Dolphin Dance 30
Painting
Year: 2003
Edition: Unique
Technique: Gouache on rag tracing vellum
Framed: No
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SECURITY
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AUTHENTICITY
All artworks on IdeelArt are original, signed, delivered directly from the artist's studio, and come with a certificate of authenticity.This work on paper is part of a series of collaged paintings titled “Jazz: Herbie ºs ªDolphin Dance º #1-22”.
Those brush paintings are Priest's Ô¨Årst ªvisual º encounter with a jazz composition. The images she develops there are redrawn and combined for the Ô¨Ånished collages. Based on jazz pianist Herbie Hancock ºs classic composition “Dolphin Dance”, she tried to use these drawings and the resulting collages to capture the light and movement typical of the beach where she spends much time in the summer.
Ellen Priest is an American abstract artist who is inspired by music and most notably by jazz. She lives and works near Philadelphia.
Education
Priest received her Master of Divinity from Yale University Divinity School in 1977 with a dual qualification in Christianity and the Visual Arts. As an artist, she is largely self-taught.
Technique
Ellen Priest's jazz-based abstractions balance directly on the border between painting and sculpture – vibrantly colored spatial illusions when reading from a distance and 3-D relief constructions of layered, collaged paper when seen up close.
Inspiration
Jazz has been her subject matter since 1990. Drawing is always central to her process, as well as standing on its own.
The artist's inspiration comes from surprisingly diverse sources:
• Life-long visual art influences include Cezanne's late watercolors, Matisse's color and compositional structure, and Abstract Expressionism, especially the paintings of Willem De Kooning and Joan Mitchell.
• The rhythmic and harmonic structures in jazz and related African and Latin American music.
• Her athletic pursuits, since her paintings are really about movement. Priest's favorite sports are "balance sports," where motion depends on weight and balance thrown off-centre, often in response to terrain, like skiing.
Notable distinctions
The Pollock-Krasner Foundation has twice awarded Priest major grants to support her innovation.
Relevant quote
In July 2010, art critic Victoria Donohoe wrote about Priest's work in two Wilmington exhibitions for The Philadelphia Inquirer: “Priest deliberately blurs the boundary between painting and jazz in her Venezuelan Suite painted collages. These use form as a language of music... Seeing jazz as full of joy and energy, able to transform sadness, Priest uses it successfully here to create materialized movement in actual worlds of coloured space.”
Galleries
ALVA Gallery, New London, CT
Artworks from this Artist
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