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Jessica Snow

1964
(USA) AMERICAN

Jessica Snow is an American abstract artist whose paintings and drawings are distinguished by colourful and playful geometrics. A desire to make each new painting better than the last one continuously inspires the artist to make a painting that rests lightly in the world, a surface filled with metaphorical light, air, color, uplift and freedom.

"The colors and shapes of my work should hopefully make that person feel more at home in this world. If the painting succeeds in doing that, then I have accomplished something quite wonderful indeed".

She is based in San Francisco.

Education

The artist earned her BA in Art Studio at the University of California, Davis in 1988 and her Master of Fine Arts at Mills College, Oakland (CA) in 1996. When she arrived at UC Davis as a freshman, she began taking art classes in addition to other classes in the humanities, and from that point on, she was always making art. Additionally, she moved to Paris to pursue her studies in film theory but ended up visiting museums all around the city every day. Although she did consider a more scholarly route, she realized that being an academic was not for her—she was fundamentally an artist. Later she attended the Skowhegan School of Painting and Sculpture for a summer and then went to Mills for graduate school. The artist currently teaches painting, drawing and art history at the University of San Francisco.

Technique

As a multidisciplinary artist, she uses different media: when working with paper, panels or walls, she will employ acrylics while she will paint with oil on canvas or linen. She also recently experimented working on Dibond, a lightweight aluminum panel where she will combine both oil and acrylic and sometimes will use a black fine-point pen when drawing on the surface....

Each work results from preliminary studies drawn with pen or pencil and which sometimes can amount to 20 sketches.

Aesthetically, she wants the painting to look as if it "just happened" and paints in such a way that the brushstrokes disappear and the layers become imperceptible. She has a strong inclination to create something that looks instinctive and effortless. She prefers her paint to be as thin as possible while still holding color so that the light of the white surface it sits on will suffuse and enhance the color. She juxtaposes colors thoughtfully using as little paint as possible to get the desired effect—nothing more, and nothing less. Structure, form, colors and shapes are all fundamental in Jessica's practice—she combines playful curved, geometric and linear forms and shapes with bright color. However, colors aren't arbitrary in her work; they hold visual weight, heaviness or lightness, and after doing a preliminary drawing, she tries to get the color to do the same thing visually as in the monochromatic drawing from which she is working.

Inspiration

"I see my art as being continually at play between order and chaos or between systems that work and those that breakdown. That seems to be how my mind works...between order and chaos, between logic and emotion".

Going to the museums in Paris, while living there during her studies, helped her a great deal to understand the language of painting, the particularities of each artist's syntax. She spent countless hours in front of the paintings by Cézanne, Manet, Matisse, and van Gogh. Her visual art influences include Sophie Taeuber-Arp, Sol Lewitt, Lucio Fontana, and Ellsworth Kelly. In search for sources of inspiration, the painter traveled numerous times to London, Amsterdam, Madrid, Berlin and Florence where she was fascinated by the San Marco frescoes of Fra Angelico. Now, living in San Francisco, she travels most frequently to Los Angeles or NYC to look at art.

Relevant quotes

Kenneth Baker, in the San Francisco Chronicle, says about Jessica Snow: «By the way Snow varies color, materials, dimensions and geometry, she gets us to see every element as gendered. The passages that look like circuitry or constructivist abstraction have a masculine echo; those that suggest stitch-craft or horticulture or procreation make us think ‘feminine’, like it or not. Snow raises the important question: Where do these codes exist? Are they in our minds? What cultural force is it that makes them seem to inhere in certain colors and forms?»

Notable distinctions

2007
American Artists Abroad Program, Montevideo, Uruguay. Participation with the U.S. Embassy in workshops, lectures, and exhibitions.

Exhibitions

The SF-based painter has spent years perfecting the art of abstract painting and creating striking pieces that were on display in many solo exhibitions throughout the United States.

Some of her latest pieces on canvas and paper inspired by the percussive and architectural rhythms were exhibited at Galleri Urbane in SF. Entitled Refraction in the Line of Sight, the show was on view from November 2015 until January 2016. Her paintings have also been featured in various group shows worldwide including Australia, the Netherlands, France, and Germany.

Galleries

Pastine Projects, San Francisco
Jen Bekman Gallery, NYC

The Spatial Reliefs of Hélio Oiticica

The Spatial Reliefs of Hélio Oiticica

An exhibition of early works by Hélio Oiticica at Galerie Lelong & Co. New York is worth a trip to see, as it offers a glimpse into the pure plastic aestheticism that formed the basis of the o...

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The Systematic Paintings of Paul Mogensen

The Systematic Paintings of Paul Mogensen

Paul Mogensen creates pared down visual compositions based on simple mathematical systems. He expresses those systems through structured arrangements of squares, rectangles and lines. Each image h...

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The Wonders of Geometric Art of Latin America

The Wonders of Geometric Art of Latin America

One of the most intriguing exhibitions of abstract art anywhere in the world right now is on view at the Fondation Cartier pour l'Art Contemporain in Paris. Titled Southern Geometries, from Mexico...

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Female Artists in the Contemporary Reductive Art in an Exhibition in Kyiv

Female Artists in the Contemporary Reductive Art in an Exhibition in Kyiv

More than 100 years after it was painted, “Black Square” (1915), by Kasimir Malevich, remains one of the most influential works in the history of abstract reductive art. With this painting, as wit...

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Why Do Abstract Art Images Make us Feel so Good?

Why Do Abstract Art Images Make us Feel so Good?

When you look at abstract art images, how do they make you feel? Do you find that they tend to cause you to have a visceral emotional response? Does abstract art make you feel happy? Does it make ...

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Education / Residencies

1996 M.F.A., Mills College, Oakland, CA
1992 Skowhegan School of Painting and Sculpture
1988 Université de la Nouvelle - Sorbonne III, Paris, France
1987 B.A. in Art Studio, University of California, Davis, CA

Solo Exhibitions
2015 Refraction in the Line of Sight, Galleri Urbane, Dallas (November)
2013 In Living Color, Galleri Urbane, Dallas
2010 Multiple Plot Points, Jen Bekman Gallery, NYC; Paintings for the Corner of the Eye, Caffe Museo, SFMOMA
2008 Incident in the Territory of Invention, Merge Gallery, NYC
2007 Hi Jinx, Rena Bransten Gallery, San Francisco
2005 Stratagems for Living, Rena Bransten Gallery, San Francisco
2004 Orbits of Paradox, Riverside Art Museum, Riverside, CA
2003 The Optimist’s Conundrum, Rena Bransten Gallery, San Francisco
2001 Definition Proof, Post, Los Angeles
1999 Eccentricity of the Middle Ground, Four Walls, San Francisco
1998 Recent Paintings, SFMOMA Artist’s Gallery, San Francisco
1997 Fragile Boundaries, Susan Cummins Gallery, Mill Valley

Selected Group Exhibitions

2018 ICONS: W13, Bulgakov Museum, Kyiv, Ukraine (curated by Billy Gruner)
2018 Bread & Butter, Galleri Urbane, Dallas (curated by Adrian Zuniga)
2018 Summer Show, Gallery 1317, San Francisco (curated by Jeff Alan Gard)
2018 RNOP San Francisco, The Great Highway Gallery, San Francisco (curated by Billy Gruner)
2018 Artadia - Bay Area Awardees, Ascent, San Francisco (curated by Elizabeth Leach)
2018 KenxArteriors, Arteriors, Dallas (curated by Ken Downing)
2017 Black Box, Boecker Contemporary, Heidelberg, Germany
2017 Personals, Skowhegan New Work Project Space, NYC (curated by Paige Laino)
2017 A Call to Action, Kustera Projects, Red Hook, Brooklyn
2017 With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles
2017 Sanctuary City, San Francisco Art Commission Galleries (curated by Monica Lundy)
2017 Carry On: the Art + Architecture Faculty Triennial, Thacher Gallery, University of San Francisco (curated by USF Museum Studies graduate students)
2017 The Morning After, The Great Highway Gallery, San Francisco (curated by Leo Bersamina)
2015 Colour & Line Are Not Lies, Modern Art Projects, Blue Mountains and Raygun Projects, Toowoomba, Australia (curated by Tarn McLean and Kyle Jenkins)
2015 Formeel Waterverven, Waterland Museum, Purmerend, Netherlands (curated by Piet Knook)
2015 New Abstraction, Traywick Contemporary, Berkeley
2015 Paperazzi 4, Janet Kurnatowski Gallery, NYC
2014 Object, Object!!, Helmuth Projects, San Diego (curated by John Oliver Lewis and Jessica McCambly)
2014 Galleri Urbane Presents S.U.M., Salon Urbane at the Thunderbird, Marfa (curated by Adrian Zuniga)
2014 Steamed, Art + Science: Faculty Triennial, Thacher Gallery, University of San Francisco (curated by Joyce Grimm)
2014 Paperazzi 3, Janet Kurnatowski Gallery, NYC
2013 Light Space Projects/Rituals of Exhibition, H Gallery, Chiang Mai (curated by Giles Ryder)
2013 Color Theory: The Use of Color in Contemporary Art, Sonoma Valley Museum of Art (curated by Katrina Traywick)
2013 Dripping Color Amazement, oqbo galerie, Berlin
2013 Uncharted, Marina Cain Gallery, SF
2013 What's the Point?, Jen Bekman Gallery, NYC (curated by Jeffrey Teuton)
2011 Gifting Abstraction, Soho20 Chelsea Gallery (curated by Mariangeles Soto-Diaz)
2011 Chroma: About Color, Marina Cain Gallery, SF
2010 Touch, Paris Concret (curated by Brent Hallard)
2010 Informal Relations, Indianapolis Museum of Contemporary Art (curated by Scott Grow)
2009 Mixtape, Jen Bekman Projects, NYC
2009 Fate and Freewill, Contemporary Art Space, Riverside, CA (curated by David Leapman)
2007 Colectiva de las Artistas, Galeria Isidro Miranda, Buenos Aires
2007 Art in Embassies, U.S. Embassy, Montevideo, Uruguay
2007 Tree, Linda Hodges Gallery, Seattle, WA
2005 Neo-Mod: New Northern Californian Abstraction, Crocker Art Museum, Sacramento, CA, and the Monterey Art Museum (curated by Diana Daniels)
2005 The Anniversary Show, Rena Bransten Gallery, SF
2004 The World Becomes a Private World: Selections from the Collection of Penny Cooper and Rena Rosenwasser, Mills College Art Museum, Oakland
2004 Architectonics, Rena Bransten Gallery, San Francisco
2004 Observations, Carl Berg Gallery, Los Angeles
2002 New Painting and Sculpture, Traywick Contemporary, Berkeley
2002 Abstraction, Rena Bransten Gallery, San Francisco
2001 Space Oddity, Joseph Nease Gallery, Kansas City
2001 Climax, jennjoy gallery, SF
2001 Poor Walls, Quotidian Gallery, SF
2001 Pierogi Flat Files, H&R Block Artspace, Kansas City Art Institute
2000 Paper Cuts, Rena Bransten Gallery, SF
2000 Works on Paper, Post, Los Angeles
2000 Artcouncil Award Show, Jernigan Wicker Fine Arts, SF
2000 Multiple Sensations: The Pierogi 2000 Flatfiles, Yerba Buena Center for the Arts, SF
2000 Haulin’ Ass: Pierogi in L.A., Post, Los Angeles
2000 Yellow: The First Color, Bedford Gallery, Walnut Creek, CA
1999 No Image at New Image, New Image Art, West Hollywood
1999 Scopic: Magnify the Times, San Jose Institute of Contemporary Art (curated by Julie Deamer)
1999 Nothing But Time, Southern Exposure, SF (curated by David Ross)
1999 A Skowhegan Decade, David Beitzel Gallery, New York
1999 Post-Postcard, Four Walls, San Francisco
1997 Seduced by Surface: 8 Bay Area Painters, University Art Gallery, UC San Diego (curated by Daniel Foster)
1997 Three Artists, Natalie and James Thompson Art Gallery, San Jose State University
1997 Fire and Light, Susan Cummins Gallery, Mill Valley
1996 Master of Fine Arts Exhibition, Mills College Art Museum, Oakland
1996 10th Annual National Exhibition, Berkeley Art Center
1996 Emerging Bay Area Artists, Mace Space for Art, San Francisco

Awards

2007 American Artists Abroad Program, Montevideo, Uruguay – Participation with the U.S. Embassy in workshops, lectures, and exhibitions
2002 SECA Nomination, San Francisco Museum of Modern Art
2000 Artadia Award in the Visual Arts Grant
1995 Edwin and Adalaine Cadogan Fellowship Award
1996 Juror’s Award, Berkeley Art Center’s 10th Annual National Exhibition
1994 First Place Award, San Jose Art League’s 2-D Contemporary

Selected Publications

2005 Baker, Kenneth “Artists Embrace Sleight of Hand,” SF Chronicle, 5/28/05
1999 Baker, K “Journey Through the Middle Way,” SF Chronicle, 6/26/99
2007 Bamberger, Alan “Opening at Rena Bransten Gallery,” Artbusiness.com, 5/24/07 and 5/12/05
1999 Bonetti, David “Gallery Watch,” SF Examiner, 6/30/99
2008 Bogert, Rachael “Cultural Bridge,” UCDavis Magazine, Spring 2008, p.37
2015 Bowie Style Print and Pattern: Geometric, Laurence King Press, London
2001 Cain, Marcus “A is for Abstract,” REVIEW, Vol. 3, Kansas City, July 2001
2007 Callaway, Bob “Jessica Snow at Rena Bransten,” Artfever, Blogspot.com, 6/9/07
Camplin, Todd “Jessica Snow + Donald Martini at Galleri Urbane,” Modern Dallas, 10/13
2001 Crump, Anne “Ordered Abstraction,” SF Examiner, 7/13/01

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