Sonoptil Parallels
Projects
Year: 2015
Edition: Unique
Technique: Projection, music and insense
Framed: No
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SECURITY
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AUTHENTICITY
All artworks on IdeelArt are original, signed, delivered directly from the artist's studio, and come with a certificate of authenticity."Sonoptil Parallels" is a monumental multi-sensory installation created by Norwegian artist Anne Katrine Senstad for the Dallas Aurora 2015 site-specific electronic art biennial. Curated by Julia Kaganskiy (Director of NEW INC at The New Museum, NY), the work was a centerpiece of the festival, hosted within the historic architecture of St. Paul United Methodist Church in Dallas, Texas.
Artistic Vision & Technique
The installation is an immersive environment comprising multiple projections, a spatialized soundscape, and an olfactory component. The visual element consists of a 47-minute video loop projected via a 6-projector system, transforming the interior of the church into a shifting field of light and color.
Central to the experience is the sound composition by Catherine Christer Hennix and Chora(s)san - Time-Court Mirage, titled Blues Dhikr Al-Salam (Blues Al Maqam). This complex, stereo sound environment envelops the room, creating a meditative state that resonates with the spiritual history of the space. To complete the immersion, Senstad integrated the use of incense, engaging the viewer's sense of smell to create a truly holistic "synesthetic" experience where light, sound, and aroma converge.
Context & Significance
Displayed as part of one of North America’s largest outdoor art festivals, Sonoptil Parallels highlights Senstad’s mastery of the "sensory chamber" concept. By combining high-tech digital projection with ancient sensory triggers like incense and modal music, the project explores the phenomenology of perception. The collaboration with Hennix—a legendary figure in drone and minimalist music—elevates the project from a mere visual display to a profound architectural and spiritual intervention.
Bring Art to Your Space
This project illustrates the ability of our artists to produce monumental, custom works for public, corporate, or private environments. IdeelArt invites you to commission a unique, site-specific installation—whether video, light-based, or multi-sensory—tailored to the architectural and emotional character of your building or landscape. For inquiries regarding in-situ projects or monumental abstract works, we invite you to contact our curatorial team.
總部位於紐約和奧斯陸的挪威攝影師 Anne Katrine Senstad 的作品專注於對光、色彩和形態的感官反應、超驗哲學以及社會政治環境倡議。
教育
Anne Katrine Senstad 於加州大學柏克萊分校接受教育，並在帕森斯設計學院獲得攝影學士學位，專注於紐約新學校社會研究學院的電影，這為她的多學科實踐做好了準備：裝置藝術、視頻、攝影、霓虹雕塑和特定場地作品。
技術
Senstad 製作來自掃描彩色底片負片的攝影 C-印刷品。
她最近（2020年）在紐約 Freight + Volume 的個展《Color Kinesthesia 6A42.2》，與多樣材質合作，與 Rothko 的色域畫作展開對話。...
色彩動覺暗示身體對色彩過渡的反應，這是透過拍攝彩色底片負片實現的。作為攝影師，Senstad 捕捉互動裝置中光與色彩的瞬間，編織出一個連貫的多學科實踐。
相較之下，《Concrete Planes》（2019-2020）中普遍存在的三角形幾何現象與變化的色彩組合，更像是科學與哲學的探究，而非如《Cosmosis Collages》系列般的超越性體驗。
此系列作品是為了補充 Senstad 的霓虹燈裝置《Elements》而創作，象徵與宇宙合一，作為啟蒙之路。她受到至上主義與構成主義運動的啟發，同時運用現代科技與材質創造出新的視覺形式。
靈感
Senstad 的創作過程始於對光、聲音與色彩的感知及認知反應的研究。她巧妙運用霓虹商業材料，表達詩意幽默並傳達字面且批判的意圖。
在 Freight + Volume 展出的《Forget Flavin》是一件白色霓虹燈雕塑，致敬 Dan Flavin，Senstad 直接在男性主導的光藝術領域中劃定了自己的領地。...
在位於吉達 Athr 藝廊的中東光藝術展「Through The Spectrum」中，Senstad 與 James Turrell 共同展出。儘管她解釋自己的作品是對光、聲音與色彩的感知認知反應，而非 Turrell 的精神源泉，但仍難免被拿來比較。
Senstad 與 Turrell 共同之處在於邀請觀者體驗超越性的感受。
Senstad 的裝置藝術具有沉浸式與互動性，喚起對光、聲音與色彩的心理反應，而非對崇高的詮釋。
她試圖呈現她的感官實驗與探索，與她的男性同輩相比具有獨特性。
展覽
Senstad 在美國、挪威及全球範圍內舉辦過大量個展與聯展。
藝廊
Kristin Hjellegjerde，倫敦
粉紅藝廊，首爾
SL 藝廊，紐約市
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