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Tracey Adams

1954
(USA) AMERICAN

118.6118.6
Tracey Adams
118.6
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.5118.5
Tracey Adams
118.5
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.4118.4
Tracey Adams
118.4
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.3118.3
Tracey Adams
118.3
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.2118.2
Tracey Adams
118.2
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.15118.15
Tracey Adams
118.15
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.14118.14
Tracey Adams
118.14
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
118.13118.13
Tracey Adams
118.13
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
(r) evolution 31(r) evolution 31
Tracey Adams
(r) evolution 31
Painting
76.2 X 152.4 X 0.1 cm 30.0 X 60.0 X 0.0 inch Sale price£7,100.00
Balancing Act 1Balancing Act 1
Tracey Adams
Balancing Act 1
Painting
62.0 X 50.8 X 0.0 cm 24.4 X 20.0 X 0.0 inch Sale price£1,300.00
Balancing Act 3Balancing Act 3
Tracey Adams
Balancing Act 3
Painting
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch Sale price£1,300.00
Balancing Act 2Balancing Act 2
Tracey Adams
Balancing Act 2
Painting
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch Sale price£1,300.00
Anything You Lose Comes Round in a Different FormAnything You Lose Comes Round in a Different Form
Tracey Adams
Anything You Lose Comes Round in a Different Form
Painting
122.0 X 91.4 X 0.1 cm 48.0 X 36.0 X 0.0 inch Sale price£6,800.00
Tangle 17Tangle 17
Tracey Adams
Tangle 17
Painting
76.2 X 56.0 X 0.0 cm 30.0 X 22.0 X 0.0 inch Sale price£3,200.00
Sattva 40Sattva 40
Tracey Adams
Sattva 40
Painting
86.36 X 66.04 X 0.0 cm 34.0 X 26.0 X 0.0 inch Sale price£2,600.00
Sattva 39Sattva 39
Tracey Adams
Sattva 39
Painting
86.36 X 66.04 X 0.0 cm 34.0 X 26.0 X 0.0 inch Sale price£2,600.00
Lumenis 44Lumenis 44
Tracey Adams
Lumenis 44
Painting
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch Sale price£2,700.00
Lumenis 43Lumenis 43
Tracey Adams
Lumenis 43
Painting
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch Sale price£2,700.00
Linear MomentumLinear Momentum
Tracey Adams
Linear Momentum
Painting
91.5 X 91.5 X 0.0 cm 36.0 X 36.0 X 0.0 inch Sale price£4,500.00
Why I wake earlyWhy I wake early
Tracey Adams
Why I wake early
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch Sale price£6,250.00
(r) evolution 28(r) evolution 28
Tracey Adams
(r) evolution 28
Painting
121.92 X 101.6 X 0.0 cm 48.0 X 40.0 X 0.0 inch Sale price£6,850.00
Guna TTGuna TT
Tracey Adams
Guna TT
Painting
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch Sale price£2,750.00
Guna IIGuna II
Tracey Adams
Guna II
Painting
91.4 X 66.0 X 0.0 cm 36.0 X 26.0 X 0.0 inch Sale price£2,750.00
0218-110218-11
Tracey Adams
0218-11
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
0218-100218-10
Tracey Adams
0218-10
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch Sale price£1,300.00
Music is a Means of Rapid TransportationMusic is a Means of Rapid Transportation
Tracey Adams
Music is a Means of Rapid Transportation
Painting
76.2 X 56.0 X 0.0 cm 30.0 X 22.0 X 0.0 inch

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Balancing Act 4Balancing Act 4
Tracey Adams
Balancing Act 4
Painting
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch

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Teach Us to Sit StillTeach Us to Sit Still
Tracey Adams
Teach Us to Sit Still
Painting
81.3 X 152.4 X 0.0 cm 32.0 X 60.0 X 0.0 inch

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(r) evolution 51(r) evolution 51
Tracey Adams
(r) evolution 51
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 34(r ) evolution 34
Tracey Adams
(r ) evolution 34
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 14(r ) evolution 14
Tracey Adams
(r ) evolution 14
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 2(r ) evolution 2
Tracey Adams
(r ) evolution 2
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 39(r ) evolution 39
Tracey Adams
(r ) evolution 39
Painting
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 22(r ) evolution 22
Tracey Adams
(r ) evolution 22
Painting
76.2 X 152.4 X 0.0 cm 30.0 X 60.0 X 0.0 inch

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(r ) evolution 20(r ) evolution 20
Tracey Adams
(r ) evolution 20
Painting
101.6 X 76.2 X 0.0 cm 40.0 X 30.0 X 0.0 inch

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Guna RRGuna RR
Tracey Adams
Guna RR
Painting
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna QQGuna QQ
Tracey Adams
Guna QQ
Painting
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna HHGuna HH
Tracey Adams
Guna HH
Painting
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna JJGuna JJ
Tracey Adams
Guna JJ
Painting
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Obligation to RetreatObligation to Retreat
Tracey Adams
Obligation to Retreat
Painting
76.2 X 81.2 X 0.0 cm 30.0 X 32.0 X 0.0 inch

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Utopia for Practical PurposesUtopia for Practical Purposes
Tracey Adams
Utopia for Practical Purposes
Painting
81.2 X 76.2 X 0.0 cm 32.0 X 30.0 X 0.0 inch

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0218-120218-12
Tracey Adams
0218-12
Painting
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch

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Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance.She lives and works in Carmel, California.

Education

Adams earned her BA from Mount St. Mary's College in Los Angeles in 1978. She studied printmaking and painting at the School of the Museum of Fine Arts in Boston from 1979 to 1981, and earned her Master's Degree from the New England Conservatory of Music in 1980. She has received several fellowships and grants, including the Pollock-Krasner Foundation Grant in 2015, a grant from the US Department of State and the Ministry of Culture, and a Vermont Studio Center Fellowship.

Technique

Adams works on panel and paper, using a mixture of paint, encaustic and graphite as well as elements of monotype and collage. Planning and intuition equally inform her process. Often, she will begin a work or a series from the perspective of an exact mathematical formula, planning compositional elements in advance. Other times she will begin with a grid structure then work within that structure, incorporating organic, performative gestures and expressive brushwork. Regardless where a particular work begins, Adams engages in an open, exploratory process that allows the work to evolve. Often the finished result is a mixture of her original idea and her instinct, creating a composition that captures the essence of the harmony of mind and emotion.

Inspiration

Her background in music is what most inspires Tracey Adams. Her works draw heavily on musical structure, rhythm and composition. Her color choices speak to her personal surroundings living on a peninsula near Monterrey in central California. The light off of the water, the muting capacity of the fog, the colors of the setting sun and the palette of the lush local flora all find their way into her work. While a graduate student, Adams was able to work often with the composer and artist John Cage, who profoundly influenced her progress. She has said that her work strives to capture the calmness and beauty of an environment she would like to be in herself.

Artist Statement

“I live near the Pacific ocean and walk along the beach everyday - all the beautiful limb-like forms of seaweed and algae find their way into my work as do the colors of the water, sky and tree forms. I work on a continuum of organic gesture to geometry. They represent two distinct, but very real sides of who I am. My mind is very organized…while at the same time, I love to draw in an unrestricted and intuitive way with lots of physical movement. The challenge comes in trying to merge both cohesively.”

Exhibitions

Adams has exhibited extensively in solo and group shows throughout the United States and occasionally in Europe.

Collections

Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art Museum, and the Santa Barbara Museum of Art. Her work is also part of multiple corporate collections, including those of Adobe Systems, AT&T Corporate Headquarters, Hallmark Corporate Headquarters, Sony Corporation, and Intel.

Galleries

Winfield Gallery, Carmel, CA
Bryant Street Gallery, Palo Alto, CA
M.A. Doran Gallery, Tulsa, OK
Patricia Rovzar Gallery, Seattle, WA
Anne Loucks Gallery, Glencoe, IL
Ann Connelly Fine Art, Baton Rouge, LA

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Education 

1979 - 1981 Graduate work in printmaking, School of the Museum of Fine Arts, Boston  

1980 MM, New England Co nservatory of Music, Boston 

1978 BA, Mount St. Mary’s College, Los Angeles

Solo Exhibitions 

2018 Primordial Soup San Jose Institute of Contemporary Art, San Jose, CA (Curator: Cathy Kimball) 

2016 Cause and Effect: Mapping a Dialogue Bryant Street Gallery, Palo Alto, CA 

2014 Patterns of Infinity Bryant Street Gallery, Palo Alto and Winfield Gallery, Carmel 

2013 Lumenis Winfield Gallery, Carmel 

2012 Oblique Intention Patricia Rovzar Gallery, Seattle and Bryant Street Gallery, Palo Alto 

2011 Perspectives in Balance Anne Loucks Gallery, Glencoe, IL 

2011 Between Gesture and Geometry Fresno Art Museum, Fresno 

2010 Elements of Harmony Mark Gallery, Englewood, NJ 

2010 Between Gesture and Geometry Gebert Gallery, Venice, CA 

2010 Spontaneous Meditations Anne Loucks Gallery, Chicago 

2009 Synapse/Synapses Monterey Peninsula College, Monterey 

2009 Recent Encaustic Paintings Patricia Rovzar Gallery, Seattle 

2009 Mindful Inversions Santa Cruz Museum of Art and History and Bryant Street Gallery, Palo Alto 

2008 Recent Encaustic Paintings Patricia Rovzar Gallery, Seattle 

2007 Music of Spheres, Rhythm of Squares Melanee Cooper Gallery, Chicago 

2007 Thinking in Circles Bryant Street Gallery, Palo Alto 

2006 The Perfection of Imperfection Bryant Street Gallery, Palo Alto & Winterowd Fine Art, Santa Fe 

2005 The Symmetry of Asymmetry Monterey Museum of Art and Bryant Street Gallery, Palo Alto 

2003 Routines and Rituals Bryant Street Gallery, Palo Alto 

2002 Intervals: Gesture to Icon Kathryn Markel Fine Arts, New York City and Bryant Street Gallery, 

2001 Intimate Possibilities Sandy Carson Gallery, Denver and Bryant Street Gallery, Palo Alto 

2000 Broken Symmetry Kathryn Markel Fine Arts, New York City 

1999 New Work Andrea Schwartz Gallery, San Francisco 

1998 New Monotypes Winfield Gallery, Carmel 

1996 Ambiguities Monterey Peninsula College, Monterey 

Selected Group Exhibitions 

2017 Storied Paper Carl Cherry Center for the Arts Carmel, CA (Curator: Robert Reese) 

2017 Brand Spanking Blue Bryant Street Gallery, Palo Alto, CA 

2017 Work X 5 Clark Gallery, Lincoln, MA 

2017 Art on Paper NY, K. Imperial Fine Art, San Francisco, CA 

2016 PAPER: burned, cut, folded and stitched Bryant Street Gallery, Palo Alto, CA (Curator: Tracey Adams) 

2016 Art on Paper K. Imperial Fine Art, NYC, NY 

2016 In the Abstract Anne Loucks Gallery, Glencoe, IL 

2016 24th Annual Group Exhibition Rovzar Gallery, Seattle, WA 

2015 Between The Spaces, Butters Gallery, Portland, OR (Curator: Elise Wagner) 

2015 Art on Paper, K. Imperial Fine Art, NYC, NY 

2015 ArtHamptons, Bruce Lurie Gallery, Los Angeles, CA 

2015 Adaptations, Patricia Rovzar Gallery, Seattle, WA 

2015 eXXpectations, Cornell Museum of Art, DelrayBeach, FL (Curator: Melanie Johanson) 

2015 Momentum Transferred, Bruce Lurie Gallery, Los Angeles, CA 

2014 Swept Away: Translucence, Transparence, Transcendence in Contemporary Encaustic Hunterdon Art Museum, Clinton, NJ 

2014 SHIFT: Five Decades of Contemporary California Painting Monterey Museum of Art, Monterey 

2014 The Circle Game Tucson Art Museum, Tucson 

2014 Outside/In K. Imperial Fine Art, San Francisco 

2013 Facing Forward, Recent Acquisitions: 2000 to Present Monterey Museum of Art, Monterey 

2013 Swept Away: Translucence, Transparence, Transcendence in Contemporary Encaustic Cape 2013 Cod Museum of Art, Dennis, MA (Curator of Exhibitions: Michael Giaquinto 

2013 Elephant in the Room: Contemporary Work in Encaustic Laconia Gallery, Boston (Curators: Linda Cordner and James Hull) 

2013 Conference Instructors Exhibition Schoolhouse Gallery, Provincetown 

2012 Winter Exhibition: Recent Acquisitions Bakersfield Museum of Art, Bakersfield 

2012 LA Art Show Gebert Gallery, LA Convention Center, Los Angeles 

2012 Affordable Art Fair Patricia Rovzar Gallery, Seattle Center, Seattle 

2011 Action Abstraction Mark Gallery, Englewood, NJ 

2011 Rock, Scissors, Paper: Bay Area Collage Bryant Street Gallery, Palo Alto 

2011 Third Anniversary Show Gebert Gallery, Venice, CA 

2011 San Francisco Fine Art Fair Bryant Street Gallery, San Francisco 

2010 Vessels Bakersfield Museum of Art, Bakersfield (Curator: Aaron Weisenfeld) 

2010 Los Angeles Art Fair Los Angeles Convention Center, Gebert Gallery, Venice, CA 

2010 Working with Wax: Contemporary Encaustic Painting in Northern California Santa Rosa 2010 Junior College, Santa Rosa, CA (Curator: Thomas Morphis) 

2009 PRINTED Cabrillo College Gallery, Aptos, CA (Juror: Archana Horsting) 

2009 Diverse Impressions: Bay Area Abstraction Triton Museum of Art, Santa Clara, CA (Curator: George Rivera) 

2009 225º F: Encaustic Encounters Turchin Center for the Arts, Boone, NC (Curator: Brook Bower) 

2009 4th Annual Encaustic Invitational Conrad Wilde Gallery, Tucson (Curator: Elizabeth Meigs) 

2008 trans+lucent Gebert Gallery, Venice, CA 

2008 New Encaustic Paintings Julie Nester Gallery, Park City 

2008 Relative Geometries Conrad Wilde Gallery, Tucson (Curator: Elizabeth Meigs) 

2008 Contemporary Ruin Escondido Museum, Escondido, CA (Curator: Olivia Luther) 

2008 A View of the Collection Santa Cruz Museum of Art and History, Santa Cruz 

2007 Three Encaustic Painters: Tracey Adams, Mark Rediske, Tony Scherman Carson Masuoka Gallery, Denver 

2007 Encaustic Works 2007 Ball State University, Muncie, IN and Watermark/Cargo Gallery, Kingston, NY (Juror: Joan Snyder) 

2007 California Views National Steinbeck Museum, Salinas, CA (Curator: Scott Shields) 

2007 Affordable Art Fair Julie Nester Gallery and Bryant Street Gallery, New York City 

2006 SFMOMA Art Auction 2006 San Francisco Museum of Modern Art, San Francisco 

2006 Invitational Auction (fundraiser) San Jose Institute of Contemporary Art, San Jose 

2006 Art (212) The 69th Regiment Armory, Kathryn Markel Fine Arts, New York City 

2005 Gallery Artists Allene Lapides Gallery, Santa Fe 

2005 Works on Paper The 69th Regiment Armory, Kathryn Markel Fine Arts, New York City 

2005 Monothon San Jose Institute of Contemporary Art, San Jose 

2004 Between the Lines: Traveling Full Circle Carl Cherry Center for the Arts, Carmel 

2003 Images of Vermont (traveling exhibition) Andy Warhol Museum, Medzilaborce, Slovak Republic; Východoslovenská galéria v Kosiciach, Kosice, Slovak Republic; Sarisská galéria, Presov, Slovak Republic; and US Steel Towers, Pittsburgh 

2001 Juried Exhibition Monterey Museum of Art, Monterey (Juror: Cathy Kimball) 

2000 Invitational Miniature Show Bolinas Museum, Bolinas, CA 

2000 Artstravaganza Hunter Museum of American Art, Chattanooga (Curator: Helene Seeman) 

1999 Small Things Come in Good Packages Kathryn Markel Fine Arts, New York City 

1998 A Three Point Perspective Carl Cherry Center for the Arts, Carmel 

1998 Gallery Artists Solomon Projects, Atlanta 

1996 Five Gallery Artists Los Angeles County Museum Rental and Sales Gallery, Los Angeles 

1996 The Monotype: Method to Magic (Curator: Tobin Keller), Cabrillo College Gallery, Aptos, CA 

1995 Janet Turner National Print Competition CSU Chico, CA (Juror: Marion Epting) 

1995 National Works on Paper VII Valdosta University, Valdosta, GA (Juror: William Walmsley) 

Awards And Honors 

2015 Pollock - Krasner Foundation Grant  

2014 Visual Artist - in - Residence, Music at Menlo Chamber Music Festival & Institute , Atherton, CA  

2007 Third - place , California Views: Portals and People , National Steinbeck Museum, Salinas, CA  

2005 Residency and s tipend , Bemis Art Center, Omaha, NE , to collaborate on public project in 2005 Slovak Republic with Virginia Folkestad and Lena Leskova  

2004 Artist’s Grant , Ministry of Culture, Slovak Republic , Between the Lines: Traveling Full 

2004 Publication invitation , Trillium Press (Brisbane, CA) for a series of monoprints  

2003 Artist’s Grant , US Department of State , to support Images of Vermont exhibit at the Andy Warhol Museum, Medzilaborce, Slovakia  

2003 Artist’s Grant, US Steel , to support Images of Vermont exhibit at the Andy Warhol Museum, Medzilaborce, Slovakia and US Steel Towers, Pittsburgh  

1995 Scholarship, California State University , Long Beach to participate in “The Transient Image”  

1995 Artist’s Grant (p rintmaking ) , The Community Foundation of Monterey  

1995 Artist’s Fellowship, Vermont Studio Center , Johnson, VT

Museums Collections 

Bakersfiel d Museum of Art, Bakersfield Crocker Museum, Sacramento Fresno 

Museum of Art, Fresno Hunterdon Art Museum, Clinton, NJ Mont erey Museum of Art, Monterey Museum of Contempora ry Art, Hot Springs, AR 

New Museum Los Gatos, Los Gatos, CA Santa Barbara Museum of Art, Santa Barbara 

Santa Cruz Museum of Art and History, Santa Cruz Tucso n Museum of Art, Tucson 

Selected Public Collections 

Beverly Hills P ublic Library, Beverly Hills 

Dallas Arboretum and Botanic al Gardens, Dallas 

David & Lucille Packard Foundation, Los Altos, CA 

Monterey Bay Aquarium, Monterey New England C onservatory of Music, Boston 

Ohio State University Medical Center, Columbus 

Planned Parenthood of Massachusetts , Boston 

US Department of the Army, Washington DC 

US Department of the Army, Seoul, Korea 

US Department of State, Washington DC 

University of California, Santa Cruz 

U C Medical Center, San Francisco 

University of Wiscon sin Medical Center, Madison 

Corporate Collections 

Adobe Systems, San Jose 

AT&T Corporate Headquarters, Los Angeles 

Canon Corporation, San Jose 

The Chubb Group, Warren, NJ 

Fidelity Investments, Boston, MA 

Ford Motor Company, Dearborn 

General El ectric Corporation, Stamford, CT 

Hallmark Corporate Headquarters, Kansas City, MO 

Intel, In c., San Jose 

McKinsey & Co., Washington, DC 

Pfizer Pharmaceutical, New York City 

Sony Corporation, San Jose 

Sprint Corporate Headquarters, Overland Park, KS 

Stanford University Hospital, Stanford, CA 

Toyota Corporation, Torrance, CA 

VISA Corporate Headquarters, Sa 

Publications: Catalogs 

2016 PAPER: burned, cut, folded and stitched, Bryant Street Gallery, Palo Alto, CA Issuu (online) 

2014 Swept Away: Translucence, Transparence,Transcendence in Contemp orary Encaustic , Hunterdon Art Museum, Clinton, NJ 

2014 Patterns of Infinity, Paintings of Tracey Adams, Bryant Street Gallery, Palo Alto. Ninth Annual Encaustic Invitational , Conrad Wilde Gallery, Tucson. 

2013 Lumenis , New Paintings of Tracey Ada ms, Wi nfield Gallery, Carmel . 

2013 Swept Away: Translucence, Transparence,Transcendence in Contemporary Encaustic , Cape Cod Museum of Art . 

Elephant in the Room: Contemporary Work in Encaustic , Laconia Gallery, Boston. 

2009 Insight/Inside , LA St. Mary’s College, Los Angeles . 

2007 Encaustic Works 2007 , Ball State University, Muncie, IN . 

2006 SFMOMA Art Auction 2006 , San Francisco Museum of Modern Art . 

2005 The Symmetry of Asymmetry , Monterey Museum of Art, Monterey . 

2004 Between the Lines: Traveling Full Circle , Car l Cherry Center for the Arts, Carmel . 

2003 Images of Vermont (traveling exhibition), Andy Warhol Museum, Medzilaborce, Slovakia . 

2002 Intervals: Gesture to Icon , Kathryn Markel Fine Arts, New York City . 

2001 Intimate Possibilities , Carson Masuoka Gallery , Denver Books 

2015 Linda Womack. Embracing Encaustic: Learning to Paint With Beeswax, Vol. III . 

2013 Catherine Nash. Authentic Visual Voices: Contemporary Paper & Encaustic . 

2012 Michelle Belto. Paper + Wax: Techniques in Handmade Paper and Enca ustic . Cincinnati: North Light Books. 

2010 Lissa Rankin. Encaustic: A Guide to Creating Fine Art with Wax. Watson - Gupthill. 

2010 Selected Reviews/Articles 

2016 Tracey Adams . “ Cut and Paste” , Professional Artist Magazine , Orlando, FL, December 

 2016 Kathryn Markel, “ In Conversation with Tracey Adams” , www.markelfinearts.com , September 

 2016 Elise Morris. The Studio Work blog, March 22 

2015 Images used in Catamaran Literary Reader, Spring, Santa Cruz, CA. 

2014 John Seed. “Everything in My Life is Interconnected.” Huffington Post , August 11. 

2014 Brenda Hope Zappitell. “Tracey Adams: Her Process and Advice.” Professional Artist Magazine , July 30. 

2013 “Lumenis: New Paintings by Tracey Adams on View at the Winfield Gallery.” ar tdaily.org, 15 April. 

2013 Joanne Mattera. “ Extravagent Light ” (catalog essay). Swept Away: Translucence, 2013 Transparence, Transcendence in Contemporary Encaustic . Dennis, MA: The Cape Cod Museum of Art. 

2012 Debbi Lester. “ Tracey Adams and Radix 3 .” Art Access , 21 ( Summer ). 

2011 Donald Munro . “The Human Touch Exhibit Focuses on Form . ” Fresno Bee , February 3 . 

2009 Erin Clark. “Art Book Report: Mindful Inversions . ” Artworks , Fall . 

 Regina Cano. “ Exhibit Uses Patterns to Stimulate the Senses . ” Chautauqua Da ily , July 29 . 

2008 Geoff Wichert. “Color from the Hive . ” 15 Bytes , September ( www.artistsofutah.org ). 

2007 Michael Paglia . “Four Encaustic Artists.” Denver Westword , December 20 . 

2005 Lisa Crawford Wat son. “The Symmetry of Asymmetry.” Monterey Herald , February 17 . 

2005 Rick Deragon. “Shape Shifter . ” Coast Weekly , January 20 . 

2004 “A dvanced States of Concentration. ” Tricycle: The Buddhist Review , Winter . 

2003 “Pripomina vlnu i cudnu husenicu . ” Korzar , March 24 . 

2003 Miloslava Hriadelova. “Hladam ludi, ktori ma zaujmu . ” Kosicky Vecer, March 26 . 

2003 Rick Deragon. “Ancient Voyages . ” Coast Weekly , November 26 . 

2002 Rick Deragon . “Her Art, Her Story. ” Coast Weekly , November 7 . 

2000 Ann Nichols. “Artstravaganza 20 00.” Chattanooga Free Press, May 21 . 

1996 Kathryn M. Nichols. “Monotype Artist’s Plate is Full .” Monterey Herald , February 1, p. 8 . 

1996 Interviews/Presentations 

2014 “Video Project: The Art of Tracey Adams.” Interview at Music at Menlo, July 30. 

2014 “Café Conversations.” Interviewed by Cathy Kimball at Music at Menlo, July 30. 

2014 Visual Artist, Music at Menlo Chamber Music Festival & Institute, Atherton, CA, July - August. 

2013 “Cannibalism and the Art of Collage.” Presentation at the 7 th International Encausti c Conference, Provincetown, 31 May. 

2011 Lynette Haggard . Interview with Tracey Adams, Carmel, CA , July 5 (l ynettehaggard.blogspot.com ) . 

2008 “Becoming a Professional Artist.” Presentation at IEA conference, 10 May. 

2006 GEOFORM online interview on geom etric form and structure in contemporary abstract art. 

2003 Andrea Tomaschova. Vytvarnicka ( television interview ). Vychodoslovenska Galeria, March 25. 

2001 Maia Carroll. “Life in the Arts ” ( p rintmaking demonstration/ interview ). K MEX - TV, January 17 . 

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