Skip to content

Cart

Your cart is empty

Article: Daniel Göttin - Group exhibition "SAITAMA TRIENNALE 2016"

Daniel Göttin - Group exhibition "SAITAMA TRIENNALE 2016" - Ideelart

Daniel Göttin - Group exhibition "SAITAMA TRIENNALE 2016"

IdeelArt is pleased to announce Daniel Göttin’s participation atSAITAMA TRIENNALE 2016, taking place in the city of Saitama, Japan. The festival will bring together artists from all around the world, while the main theme of the Triennale 2016 is "Envisioning the Future!". There will be three main venues of SAITAMA TRIENNALE 2016 - Yonohonmachi station area – Omiya station area, Musashiurawa station area – Nakaurawa station area and Iwatsuki station area. Work by Daniel Göttin will be presented in the  Musashiurawa station area – Nakaurawa station area.

Daniel Göttin

Daniel Göttin is a Swiss artist, represented by IdeelArt, whose work is divided between site-specific work and colored or painted objects for walls. He lives and works in Basel. Göttin is working with common industrial material which can be paint, tape, wood, metal, polystyrene, plastic, carpet. In the series of works made of aluminum and painted MDF, he is creating a new quality of perception between concrete and abstract reality.

During the SAITAMA TRIENNALE 2016, Göttin is going to set up an outdoor piece, which will create a festal atmosphere in the public space. Visitors will find a great piece of installation art in the context of the familiar daily landscape. "SAITAMA TRIENNALE 2016" opens on September 24 and will run through December 11, 2016.  

 

Featured image: Daniel Göttin- Saitama Triennale 2016. 

Articles That You May Like

Three Masters of Color Blue in Contemporary Art

Three Masters of Color Blue in Contemporary Art

When you see the color blue, what do you feel? Would you describe it as something different than what you feel when you hear the word blue, or read the word blue on a page? Is the information comm...

Read more
When Art Leaves the Frame: The Nobility of the Artist's Object
Category:Art History

When Art Leaves the Frame: The Nobility of the Artist's Object

How rugs, folding screens, ceramics and tapestries by major artists became museum-grade collectibles, and what to know before bringing one home. In 1911, Sonia Delaunay stitched a patchwork blanke...

Read more
Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still - Ideelart
Category:Art History

Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still

To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...

Read more