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Year: 2009
Edition: Unique
Technique: Acrylic on wood
Framed: No
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AUTHENTICITY
All artworks on IdeelArt are original, signed, delivered directly from the artist's studio, and come with a certificate of authenticity.This work is one of many similar works consisting of acrylic painted cut off wood.
The rhythm of the vertical stripes are resulting from the wooden sections glued by the industry.
The wooden surface is shining through the paint and the structure becomes part of the painting.
Daniel Göttin is a Swiss artist whose work is divided between site-specific projects and coloured or painted objects for walls. He lives and works in Basel.
Initially working as a technical draftsman for an engineering company, Daniel Göttin later entered the School of Visual Art in Basel, where he graduated in 1990.
He has held artist residencies at the Fremantle Art Foundation (now Artsource), Australia in 1990, Donald Judd's Chinati Foundation in Marfa, Texas in 1993, the Shed im Eisenwerk, Switzerland in 1994, the:artist:network in New York in 2005, and Youkobo Art Space in Tokyo in 2007 and 2013/2014.
Göttin works with common industrial materials such as paint, tape, wood, metal, polystyrene, plastic, and carpet. The concept for an installation depends on the site and its conditions. For his objects and paintings, he uses similar materials, examining the subjective nature of perception and playfully responding to the characteristics of architectural spaces. His works made of aluminum and painted MDF direct attention to the space within the object, highlighting the interplay of light and shadow, thus creating a new quality of perception between concrete and abstract reality.
His artistic background relates mainly to Minimal Art, Concrete Art, and Conceptual Art. Besides these tendencies, he also incorporates aspects of Dada/Merz, Constructivism, and Arte Povera. For over 25 years, Göttin has focused on creating temporary and permanent site-specific installations, public art, objects, paintings, drawings, collages, and prints.
“Daniel’s art possesses clarity and thoughtfulness. But this clarity is not the result of a fixed or repetitive position or strategy. Instead, his art is iterative, responding to changing conditions and environments. Different aspects of his work, both the wall pieces and the objects made for the wall, are inter-related and reflect on each other. There is a wholeness to what Daniel refers to as an entity—his body of work.” (Chris Ashley, Minus Space)
Daniel Göttin has received grants from the City of Basel, Switzerland.
Göttin has organised over 60 solo exhibitions and projects since 1990 at museums, galleries, and public collections across Europe, Japan, Australia, Mexico, and the United States.
Together with his partner Gerda Maise, he founded the art space Hebel_121 in Basel in 1998, providing a platform for installative exhibitions. Hebel_121 continues to showcase innovative art.
Wenger, Zurich, Switzerland
Conny Dietzschold, Sydney, Australia
Gen, Tokyo, Japan
Minus Space, Brooklyn, NY
Photos credit (from top)
- Daniel Göttin
- Stefan Altenburger Photography Zürich
- Serge Hasenböhler
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