Skip to content

Cart

Your cart is empty

Article: The Languages of Oil Painting

The Languages of Oil Painting - Ideelart

The Languages of Oil Painting

Oil paints are created by mixing dry pigments with a medium of “drying oil,” such as linseed oil or walnut oil, which binds the pigments, allowing them to be applied to a surface while wet where they then slowly dry. The drying time of oil paint depends on the type of medium used. Traditional oil paints can take as long as three weeks to dry, while certain modern oil paints, if diluted efficiently, can dry in a matter of just a few days. The type of oil used, and other factors such as the amount of dilution, can affect the visual qualities of the paint, making the sheen more or less luminous, the viscosity more or less thick, and the color more or less vibrant.

Although oil painting has been around since at least the 5th Century A.C.E., it potential is still being explored and expanded today. In her paintings, Anya Spielman demonstrates the fantastic range of hue, texture, luminosity and transparency that a painter can achieve with oils. Gudrun Mertes-Frady explores the transcendent qualities that can emerge when blending oil paints with other mediums, such as metallic pigments. Pierre Muckensturm and Xanda McCagg demonstrate in their paintings the depth of the relationships that can be aroused when mixing oil paints with other mediums such as acrylics and graphite. Yari Ostovany uses oil paints to create visceral depth, and to manifest the intense, elemental rawness of the medium itself. 

1182 - Arvid Boecker - Abstract Painting - Ideelart1182 - Arvid Boecker - Abstract Painting - Ideelart
Arvid Boecker
#1182
Painting
50.0 X 40.0 X 5.5 cm 19.7 X 15.7 X 2.2 inch

Sold

Purple Lush - Ashlynn Browning - Abstract Painting - IdeelartPurple Lush - Ashlynn Browning - Abstract Painting - Ideelart
Ashlynn Browning
Purple Lush
Painting
35.6 X 28.0 X 0.0 cm 14.0 X 11.0 X 0.0 inch Sale price£500.00
Untitled 7 - Claude Tétot - Abstract Painting - IdeelartUntitled 7 - Claude Tétot - Abstract Painting - Ideelart
Claude Tétot
Untitled 7
Painting
50.0 X 70.0 X 0.0 cm 19.7 X 27.6 X 0.0 inch Sale price£1,900.00
Endless Painting 3 - Dana Gordon - Abstract Painting - IdeelartEndless Painting 3 - Dana Gordon - Abstract Painting - Ideelart
Dana Gordon
Endless Painting 3
Painting
162.6 X 122.0 X 0.0 cm 64.0 X 48.0 X 0.0 inch

Sold

Faded Light - Gina Werfel - Abstract Painting - IdeelartFaded Light - Gina Werfel - Abstract Painting - Ideelart
Gina Werfel
Faded Light
Painting
137.0 X 122.0 X 0.0 cm 53.9 X 48.0 X 0.0 inch Sale price£6,550.00
Aviator - Margaret Neill - Abstract Painting - IdeelartAviator - Margaret Neill - Abstract Painting - Ideelart
Margaret Neill
Aviator
Painting
40.7 X 45.8 X 0.0 cm 16.0 X 18.0 X 0.0 inch Sale price£3,050.00
Untitled (Id. 1281) - Fieroza Doorsen - Abstract Painting - IdeelartUntitled (Id. 1281) - Fieroza Doorsen - Abstract Painting - Ideelart
Fieroza Doorsen
Untitled (Id. 1281)
Painting
27.0 X 19.0 X 0.0 cm 10.6 X 7.5 X 0.0 inch

Sold

Vernal - Melissa Meyer - Abstract Painting - IdeelartVernal - Melissa Meyer - Abstract Painting - Ideelart
Melissa Meyer
Vernal
Painting
76.2 X 61.0 X 0.0 cm 30.0 X 24.0 X 0.0 inch Sale price£20,700.00
Blue White Line - Xanda McCagg - Abstract Painting - IdeelartBlue White Line - Xanda McCagg - Abstract Painting - Ideelart
Xanda McCagg
Blue White Line
Painting
50.8 X 50.8 X 0.0 cm 20.0 X 20.0 X 0.0 inch Sale price£1,600.00
Interior with Paint Chips - Laura Newman - Abstract Painting - IdeelartInterior with Paint Chips - Laura Newman - Abstract Painting - Ideelart
Laura Newman
Interior with Paint Chips
Painting
183.0 X 142.0 X 0.0 cm 72.0 X 55.9 X 0.0 inch Sale price£12,150.00
Untitled - OL3.17 - Jean Feinberg - Abstract Painting - IdeelartUntitled - OL3.17 - Jean Feinberg - Abstract Painting - Ideelart
Jean Feinberg
Untitled - OL3.17
Painting
66.0 X 55.9 X 0.0 cm 26.0 X 22.0 X 0.0 inch Sale price£2,100.00
Paysage (Ref 18085) - by Martin Reyna - Abstract Painting - IdeelartPaysage (Ref 18085) - by Martin Reyna - Abstract Painting - Ideelart
Martin Reyna
Paysage (Ref 18085)
Painting
130.0 X 162.0 X 0.0 cm 51.2 X 63.8 X 0.0 inch Sale price£7,200.00
Overnight to Distant Cities - Matthew Langley - Abstract Painting - IdeelartOvernight to Distant Cities - Matthew Langley - Abstract Painting - Ideelart
Matthew Langley
Overnight to Distant Cities
Painting
91.5 X 91.5 X 0.0 cm 36.0 X 36.0 X 0.0 inch

Sold

Teach Us to Sit Still - Tracey Adams - Abstract Painting - IdeelartTeach Us to Sit Still - Tracey Adams - Abstract Painting - Ideelart
Tracey Adams
Teach Us to Sit Still
Painting
81.3 X 152.4 X 0.0 cm 32.0 X 60.0 X 0.0 inch

Sold

Pink Link - Jessica Snow - Abstract Painting - IdeelartPink Link - Jessica Snow - Abstract Painting - Ideelart
Jessica Snow
Pink Link
Painting
46.0 X 46.0 X 0.0 cm 18.1 X 18.1 X 0.0 inch Sale price£3,050.00
Red Stills 2 - Jill Moser - Abstract Painting - IdeelartRed Stills 2 - Jill Moser - Abstract Painting - Ideelart
Jill Moser
Red Stills 2
Painting
76.2 X 76.2 X 0.0 cm 30.0 X 30.0 X 0.0 inch

Sold

Articles That You May Like

Serious And Not-So-Serious: Macha Poynder In 14 Questions
Category:Interviews

Serious And Not-So-Serious: Macha Poynder In 14 Questions

The Secret Laws of the Universe At IdeelArt, we believe an artist’s story is told both inside and outside the studio. In this series, we pose 14 questions that bridge the gap between creative visi...

Read more
Developing the Optical Abstraction: How Victor Vasarely Found His Own Style - Ideelart
Category:Art History

Developing the Optical Abstraction: How Victor Vasarely Found His Own Style

It is sometimes assumed that when we talk about “arts and sciences” we are talking about distinctly different things. Science is about studying things, after all, whereas art is about creating thi...

Read more
The Power of Blue: From Historical Masters to Contemporary Abstract Art - Ideelart
Andy Harwood

The Power of Blue: From Historical Masters to Contemporary Abstract Art

When you see the color blue, what do you feel? Would you describe it as something different than what you feel when you hear the word blue, or read the word blue on a page? Is the information comm...

Read more