내용으로 건너뛰기

장바구니

장바구니가 비어있습니다

Ellen Priest

1951
(USA) AMERICAN

Ellen Priest는 음악, 특히 재즈에서 영감을 받은 미국의 추상 화가입니다. 그녀는 필라델피아 근처에서 살고 일합니다.

교육

Priest는 1977년 예일 대학교 신학대학원에서 기독교와 시각 예술의 이중 자격으로 신학 석사 학위를 받았습니다. 그녀는 예술가로서 주로 독학으로 배웠습니다.

기술

Ellen Priest의 재즈 기반 추상화는 회화와 조각의 경계에 직접적으로 균형을 이룹니다 – 멀리서 볼 때는 생동감 넘치는 색상의 공간적 환상이며, 가까이에서 볼 때는 층이 쌓인 콜라주 종이로 구성된 3D 릴리프 구조입니다.

영감

재즈는 1990년부터 그녀의 주제였습니다. 드로잉은 항상 그녀의 과정의 중심이며, 독립적으로도 존재합니다.
예술가의 영감은 놀랍도록 다양한 출처에서 옵니다:
• 평생 동안의 시각 예술 영향에는 세잔의 후기 수채화, 마티스의 색상과 구성 구조, 그리고 추상 표현주의, 특히 윌렘 드 쿠닝과 조안 미첼의 그림이 포함됩니다.
• 재즈 및 관련 아프리카와 라틴 아메리카 음악의 리드미컬하고 하모닉한 구조.
• 그녀의 운동 추구는 그녀의 그림이 실제로 움직임에 관한 것이기 때문이다. Priest의 가장 좋아하는 스포츠는 "균형 스포츠"로, 움직임은 무게와 균형이 중심에서 벗어나면서 발생하며, 종종 스키와 같은 지형에 반응하여 이루어진다.

주목할 만한 구별

폴록-크라스너 재단은 Priest에게 그녀의 혁신을 지원하기 위해 두 차례 주요 보조금을 수여했습니다.

관련 인용문

2010년 7월, 미술 비평가 빅토리아 도노휴는 필라델피아 인콰이어러(The Philadelphia Inquirer)를 위해 윌밍턴 전시회에서 Priest의 작업에 대해 썼습니다: “프리스트는 그녀의 베네수엘라 스위트(Venezuelan Suite)로 그려진 콜라주에서 회화와 재즈의 경계를 의도적으로 흐립니다. 이러한 작품은 음악의 언어로서 형태를 사용합니다... 재즈를 기쁨과 에너지로 가득 차 있으며 슬픔을 변형할 수 있는 것으로 보면서, Priest는 여기서 그것을 성공적으로 사용하여 실제 색 공간의 세계에서 물질화된 움직임을 창조합니다.”

갤러리

ALVA 갤러리, 뉴런던, CT

Education

1977 Master of Divinity, Yale University Divinity School, New Haven, Connecticut.
Christianity and the Visual Arts: Interdisciplinary Program in Collaboration with Yale University School of Art
1972 B.A. Lawrence University, Wisconsin

Solo Exhibitions

2020 On Being American/Jazz: Ryan Cohan’s ‘The River’, Delaware Contemporary, Wilmington, Delaware.
2019 On Being American/Jazz: Ryan Cohan’s ‘The River’, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York.
2015 Jazz Cubano: Color and Paper Constructions, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York. March 21 - May 3.
2013 Ellen Priest, Delaware Division of the Arts Gallery, Wilmington, Delaware.
2012 Jazz: Thinking Out Loud, Reaching for Song, Joint painting/jazz project with Berklee College of Music, Boston, Massachusetts. Residency: November 2010.
Improvising on Jazz: Ellen Priest’s Paintings on Collaged Paper, Yale Institute of Sacred Music and Yale Divinity School, New Haven, Connecticut.
2010 Jazz: Improvisations on the ‘Venezuelan Suite,’ Delaware Division of the Arts Gallery, Wilmington, Delaware.
2009 The Art and the Jazz, Gail Pierson Gallery, Cape May, New Jersey.
2007 Jazz Paintings on Paper: Improvisations on the ‘Venezuelan Suite,’ The Philip and Muriel Berman Museum of Art at Ursinus College, Pennsylvania.
2006 The Jazz Series: Paintings on Paper, The Dupont Clifford Brown Jazz Festival in conjunction with Carspecken Scott Gallery Wilmington, Delaware.
2004 Jazz: Paintings on Paper, The Alva Gallery, New London, Connecticut.
Jazz: The Brubeck Series, Bryn Mawr Presbyterian Church, Bryn Mawr, Pennsylvania. In conjunction with performance by Dave Brubeck and Singing City Choir.
2001 The Jazz Series: Paintings on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.
2000 The Jazz Series: Paintings on Paper, Gallery 10 Ltd. Washington D.C.
1983 Soul Devils: Works on paper, J. Hoffman Gallery, Kent, Connecticut.
1982 Soul Devils: Oils and Works on Paper, Berkeley Center, Yale Divinity School. Sponsored by Department of Religion and the Arts, Yale Divinity School.
1979 Works on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.

Selected Group Exhibitions

2018 Transforming Jazz: A Visual Journey, City of Philadelphia Office of Arts, Culture and the Creative Economy, Philadelphia City Hall, Philadelphia, PA.
2017-18 On Another Note: The Intersection of Art and Music, Lyman Allyn Art Museum, New London, Connecticut. Curated by Alva Greenberg.
2016 On Another Note: The Intersection of Art, Green Hall Gallery, Yale School of Art, New Haven, Connecticut. Curated by Alva Greenberg.
2014 35th Anniversary Exhibition, Delaware Center for the Contemporary Arts, Wilmington, Delaware.
2010 SPECTRUM: Contemporary Color Abstraction, Delaware Center for the Contemporary Arts, Wilmington, DE. Curated by Carina Evangelista.
2001 Form and Color, The Alva Gallery, New London, Connecticut.
Artist's Choice 3rd Street Gallery, Philadelphia, Pennsylvania.

Awards

2012 Delaware Division of the Arts Established Artist Fellowship
2010 Delaware Division of the Arts Opportunity Grant
2007 Pollock-Krasner Foundation Grant
2001 Pollock-Krasner Foundation Grant

Publications

“Chapter 7: Ellen Priest: Seeing the World” Camille Colatosti, To Be an Artist: Musicians, Visual Artists, Writers and Dancers Speak. © 2012 E. L. Kurdyla Publishing, LLC, Baltimore, Maryland. (Dr. Colatosti is Dean of Graduate Studies at Berklee College of Music, Boston, Massachusetts.)

Publication Covers

2014 The Kenyon Review, 75th Anniversary Year edition. Literary magazine, full year of cover art.
Edward Simon, The Venezuelan Suite. Sunnyside Records. Music CD.
2013 Thomas Troeger, Music As Prayer. Oxford University Press. Print book, e-book.

Projects Listed By Their Jazz Subject Matter

Each project includes one or more series of preparatory brush studies, finished paintings on layered, collaged paper, and in recent projects, drawings. Each series is based on a single jazz composition. Prior to 2005, work was done from publicly available recorded music and score (where possible).
2012 - Ongoing Afro-Cuban Jazz. Part 1 using the music of Arturo Stable and Elio Villafranca, Part 2 using the music of Stefon Harris and the Ninety Miles Project. Worked in dialog with the composers.
2010 - 2012 Experimental project with Berklee College of Music’s Global Jazz Institute, Boston, Massachusetts. Based on student compositions in progress, recorded during two residency periods at Berklee. Worked in dialog with four student composers and BGJI faculty.
2005 - 2010 Four-movement jazz suite by Venezuelan-born pianist/composer Edward Simon titled, The Venezuelan Suite. Based on Venezuelan song forms, rhythms, and instrumentation. Worked in dialog with the composer.
2003 - 2004 Chick Corea composition titled, Chelsea Shuffle.
2002 - 2006 Herbie Hancock compositions titled, Maiden Voyage and Dolphin Dance.
1994 - 2004 Gonzaguinha composition, Tanacara. Brazilian folk-jazz musician/songwriter.
1994 - 2001 Dave Brubeck composition titled, Take 5.
1999 - 2002 Miles Davis version of Someday My Prince Will Come, arranged by Gil Evans. Composed by Frank Churchill.
1997 - 1998 Luiz Gonzaga composition titled, Asa Branca. Classic Brazilian song, often described as Brazil’s ‘folk’ national anthem.
1990 - 1993 Michel Camilo composition titled, Island Stomp.

Art Education / Teaching

2013-Present and 1992-1999 Created Eyeball It! TM studio art education program for children. Online free to users beginning June 2014 funded by Ellen Priest Projects at Fractured Atlas. Originally written/developed 1992 - 1999. A series of discreet art projects for elementary-age children to do at home with a parent. Adaptable for groups (e.g., after-school programs, public libraries). Currently in pilot phase by Delaware Division of Libraries, Teach for America Delaware. [www.eyeballitart4kids.org](http://www.eyeballitart4kids.org)
2009 New York University, New York, New York, Department of Music Colloquium with Edward Simon, “Composing the Venezuelan Suite – the Music and the Paintings,” February.
2007 - 2010 Delaware Center for the Contemporary Arts, Education Committee.
2002 - 2008 University of the Arts, Philadelphia, Pennsylvania, Professional Institute for Educators.
2002 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, Adjunct Faculty, Fall.
1979-1999 Taught studio art in schools (primary and secondary) and community arts centers including:
Ocean City Arts Center, Ocean City, New Jersey. 1996-99.
Choate-Rosemary Hall, Wallingford, Connecticut. 1979, 1995-96.
Saint Thomas’s Day School, New Haven, Connecticut. 1992-93.
Educational Center for the Arts, New Haven, Connecticut. 1982-83. (All-arts public high school.)
Concord Academy, Concord, Massachusetts. Art Department Chairperson, 1979-80.

Writing

1980-84 Art in America. “Reggie Bradford,” December 1983. “Robert Taplin,” May 1983.
American Ceramics. “Arnold Zimmerman,” Fall 1983. “Jane Gustin,” Summer 1984.
New Haven Advocate. Series of profiles of local artists and their work. 1980 - 82.

Selected Collections

Agnes Gund, New York, New York.
Yale Institute of Sacred Music, New Haven, Connecticut.
Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania.
Christine L. Delucchi, Washington D.C.
Alva Greenberg, Connecticut.
Cil and Gary Knutsen, Cleveland, Ohio.
Lisetta Menardi Orlandi, Cortina D’Ampezzo, Italy.
Jane Lyons and Mark Sucher, Washington D.C.
Astra Zeneca Corporation, Wilmington, Delaware.
Pfizer Corporation, New London, Connecticut.
Morgan, Lewis & Bockius LLP, Philadelphia, Pennsylvania.
BTG, Incorporated, West Conshohocken, Pennsylvania.

close
close
close
I have a question
sparkles
close
product
Hello! I am very interested in this product.
gift
Special Deal!
sparkles