Skip to content

Cart

Your cart is empty

Article: The Week in Abstract Art - Group Dynamics

The Week in Abstract Art - Group Dynamics - Ideelart

The Week in Abstract Art - Group Dynamics

Often when the future first presents itself it is unrecognizable. We stare it right in the face and have no idea what it is or what it means. In the art world, we have a name for those among us who see, anticipate, understand and even create the shape of things to come. We call them the avant-garde. From the military meaning “advance guard,” the term refers to front line soldiers: the first to confront whatever challenges the rest of us will eventually face. One of the best ways curators and gallerists have developed to disseminate current transmissions from the avant-garde is to have a group exhibition. By pulling together work from a multitude of contemporary artists we can begin to formulate a glimpse of modernity’s mindset, to contextualize the visual alphabet of today’s visionaries and assemble a better understanding of the larger conversations occurring in their work. This week, in hopes of increasing our understanding of how artists help nudge us forward in time, we highlight four current avant-garde group exhibitions, some featuring work from the avant-garde of the past and some from that of today.

FORTY, at MoMA PS1, Long Island City, NY

On view through 28 August 2016

The most important factor for the creation of avant-garde art is to have the ability to experiment. MoMA PS1 has been on the forefront of contemporary art experimentation since they held their first exhibition in their non-profit exhibition space in 1976. The show Forty celebrates the 40th anniversary of that first groundbreaking exhibition. Organized by Alanna Heiss, PS1’s founder, it features work from 40 artists who were at the forefront of the alternative art space movement and who played a role in the early days of the gallery.

Postwar New York: Capital of the Avant-Garde,Acquavella Galleries, New York, NY

On view through 30 September 2016

Acquavella Galleries has been in operation for nearly 100 years. In the 1980s the gallery started collecting important work from members of the post-war avant-garde. This intimate exhibition features works by some of the most innovative post-war abstract avant-garde artists in their collection, including Kenneth Noland, Hans Hoffman and Claes Oldenburg.

Kenneth Noland - Mach II, 1964, acrylic resin on canvas, 98 x 208 inches

Painting as Neo Avant-Garde, Jerome Zodo Gallery, London

On view through 30 September 2016

For this exhibition, London’s Jerome Zodo Gallery has pulled together an assortment of works from the leading artists of what has come to be called the Neo Avant-Garde, a period in post war Europe stretching roughly from the late 1940s to the late 1970s. On view are selections from some of the most forward-thinking artists of the past century, including Lucio Fontana, Gerhard Richter and Arman.

Enrico Castellani - Untitled (Stripped Surface), 1961

O / U,an exhibition in two parts, at P! and Room East, New York, NY

On view through 20 August 2016

The title of this show refers to “over / under,” a phrase with connotations ranging from gambling, to politics, to sexuality and beyond. Featuring work from 25 contemporary avant-garde artists, this experimental exhibition/installation features unexpected and challenging aesthetic experiences that explore physical space, materials, mediums, production methods and the connection between figuration and abstraction in eye-opening ways.

Installation view of O/U ROOM EAST, New York, 2016

Featured Image: Catherine Calmers - Food Chain

Articles That You May Like

The Power of Blue: From Historical Masters to Contemporary Abstract Art - Ideelart
Andy Harwood

The Power of Blue: From Historical Masters to Contemporary Abstract Art

When you see the color blue, what do you feel? Would you describe it as something different than what you feel when you hear the word blue, or read the word blue on a page? Is the information comm...

Read more
When Art Leaves the Frame: The Nobility of the Artist's Object
Category:Art History

When Art Leaves the Frame: The Nobility of the Artist's Object

How rugs, folding screens, ceramics and tapestries by major artists became museum-grade collectibles, and what to know before bringing one home. In 1911, Sonia Delaunay stitched a patchwork blanke...

Read more
Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still - Ideelart
Category:Art History

Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still

To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...

Read more