Skip to content

Cart

Your cart is empty

Article: Stanley Whitney Exhibit at Studio Museum in Harlem, New York

Stanley Whitney Exhibit at Studio Museum in Harlem, New York - Ideelart

Stanley Whitney Exhibit at Studio Museum in Harlem, New York

Until October 25, “Dance the Orange”, the first New York solo museum exhibition of artist Stanley Whitney, will be held in the Studio Museum — in the hub of Harlem. The exhibition, organized by Lauren Haynes, associate curator, was funded through the Department of Cultural Affairs of New York, its City Council, and the state agency, the New York State Council on the Arts. It will present nearly twenty-nine paintings and works on paper, created between 2008 and 2015.

 

The personal approach of Stanley Whitney is often closer to architecture, which is his trademark. His passion for jazz is a source of inspiration in the structure of his paintings. His paintings — mostly in square format — are made up of irregular grids, dividing rectangles of different vivid colors.

Born in 1946 in Philadelphia in the northeast of the United States, Stanley Whitney attended the Kansas City Art Institute in 1966, then the Columbus College of Art and Design in 1966. He currently lives and works in New York. His abstract paintings with vibrant colors have gained a following since the mid-1990s.

Click here for more information.

 

Photo credit: Stanley Whitney and Team Gallery.

Articles That You May Like

The Power of Blue: From Historical Masters to Contemporary Abstract Art - Ideelart
Andy Harwood

The Power of Blue: From Historical Masters to Contemporary Abstract Art

When you see the color blue, what do you feel? Would you describe it as something different than what you feel when you hear the word blue, or read the word blue on a page? Is the information comm...

Read more
When Art Leaves the Frame: The Nobility of the Artist's Object
Category:Art History

When Art Leaves the Frame: The Nobility of the Artist's Object

How rugs, folding screens, ceramics and tapestries by major artists became museum-grade collectibles, and what to know before bringing one home. In 1911, Sonia Delaunay stitched a patchwork blanke...

Read more
Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still - Ideelart
Category:Art History

Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still

To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...

Read more