Covers 13 Red 2
Painting
Year: 2014
Edition: Unique
Technique: Gouache on handmade paper
Framed: No
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AUTHENTICITY
All artworks on IdeelArt are original, signed, delivered directly from the artist's studio, and come with a certificate of authenticity.Joanne Freeman's works on paper are made with gouache on handmade Indian Khadi paper.
She uses tape to mask out shapes and employ hard edges, working spontaneously, placing down a shape and then building upon it.
Her use of singular color accentuates the interplay of ground, foreground relationships.
Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language.
This piece is part of a series titled "Covers", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture.
The limited choices of early printing technology leant itself to simple, direct and innovative compositions that Freeman also strives for.
Joanne Freeman is an American abstract painter who creates minimalist reductive paintings and works on paper, featuring hard edged abstract forms and bold, vivid, gestural markings. She lives and works in New York City.
Joanne Freeman is an American abstract painter who creates minimalist reductive paintings and works on paper, featuring hard-edged abstract forms and bold, vivid, gestural markings. She lives and works in New York City.
Education
Freeman attended the University of Wisconsin, where she earned a B.S. in Fine Arts in 1976. She earned her M.A. in Studio Art from New York University in 1981. She has taught painting and drawing at NYU and The New School for Social Research and worked as a visiting artist and lecturer at The New York Studio School and the Massachusetts College of Art.
Technique
The American artist paints with gouache on Khadi, a handmade Indian paper fashioned from long-fibered cotton. Her oeuvre is exemplified by vivid colors, geometric shapes, hard edge lines, and curved, gestural marks painted against white backgrounds. Freeman presents a reductive visual language that references urban symbols and signs, architectural patterns, and the interplay between shadow and light.
Freeman's process involves taping off areas to create hard edges, and combining those areas of control with spontaneous mark making. The scale of her works and the marks she creates are both dictated by the extent of her physical reach. The resulting images express physicality, emotion, limitation, and randomness, combined with a precise, minimalist aesthetic.
Inspiration
Freeman is heavily influenced by the ideas of the Bauhaus School, which emphasized combining the ideas and techniques of art, architecture, and design. She endeavors to present new forms in a simple way.
The artist is also influenced by Mid-Century modern graphic design aesthetics. The hard edge look of many of her images references well-defined shadows created by sunlight on buildings. She's an admirer of the work of reductive artists such as Ellsworth Kelly, Paul Feeley, and Kenneth Noland.
Collections
Her striking pieces are included in numerous corporate collections, including those of The Prudential, Readers Digest, and the University of Maine Museum of Art, as well as private collections including those of Gail Stavitsky, the Curator of Collections and Exhibitions for the Montclair Art Museum, and Andy Summers, guitarist for the band The Police.
Exhibitions
Freeman has exhibited her amazing paintings extensively in galleries and museums, in solo and group exhibitions, throughout the US and internationally. The artist's solo show entitled Recent Paintings and Drawings was on display at Kathryn Markel Fine Arts, NY, in February 2016. Her art has been reviewed in ARTnews and The New York Observer.
Galleries
Kathryn Markel Fine Arts, New York, NY.
Gilman Contemporary, Ketchum, Idaho
Blue Print Gallery, Dallas, Texas
Amelie, Maison d’art, Paris, France
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