Station to Station
Projects
Year: 2016
Edition: Unique
Technique: Paint, wood, industrial adhesive tape on buildings
Framed: No
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SECURITY
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AUTHENTICITY
All artworks on IdeelArt are original, signed, delivered directly from the artist's studio, and come with a certificate of authenticity."Station to Station" is an expansive urban intervention created by Swiss artist Daniel Göttin for the inaugural Saitama Triennale 2016 in Japan. Spanning a 1.2km promenade known as the Hana to Midori no Sanpomichi (Flower and Green Promenade), the project connects the Musashi-Urawa Station to Besshonuma Park. The work is a rhythmic journey through the city, composed of six distinct parts: one Gate, four Stations, and one Bridge.
Artistic Vision & Technique
Göttin utilizes his signature minimalist vocabulary to "re-read" the urban landscape. By applying a bold, non-objective color palette of vibrant orange and deep industrial blue, he transforms utilitarian structures—bridge underpasses, railings, and walkways—into a series of perceptual markers.
The "Stations" function as architectural pergolas, creating a tunnel of color that frames the viewer's path and encourages a slower, more conscious movement through the space. On the railings, subtle orange tape markers create a visual "staccato," turning a routine walk into a rhythmic experience. The "Gate" and "Bridge" sections use massive color blocks to highlight the hidden geometry of the city’s heavy infrastructure, making the "invisible" architecture of the overpass suddenly, undeniably present.
Context & Significance
Commissioned for the theme "Envisioning the Future!", Göttin’s work explores how art can act as a navigational tool within a modern megalopolis. Rather than placing an object in a space, he treats the entire 1.2km stretch as a singular, living canvas. The project is a masterclass in site-specificity, demonstrating how minimal intervention—color and line—can fundamentally alter the social and emotional frequency of a public thoroughfare.
Key Technical Details
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Scale: 1.2km linear promenade.
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Components: 1 Gate, 4 Stations, 1 Bridge.
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Medium: Site-specific urban intervention.
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Materials: Paint, wood, industrial adhesive tape.
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Location: Saitama (Greater Tokyo Area), Japan.
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Themes: Urban Navigation, Minimalism, Architectural Perception.
Bring Art to Your Space
This project illustrates the ability of our artists to produce monumental, custom works for public, corporate, or private environments—ranging from urban scale interventions to specialized architectural color-coding. IdeelArt invites you to commission a unique, site-specific installation tailored to the technical and emotional character of your project. For inquiries regarding custom murals, urban interventions, or monumental abstract works, we invite you to contact our curatorial team.
Daniel Göttin is a Swiss artist whose work is divided between site-specific projects and coloured or painted objects for walls. He lives and works in Basel.
Education / Residencies
Initially working as a technical draftsman for an engineering company, Daniel Göttin later entered the School of Visual Art in Basel, where he graduated in 1990.
He has held artist residencies at the Fremantle Art Foundation (now Artsource), Australia in 1990, Donald Judd's Chinati Foundation in Marfa, Texas in 1993, the Shed im Eisenwerk, Switzerland in 1994, the:artist:network in New York in 2005, and Youkobo Art Space in Tokyo in 2007 and 2013/2014.
Technique
Göttin works with common industrial materials such as paint, tape, wood, metal, polystyrene, plastic, and carpet. The concept for an installation depends on the site and its conditions. For his objects and paintings, he uses similar materials, examining the subjective nature of perception and playfully responding to the characteristics of architectural spaces. His works made of aluminum and painted MDF direct attention to the space within the object, highlighting the interplay of light and shadow, thus creating a new quality of perception between concrete and abstract reality.
Inspiration
His artistic background relates mainly to Minimal Art, Concrete Art, and Conceptual Art. Besides these tendencies, he also incorporates aspects of Dada/Merz, Constructivism, and Arte Povera. For over 25 years, Göttin has focused on creating temporary and permanent site-specific installations, public art, objects, paintings, drawings, collages, and prints.
Relevant Quotes
“Daniel’s art possesses clarity and thoughtfulness. But this clarity is not the result of a fixed or repetitive position or strategy. Instead, his art is iterative, responding to changing conditions and environments. Different aspects of his work, both the wall pieces and the objects made for the wall, are inter-related and reflect on each other. There is a wholeness to what Daniel refers to as an entity—his body of work.” (Chris Ashley, Minus Space)
Notable Distinctions
Daniel Göttin has received grants from the City of Basel, Switzerland.
Exhibitions
Göttin has organised over 60 solo exhibitions and projects since 1990 at museums, galleries, and public collections across Europe, Japan, Australia, Mexico, and the United States.
Together with his partner Gerda Maise, he founded the art space Hebel_121 in Basel in 1998, providing a platform for installative exhibitions. Hebel_121 continues to showcase innovative art.
Wenger, Zurich, Switzerland
Conny Dietzschold, Sydney, Australia
Gen, Tokyo, Japan
Minus Space, Brooklyn, NY
Photos credit (from top)
- Daniel Göttin
- Stefan Altenburger Photography Zürich
- Serge Hasenböhler
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