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Macha Poynder

1962
(FRANCE) FRENCH

Macha Poynder is a Russian-born, Paris-based artist whose multi-disciplinary oeuvre is inspired by the philosophies and aesthetic principles of Abstract Expressionism.

Education

Poynder moved permanently from Moscow to Paris in 1982. In 1983, she studied at the Ecole Nationale Supérieure des Beaux-Arts and in 1986 earned her degree from the Ecole Nationale Supérieure des Arts Décoratifs.

Technique

Though Poynder works in many mediums, including painting, drawing, photography, film, and performance, the heart of her practice has always been drawing and painting.

Her method emphasizes gesture, line, color, and space. Physicality and action are key to her technique....

To create her drawings and paintings she expands on the methods of the Abstract Expressionists, blending automatic drawing, performative gestures, and intuitive color choices to express the depths of her unconscious.

She works with multiple layers and colors, creating works that are defined by their complexity and depth. Her textured and painterly surfaces blend areas of apparent randomness where the paint has been splashed or dripped with areas of precision, where the paint has been applied with a deliberate, trained hand.

Inspiration

Poynder likens her painting process to the creation of music. She considers colors to be sounds, which can form the visual equivalent of chords when placed together in a composition. She seeks rhythm in her compositions, and strives to create a sense of structure....

When she first discovered the work of the Abstract Expressionists like Cy Twombly, Joan Mitchell, and Willem de Kooning, she found a kindred spirit in herself.

She is inspired by the emotive and performative aspect of how those artists worked. She paints sometimes as if she is dancing, with her lines recording the trajectory of her body and her mind.

Most importantly, she is inspired by the quest to forget what she knows, so she can become liberated from her own rules, and let intuition and instinct guide her while she paints.

Artist Statement

“I am arriving at a point, a threshold, where accumulated knowledge finally leaves, liberated from its control and domination. It turns into pure perception, when the link with the invisible, the unknown, and the infinite becomes clear. The painting can finally spring from its own source. Many things thus become possible. The broadening of perception causes the visual field to broaden, so the territory of a painting grows larger. And so on and so on, like a spiral with no end. Painting is one of the instruments for penetrating the mysteries of the world. Canvas, paper, surface are all windows where the visible and the invisible touch, come together, where the mystery is half open, and where the invisible is revealed.”

Exhibitions

Poynder has exhibited internationally. Recent solo exhibitions include Buci Gallery, Paris, T1 + 2 Gallery, London, and Modernism, San Francisco.

Collections

Her work is in the permanent collections of the Musée d'Art Moderne de la Ville de Paris, Centre Georges Pompidou in Paris, the Fine Arts Museums of San Francisco, the New York Public Library, and the Rijksmuseum, among others.

Galleries

Art Way, Paris
Modernism Inc., San Francisco

The Story of the Abstract Landscape in Art

The Story of the Abstract Landscape in Art

Abstraction is art’s Eminem. It came to challenge our perceptions. Consider what abstraction did for landscape painting. For centuries landscapes ranked pitifully low (just above animal paintings)...

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How to Hang Your Art?

How to Hang Your Art?

There is so much beauty out in the world that it's hardly surprising we want to capture a little of it and bring it into our homes by hanging art. But not everything in the world is clear; there i...

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What Is Abstraction in Art - Definition and Examples

What Is Abstraction in Art - Definition and Examples

The concept of Abstraction tends to divide opinion and has done for many years. What does it mean? How is it art? Something so apparently difficult to understand has naturally prompted many miscon...

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Education

1982-1986 École Nationale Supérieure des Arts-Décoratifs
1983 École Nationale Supérieure des Beaux-Arts
1982 Atelier Leconte
1969-1981 Drawing and painting classes with M. Illarionova, D. Doubrovin, P. Belvès, I. Zakharova, and K. Mordovin (Moscow - Paris - Moscow)

Selected One Person Exhibitions

2017 Recent Works, Jean et Danièle Attali, Paris
2016 Le bel aujourd’hui, Villa Seurat, Paris
2015 To Paint Is To Love Again, Galerie de Buci, Paris
2012 Night Paintings, Erco, Paris
2010 Lemon Geisha Conversation, T1+2 Gallery, London
2004 Shopping Bags, Modernism, San Francisco
2003 Shopping Bags, Franck et Fils, Paris
2000 Modernism, San Francisco
1994 Galerie François Mitaine, Paris
1994 Works on Paper, Sixth Annual Fair, La Boétie, Inc. & MJS, New York
1993 Personal Effects, La Boétie, Inc., New York
1993 Galerie J. & J. Donguy, Paris
1991 Monique Contencin, Paris
1990 Yaoundé, Cameroon, West Africa

Selected Group Exhibitions

2013 B.A.B.E. / The Best Artists’ Books and Editors, Galerie Immanence, Paris
2010 Galerie Drouart, Paris
2010 Born In The USSR, Made In France, Espace des Blancs-Manteaux, Paris
2007 Art Chicago, Modernism, Chicago
2006 Art Chicago, Modernism, Chicago
2005 Galerie Valérie Gérablié, Paris
2004 San Francisco International Art Exposition, Modernism, San Francisco
2003-2004 Recent Acquisitions of Contemporary Works on Paper, Fine Arts Museums of San Francisco
2003 Hidden Typography, St Bride Library, London
2002 San Francisco International Art Exposition, Modernism, San Francisco
2002 Art Chicago, Modernism, Chicago
2001 Art Chicago, Modernism, Chicago
2000 San Francisco International Art Exposition, Modernism, San Francisco
1999 San Francisco International Art Exposition, Modernism, San Francisco
1998 Galerie W, Paris
1997 Galerie Les Filles du Calvaire, Paris
1995 Works on Paper, Seventh Annual Fair, La Boétie, Inc. & MJS, New York
1994 Chez l’un l’autre, Paris
1993 Works on Paper, Fifth Annual Fair, La Boétie, Inc. & MJS, New York
1993 Biennale de Lyon, And They All Do Change the World, Lyon
1988 Downey Museum of Art, Los Angeles
1988 Zhejiang Academy of Fine Arts, Hangzhou, China
1988 Cambridge Multicultural Art Center, Boston
1986 Musée d’Art Moderne de la Ville de Paris
1986 Frankfurt Bookfair, Frankfurt
1984 Salon des Indépendants, Paris
1974 My Moscow, Moscow

Performances / Installations

2018 New Ground, photography and collages with Louis Jammes, Narbonne, France
2013 4 hands | m2, with Isabelle de Voldère, Clamecy, Burgundy
2012 Night Paintings/Light Movie/Random Wind, with Kirk Hellie, Nuit Blanche, Théâtre du Châtelet, Paris

Artist’s Books

2014 Une nuit à Yaoundé, with Jean-Luc Adde. Photography, inks, typed text/collages. Paris-Los Angeles, JLM Gallery, Inc.
2006 2006 ou les roses du bonheur. Gouaches, colored pencils, rubber stamps. Paris, Mouvement Art Libre
1997 Aller-simple. Collages, pastels, handwritten and typed text. Paris-New York, Mouvement Art Libre & MJS
1995 Le Cœur à gaz by Tristan Tzara. Gouache stencils, rubber stamps. Paris, Mouvement Art Libre
1993 Poèmes nègres, after the « poèmes nègres » adapted by Tristan Tzara. Collages, gouaches, typography. Paris-New York, Mouvement Art Libre, Transédition & MJS
1991 #19E, with Marc Dachy. Pastels. New York
1990 Afrique. Gouache stencils, typography, collages. Paris, Mouvement Art Libre
1985 La Punaise, after Vladimir Mayakovsky. Woodcuts. Paris

Books

2015 La Punaise, by Vladimir Mayakovsky. Woodcuts, reprint. Paris, The Hoochie Coochie
2002 Contes de fées. 16 poèmes enfantins, by e.e. cummings. Gouaches. Sauve, Clémence Hiver Éditeur
2000 La Gemella buona e la gemella cattiva, by Rosanna Campo. Gouaches. Milano, Giangiacomo Feltrinelli Éditeur
1988 Comment ça va?, by Vladimir Mayakovsky. Woodcuts. Paris, Clémence Hiver Éditeur
1985 La Punaise, by Vladimir Mayakovsky. Woodcuts. Offset reprint. Paris, ILM

Collaborations

2002 Chanel, 2002 Agnès B., 2003 Kenzo, 2004 Hermès

Selected Public Collections

Fine Arts Museums of San Francisco (Logan’s Collection), USA
Frankfurt Stadt Bibliothek, Germany
Gutenberg Museum, Mainz, Germany
Haags Gemeentemuseum, The Hague, Netherlands
Herzog Bibliothek, Wolfenbüttel, Germany
Klingspor Museum, Offenbach, Germany
Musée d’Art Moderne de la Ville de Paris, France
New York Public Library, USA
Rijksmuseum, Amsterdam, Netherlands

Press

Art Press, Galeries Magazine, Libération, Le Figaro, Le Monde, Le Nouvel Observateur, L’Infini, Elle, Cosmopolitan, Actuel, L’Autre Journal, Le Jour, Digraphe, “Femmes & Art au XXe siècle : Le temps des défis,” Epok, Le Matin, L’Echoppe, 7 à Paris, Jornal da Tarde (São Paulo), Le Bulletin du Bibliophile, La Part du livre, Lire Magazine, France Graphique, Livres-Hebdo, L’Oggetto Libro (Milano), Joyce Japan, Joong-Ang Daily News (Taïwan), Artima Taiwan Art Magazine, Pulse-UK, Boston Globe (London), Jornal da Tarde (São Paulo), La Repubblica (Roma), Corriere Adriatico (Italy), Il Giornale di Vicenza (Italy), Liberta (Italy), L’Arena (Italy), Corriere Adriatico (Italy), Gazetta del Sud (Italy), La Sicilia (Italy), Mezzanine (Moscow), Desillusionist (Moscow), Textilnaya Industria (Moscow), Lilit (Riga), Gallery SPB (Saint-Petersbourg), La Pensée Russe, La Nouvelle Parole Russe (New York)

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