 X 41.0 X 0.0 cm 16.1 X 16.1 X 0.0 inch Sale price£700.00
Yellow LineYellow Line
Marcy Rosenblat
Yellow Line
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
CropCrop
Marcy Rosenblat
Crop
Painting
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch Sale price£1,400.00
Blue ViewBlue View
Marcy Rosenblat
Blue View
Painting
91.0 X 91.0 X 0.0 cm 35.8 X 35.8 X 0.0 inch Sale price£3,050.00
RevealReveal
Marcy Rosenblat
Reveal
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
Frayed EdgeFrayed Edge
Marcy Rosenblat
Frayed Edge
Painting
41.0 X 41.0 X 0.0 cm 16.1 X 16.1 X 0.0 inch Sale price£700.00
Gray Curtain WallGray Curtain Wall
Marcy Rosenblat
Gray Curtain Wall
Painting
91.0 X 91.0 X 0.0 cm 35.8 X 35.8 X 0.0 inch Sale price£3,050.00
PillarPillar
Marcy Rosenblat
Pillar
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
Gray CenterGray Center
Marcy Rosenblat
Gray Center
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
Blue Line and StarsBlue Line and Stars
Marcy Rosenblat
Blue Line and Stars
Painting
91.0 X 91.0 X 0.0 cm 35.8 X 35.8 X 0.0 inch Sale price£3,050.00
New WaveNew Wave
Marcy Rosenblat
New Wave
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
Night ScrollNight Scroll
Marcy Rosenblat
Night Scroll
Painting
46.0 X 46.0 X 0.0 cm 18.1 X 18.1 X 0.0 inch Sale price£850.00
Pale White LightPale White Light
Marcy Rosenblat
Pale White Light
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
New DayNew Day
Marcy Rosenblat
New Day
Painting
41.0 X 41.0 X 0.0 cm 16.1 X 16.1 X 0.0 inch Sale price£700.00
FoldFold
Marcy Rosenblat
Fold
Painting
41.0 X 41.0 X 0.0 cm 16.1 X 16.1 X 0.0 inch Sale price£700.00
BellowBellow
Marcy Rosenblat
Bellow
Painting
122.0 X 122.0 X 0.0 cm 48.0 X 48.0 X 0.0 inch Sale price£5,350.00
Blue ShiftBlue Shift
Marcy Rosenblat
Blue Shift
Painting
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch Sale price£1,400.00
NettingNetting
Marcy Rosenblat
Netting
Prints
56.0 X 46.0 X 0.0 cm 22.0 X 18.1 X 0.0 inch

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Blue NettingBlue Netting
Marcy Rosenblat
Blue Netting
Prints
56.0 X 46.0 X 0.0 cm 22.0 X 18.1 X 0.0 inch

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WitnessWitness
Marcy Rosenblat
Witness
Painting
91.0 X 91.0 X 0.0 cm 35.8 X 35.8 X 0.0 inch

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Marcy Rosenblat is an American abstract process painter. Her paintings and prints are layered, colorful and complex. Born in Chicago, Illinois, she currently lives and works in Brooklyn, New York.

Education

Rosenblat earned her BFA from the Kansas City Art Institute in Kansas City, Missouri, in 1981, and her MFA from the Vermont College of Fine Arts in 2010. She received a grant from the Women's Art Development Committee in 1998. She taught painting at Parsons School of Design from 1986 to 1989, and since 1995 has been an Adjunct Professor of Fine Arts at the Fashion Institute of Technology, New York, NY.

Technique

Rosenblat describes herself as having an affinity for process art, a method of art making in which predetermined systems and techniques largely determine the outcome of the work. The textured appearance of her paintings emanates from the intervention of common household products such as paper towels during the painting process. To begin each painting, she lays the canvas flat on a moveable easel then pours paint onto the surface. She then tilts the easel in predetermined ways, turning it then tilting it again, allowing the paint to drip down the surface. She then presses the paper towels or other textured products into the wet paint. The pressing leaves behind the imprint of the surface of the textured product, while simultaneously revealing the under layers of paint. It is a process of covering and revealing. Meanwhile, each successive layer of paint drips onto the sides of the canvas, so that in the end all colors used in the painting can be discovered on the periphery, even though some of them may have ultimately been obscured or removed from the surface.

Inspiration

Rosenblat is inspired by the idea of revelation and obfuscation—what we see versus what is hidden from us. She wants viewers to see her final product as a finished phenomenon, but also wants to offer them a chance to peek behind the curtain, so to speak. Each layer of paint is like a veil, through which viewers can see the inner workings of her craft. She is inspired by the idea that this will invite people to look more closely at things. Rosenblat is also inspired by the patterns she sees on ordinary surfaces, especially those not usually related to painting. That was the genesis of her choice to start using paper towels in her work, and in the same vein she often photographs the surfaces of the ground, the street, and objects she sees in the store then uses those photographs to create textures and patterns that will serve as layers of color in her paintings and prints.

Artist Statement

“Like the person trying to see something through a curtain I continue to paint until I find clarity through the painting. I...use a household pattern like the pattern of a paper towel, as a structural device to suggest the layer between viewer and object. The pattern is just familiar enough not to get looked at directly and the pictorial illusion it creates causes another kind of blurring or obscuring...I want my paintings to exist at the point where the viewer has just enough clarity to want to see a little bit more.”

Exhibitions

Marcy Rosenblat has exhibited extensively, especially in and around New York City. Selected exhibitions include Fordham University, Galerie Berlin am Meer, The Rawls Museum, and the Nelson Atkins Museum of Art. Her work has also been featured on Hyperallergic.

Galleries

Atlantic Gallery, NY, NY

Here's Some Soothing Grey Abstract Art For Your Wall

Here's Some Soothing Grey Abstract Art For Your Wall

Falling between two absolutes - black and white - grey is nothing less but perfect neutral. Its complexity is deeply entrenched in the balance it embodies and its intermediate essence. Being expel...

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Don't Feel Blue - Buy Blue Abstract Art Instead!

Don't Feel Blue - Buy Blue Abstract Art Instead!

For most of its early history, humans were blue-blind. Homer in his evocative descriptions alluded to a wine-red sea while the ancient elucidations of natural phenomena like rainbow plainly exclud...

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You'll Simply Love These Abstract Art Prints For Sale!

You'll Simply Love These Abstract Art Prints For Sale!

A centuries-old process of creating artwork by printing found itself at the forefront of contemporary art as horizons of the visual reflected the cascading transformations of human experience that...

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Let's Talk More About the Art of Larry Poons

Let's Talk More About the Art of Larry Poons

After his first show, in the early 1960s at the Green Gallery in New York, Larry Poons became an instant critical darling. It featured his now infamous dot paintings—mathematical arrangements of d...

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Why Do Abstract Art Images Make us Feel so Good?

Why Do Abstract Art Images Make us Feel so Good?

When you look at abstract art images, how do they make you feel? Do you find that they tend to cause you to have a visceral emotional response? Does abstract art make you feel happy? Does it make ...

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What Is Abstraction in Art - Definition and Examples

What Is Abstraction in Art - Definition and Examples

The concept of Abstraction tends to divide opinion and has done for many years. What does it mean? How is it art? Something so apparently difficult to understand has naturally prompted many miscon...

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Education

M.F.A. Vermont College of Fine Arts, 2010
B.F.A. Kansas City Art Institute, 1981

Solo Exhibitions

2017 Blend Studio, Nashville, TN
2012 Rawls Museum, Common Object, Courtland, VA
2009 Smith College, Oresman Gallery, Northampton, MA
1983 Prince Street Gallery, NY, NY

Selected Group Exhibitions

2017 Novado Gallery, Marcy Rosenblat, Jim Osman & Gabe Brown, Jersey City, NJ
2017 Gallery North, The Art of Eating, Setauket, NY
2017 Rawls Museum, Courtland, VA
2017 BCB Art, Winter Show, Hudson, NY
2017 106 Van Buren, Talking Pictures, Brooklyn, NY
2017 Sideshow Gallery, Sideshow Nation, Brooklyn, NY

2016 The Rosemont, Prelude, Brooklyn, NY
2016 Centotto, NOMEN ColorATURE, Brooklyn, NY
2016 Art Helix, Invitational, Brooklyn, NY
2016 BRIC, Up for Debate, Brooklyn, NY
2016 BCB Art, Winter Group, Hudson, NY

2015 Hewn Gallery, Girl Power, JC, NJ
2015 BCB Art, Summer Group, Hudson, NY
2015 La Giacanda, Brooklyn, NY
2015 Drawing Rooms, The Big Small Show, JC, NJ
2015 Centotto Gallery, Thrice Legendary - Forever Thens, Brooklyn, NY
2015 Mishkin Gallery, Baruch College, NY, NY
2015 Art Helix Gallery, Type Indicators, Brooklyn, NY
2015 Sideshow Gallery, Sideshow Nation Three, Circle The Wagons, Brooklyn, NY

2014 Centotto Gallery, Back IN Situ, Brooklyn, NY
2014 The Painting Center Benefit, NY, NY
2014 Ethan Pettit Gallery, Full House East, Brooklyn, NY
2014 Full House, A Visual Dialogue Between Painters from MSP & NYC, Saint Paul, MN
2014 Fashion Institute of Technology, New Views, NY, NY
2014 Sideshow Gallery, Sideshow Nation II at the Alamo, Brooklyn, NY

2013 490 Atlantic Gallery, Nothing Like Painting, Brooklyn, NY
2013 Sideshow Gallery, Sideshow Nation, Brooklyn, NY

2012 Fordham University, Rockslide Sky, curated by Carlene Sheehan, NY, NY
2012 State University Plaza Gallery, Faculty Art Exhibition, Albany, NY

2010 Galerie Berlin am Meer, Berlin, Germany
2010 Salisbury University, Relevance, Salisbury, MD

2009 The Painting Center, Modern Romantic: Spiritual Expressions In Paint, NY, NY
2008 Selena Gallery, Long Island University, Brooklyn, NY
2008 Brik Gallery, What’s In A Face, Catskill, NY

2007 Corscaden Barn, Keene Valley, NY
2007 Fashion Institute of Technology, Imagined Sites, curated by Lyle Rexer, NY, NY

2006 Durst Organization, New Graphics, NY, NY
2006 Vision Festival, 10th Anniversary, Synagogue for the Arts, NY, NY

2004 Schweinfurt Memorial Art Center, Auburn, NY
2004 State University Plaza Gallery, Albany, NY
2004 Sideshow, Brooklyn, NY

2003 Kouros Gallery, Water Currents, NY, NY

2002 Metaphor Contemporary, Brooklyn, NY
2002 Tai Gallery, NY, NY

2001 Knitting Factory, Above and Below, NY, NY

1999 Gale Gates Gallery, Size Matters, Brooklyn, NY
1999 Richard Anderson Gallery, Passions of Art, NY, NY
1999 Vision Festival, Turf, NY, NY

1997 PSA Showcase VIII, A Sense of Place, NY, NY
1997 The Painting Center, Primal Substance, NY, NY

1996 92nd St Y Gallery, Works on Paper, NY, NY

1994 The Painting Center, NY, Projects Room, Rosenblat/Brodsky
1994 The Police Building, Signs of Life, NY, NY

1992 Tribeca148 Gallery, Beneath the Surface, NY, NY

1988 Contemporary Art at One Penn Plaza, Nature and Art: Paintings by 44 Women, curated by Ronnie Cohen, NY, NY

1986 Contemporary Art at One Penn Plaza, Short Stories, curated by Judd Tully, NY, NY

1985 Ciancaglini Gallery, Summer Idyll: Bathers and Seascapes, NY, NY
1985 City Without Walls, Metro Show, curated by Barry Blinderman, Jersey City, NJ
1985 Nelson Atkins Museum of Art, Kansas City, MO

1984 Artists Choice Museum, NY, NY
1984 Morehead Gallery, Greensboro, NC

1983 Frumkin Gallery, Bodies and Souls, NY, NY

1982 Morehead Gallery, Greensboro, NC

1981 Kemper Gallery, Kansas City, MO

Publications

Luminosity and Risk by Stephen Westfall, 2003
Inventing Difficulty by Jessica Greenbaum; Cover painting Gravity / The Way Things Are, 2000
Turf, Essay by Lillie Wei, 2001
A Sense of Place, Catalog Essay by Peter Pinchbeck, 1997
A Dozen Scratches On a Title, Catalog Essay by Raphael Rubinstein, 1992
Art World Magazine, April 1988
Watercolor by Day, Michael Crespo, Guptill, NY, NY, 1987
Arts Magazine, Robert Godfrey, March 1984

Grants

Individual Artists Grant / Women’s Art Development Committee, 1998

Teaching Positions

Adjunct Professor, Fine Arts, Fashion Institute of Technology, NY, NY, 1995 – Present
Parsons School of Design, 1986 - 1989
Painting Instructor, 92nd Street Y, NY, NY, 1980 - 1998

Commissions

Margret; Art Director, Dan Leigh, 2006
Fast Track; Art Director, John Paino, 2005
Preaching To the Choir; Art Director, John Paino, 2005
Smith Restaurant; In Collaboration with Zeff Design, 2007

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