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Kim Uchiyama

1955
(USA) AMERICAN

WaveWave
Kim Uchiyama
Wave
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
PulsePulse
Kim Uchiyama
Pulse
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
Waterway IIWaterway II
Kim Uchiyama
Waterway II
Painting
81.3 X 91.4 X 0.0 cm 32.0 X 36.0 X 0.0 inch Sale price£4,600.00
Waterway IWaterway I
Kim Uchiyama
Waterway I
Painting
81.3 X 91.4 X 0.0 cm 32.0 X 36.0 X 0.0 inch Sale price£4,600.00
SwingSwing
Kim Uchiyama
Swing
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
RestRest
Kim Uchiyama
Rest
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
OctaveOctave
Kim Uchiyama
Octave
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
ChordChord
Kim Uchiyama
Chord
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch Sale price£1,350.00
TempoTempo
Kim Uchiyama
Tempo
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch

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RiseRise
Kim Uchiyama
Rise
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40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch

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LiftLift
Kim Uchiyama
Lift
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch

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CadenceCadence
Kim Uchiyama
Cadence
Painting
40.6 X 30.5 X 0.0 cm 16.0 X 12.0 X 0.0 inch

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Kim Uchiyama is an American abstract artist whose works use color to create light and form which activate the metaphysical potential of pictorial space. She lives and works in New York.

Education and Awards

Uchiyama studied art and literature at Drake University in Des Moines, IA and pre-Renaissance art history in Florence, Italy. She has studied art at Yale’s Summer School of Art & Music, Queens College, and the New York Studio School of Drawing, Painting and Sculpture. Her fellowships include the New York Foundation for the Arts, the MacDowell Colony, Virginia Center for the Creative Arts, Auvillar, France, and BAU Institute, Otranto, Italy. She is a member of American Abstract Artists.

Technique

Uchiyama’s watercolors convey brimming bands of enigmatic light. She employs saturated color to establish an overarching chorus, each band delineating its unique voice. The precise arrangement, like notes of a song, transfers energy from one moment to the next....

Uchiyama works with watercolor on Arches paper and oil paint on canvas and linen. She develops multiple images simultaneously. To begin each work, she waits to “see” an initial color on the blank surface before applying it to her ground. Each consecutive color builds on that original impulse to create a grid comprised of color shapes. Each layer possesses unique physical and material properties: some are opaque; others translucent; some are painterly; others flat. Each choice the artist makes serves to create a dynamic, multi-faceted composition that invites the viewer’s eye to move along with her and experience the way the painting was made.

Inspiration

One of Uchiyama’s inspirations was her teacher, the painter Nicolas Carone, who had himself studied with Modernist master Hans Hofmann. Uchiyama shares the emphasis that Carone and Hofmann placed on color, pictorial space, and the architecture of painting. She mobilizes these elements in her compositions to create a singular tension, harmony, and rhythm. Uchiyama is frequently inspired by the light and atmosphere of a specific place or landscape encountered in her travels. She uses color to communicate an emotive essence or feeling of that place - its light and shadow, its weight.

Art critic Michelle Aldredge says: “Patient, attentive viewers will find a lot to enjoy in Uchiyama’s paintings. Layers bubble beneath layers, colors recede or emerge from the canvas. Music is a useful parallel, since Uchiyama creates variations on a theme, much like a composer or jazz musician would–texture, rhythm, timbre, and harmony are integral to each piece.”

Relevant Quotes

Art critic Michelle Aldredge says about Uchiyama's work: “Patient, attentive viewers will find a lot to enjoy in Uchiyama’s paintings. Layers bubble beneath layers, colors recede or emerge from the canvas. Music is a useful parallel, since Uchiyama creates variations on a theme, much like a composer or jazz musician would–texture, rhythm, timbre, and harmony are integral to each piece.”

Exhibitions

Uchiyama has exhibited extensively in solo and group exhibitions throughout the United States, with recent solo exhibitions at Fox Gallery, NY, NY, Headwater Contemporary, Telluride, CO, and Kathryn Markel Fine Arts, Bridgehampton, NY.
Upcoming solo exhibitions include John Davis Gallery, Hudson, NY, and Galleria Agora, Palermo, Italy. Uchiyama’s work has been reviewed in ARTNews, The Brooklyn Rail, The New Criterion, Hyperallergic magazine, and The New York Times.

Portrait photo credit: Courtesy of Stephanie Buhmann, New York Studio Conversations, Part II, May 2018

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Solo Exhibitions

2019 (forthcoming) John Davis Gallery, Hudson, NY
2019 Galleria Agora, Palermo, Italy
2014 Fox Gallery, New York, NY “Plain Sight”
2013 Headwater Contemporary, Telluride, CO
2013 John Davis Gallery, Hudson, NY “Recent Paintings”
2012 Kathryn Markel Fine Arts, Bridgehampton, NY “Water Color”
2010 Lohin Geduld Gallery, New York, NY “Archaeo”
2008 Lohin Geduld Gallery, New York, NY “Recent Work”
2008 John Davis Gallery, Hudson, NY “Recent Work”
2006 Janet Kurnatowski Gallery, Brooklyn, NY “Strata”
2004 Penine Hart Gallery, New York, NY “Recent Work”
2000 Percival Galleries, Des Moines, IA “Recent Work”
1990 Cedarcrest College, Allentown, PA “Landscape”
1989 John Davis Gallery, New York, NY “New Works”
1988 Leslie Cecil Gallery, New York, NY “New Landscapes”
1986 John Davis Gallery, Akron, OH
1985 Leslie Cecil Gallery, New York, NY

Group Exhibitions

2018 Clara M. Eagle Gallery, Murray State University, Murray, KY “Blurring Boundaries: Continuity to Change, Women of AAA from 1937 to 2017”
2018 Ewing Gallery, University of Tennessee, Knoxville, TN “Blurring Boundaries: Continuity to Change, Women of AAA from 1937 to 2017”
2018 Westbeth Gallery, New York, NY “Beyond Black and White”
2017 The Curator Gallery, New York, NY “Color Perspective”
2016 The Painting Center, New York, NY “Band”
2016 Washington Printmakers Gallery, Washington, DC “Werner Drewes and 80 Years of the American Abstract Artists”
2016 Shirley Fiterman Art Center, Borough of Manhattan Community College, New York, NY “Chromatic Space”
2016 Rush Arts Gallery, New York, NY “21st Century Abstract Painting and Sculpture”
2016 1285 Avenue of the Americas Art Gallery, NY “The Onward of Art”
2016 Morris-Warren Gallery, New York, NY “Visible Histories”
2015 FiveMyles Gallery, Brooklyn, NY “Endless Entire”
2015 Janet Kurnatowski Gallery, Brooklyn, NY “Wave Length”
2014 Brian Morris Midtown, New York, NY “Freak Flag”
2014 Sideshow Gallery, Brooklyn, NY “To Leo, A Tribute from American Abstract Artists”
2014 490 Atlantic Gallery, Brooklyn, NY “Scott Endsley, Richard Timperio and Kim Uchiyama”
2014 Frank Martin Gallery, Muhlenberg College, Allentown, PA “Girl Band”
2013 Brian Morris Gallery, New York, NY “Sleight of Hand”
2012 Jason McCoy Gallery, New York, NY “Paper Band”
2011 Lohin Geduld Gallery, New York, NY “Rotation”
2010 Hofstra University, Hempstead, NY “Color, Time, Space”
2009 Lohin Geduld Gallery, New York, NY “Color, Time, Space”
2009 Janet Kurnatowski Gallery, Brooklyn, NY “Color, Time, Space”
2009 Janet Kurnatowski Gallery, Brooklyn, NY “Inside Abstraction”
2008 San Angelo Museum of Fine Arts, San Angelo, TX “Edward R. Broida: A Collector On the Edge”
2005 New York Studio School, New York, NY “The Continuous Mark: 40 Years of the New York Studio School” curated by Jen Samet
2004 Gallery Schlesinger, New York, NY “First Person”
1987 Des Moines Art Center, Des Moines, IA “Artists Born In Iowa: The Homecoming Exhibition” organized by the Iowa Arts Council curated by Eleanor Heartney

Publications/Catalogues

2018 Buhmann, Stephanie “New York Studio Conversations II” The Green Box, Berlin, May 2018
2016 Lippincott, Jonathan D “Chromatic Space: American Abstract Artists” Exhibition Brochure Essay 2016
2016 Wilkin, Karen “The Onward of Art: American Abstract Artists 80th Anniversary Exhibition” Exhibition Catalogue Essay 2016
2014 Buhmann, Stephanie “Girl Band” Muhlenberg College Exhibition Catalogue Essay 2014
2010 Wei, Lilly “Kim Uchiyama: Archaeo” Exhibition Catalogue Essay 2010
1986 Heartney, Eleanor “Toward An Expanded Regionalism” Artists Born In Iowa: The Homecoming Exhibition Exhibition Catalogue Essay 1986
1986 Stetson, Daniel E “Of Recognition & Reknowing” Artists Born in Iowa: The Homecoming Exhibition Exhibition Catalogue Essay 1986

Reviews and Articles

The New Criterion March 2016 “The Onward of Art: American Abstract Artists 80th Anniversary Exhibition” review by James Panero
The New Criterion January 2015 “Claire Seidl & Kim Uchiyama, Fox Gallery NYC” review by James Panero
The New Criterion February 2014 “Sideshow Nation II: At The Alamo” review by James Panero
ARTNews November 2010 “Kim Uchiyama: Archaeo” review by Doug McClemont
The New Criterion October 2010 “Kim Uchiyama: Archaeo” review by James Panero
The Brooklyn Rail October 2010 “Kim Uchiyama: Archaeo” review by Stephanie Buhmann
The New Criterion October 2009 “Color, Time, Space” review by James Panero
ARTNews December 2008 “Kim Uchiyama and Joanne Freeman” review by Lilly Wei
The New York Sun October 19, 2006 “Abstract Attention” review by Jennifer Riley
The New York Times January 2, 2004 “First Person” review by Ken Johnson
The International Edition of the Journal of Art January 1989 “Edward Broida: A Passion for Collecting the New” by Monica Incisa

Curatorial Projects

Morris-Warren Gallery NY “HeadSpace” with Amanda Church and Izam Zawhara 2016
Brian Morris Midtown, New York NY “Freak Flag” 2014
Brian Morris Gallery, New York NY “Physical Property” 2013
Hofstra University, Hempstead NY “Color, Time, Space” with Joanne Freeman 2010
Lohin Geduld Gallery, New York NY “Color, Time, Space” with Joanne Freeman 2009
Janet Kurnatowski Gallery, Brooklyn NY “Color, Time, Space” with Joanne Freeman 2009

Grants, Awards, Fellowships

American Abstract Artists Member 2014
VCCA Moulin-a-Nef, Auvillar, France 2012
The Bau Institute Artist Residency, Otranto, Italy 2011
The MacDowell Colony, Peterborough, NH Robert Motherwell Fellow 2010
The Virginia Center for the Creative Arts, Amherst, VA 2009
The MacDowell Colony, Peterborough, NH 2007
The Bau Institute Artist Residency, Otranto, Italy 2007
The Bau Institute Artist Residency, Otranto, Italy 2006
The New York Foundation for the Arts 1994
Louis Comfort Tiffany Grant Nominee 1986
Yale Summer School of Art & Music, Norfolk, CT 1976

Publications (Artist's Writings)

“John Opper: Paintings from the 1960’s and 1970’s” Berry Campbell Gallery, Delicious Line February 15, 2018
“Ardent Nature: Arshile Gorky Landscapes, 1943-47” Hauser & Wirth, New York, Delicious Line December 5, 2017
“Larry Zox” Berry Campbell Gallery, Delicious Line April 25, 2017

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