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Jill Moser

1956
(USA) AMERICAN

Jill Moser 是一位美国抽象艺术家,她的作品探索了“绘画、写作与动画影像”的交汇点。她现居并工作于纽约市。


教育背景

Moser 于1978年在罗德岛普罗维登斯的布朗大学获得文学学士学位,1981年在纽约的亨特学院获得美术硕士学位。她曾获得纽约艺术基金会绘画奖学金和布鲁克林博物馆的马克斯·贝克曼绘画奖学金。她曾在普林斯顿大学、弗吉尼亚联邦大学及其他多所著名学府任教。

Jill Moser Artwork

技法

Moser 的跨学科创作涵盖绘画、版画、素描和拼贴。她的版画技法多样,包括平版印刷、蚀刻、单版印刷、凹版印刷和丝网印刷。她的作品可以从书写语言的历史角度理解——承载意义的符号。她的笔触富有抒情性、动作感和书法韵味。线条和形态初看似乎是自发的,但实际上通过有条理的指示性过程逐步演变。Moser 以图形与背景的关系构建构图。画面层层叠叠,质感丰富,营造出线条、符号和形象悬浮于立体空间中的感觉。色彩和色调为作品增添情感和视觉重量,创造出既自我指涉、揭示创作过程,又开放给观者解读的画面。

灵感来源

Moser 的灵感来自语言,无论是书写的、视觉的、指示性的还是动作性的。她追求类似诗人所寻求的平衡——既传达足够的意义以引导观者获得启示体验,又留有足够的空间在创作和展示过程中产生惊喜,使更多层次的意义得以显现。她还从电影语言、符号学历史以及合作过程等方面汲取灵感,邀请作家贡献文本,Moser 再将其解读为抽象的视觉构成。

Jill Moser Artwork
Jill Moser Artwork

相关引述

在 RomanovGrave.com 关于 Moser 的文章中,Fintan Boyle 和 Jennie Nichols 写道:“符号、文字、言语、镜头、标记并非透明,而是充满无尽内涵层次的争议可能性场所。正是这种对语言和符号制作的特殊过滤塑造了 Moser 的早期作品。语言作为书写、图形符号、意义的承载体,是我们共同拥有和交换的一套松散约定,一直以来并持续成为 Moser 作品中的典范。

展览

Moser 在全球范围内广泛展出,包括史密森美国艺术博物馆和休斯顿美术馆。

收藏

她的作品被纽约现代艺术博物馆、芝加哥艺术学院、国家美术馆、大都会艺术博物馆、西雅图艺术博物馆等众多机构收藏。

画廊

Lennon, Weinberg, Inc,纽约市
Heather Gaudio Fine Art,康涅狄格州
Reynolds Gallery,弗吉尼亚州
Dubner Moderne,瑞士洛桑

Vibrancy and Energy in Joan Mitchell Paintings - Ideelart

琼·米切尔画作中的活力与能量

当我们凝视一幅Joan Mitchell的画作时,我们看到的是自由的形象。我们看到的是放纵的具象化。米切尔以完全自由的心态进行绘画,没有预设蓝图,也没有明确计划。画布上呈现的任何内容都源自她的直觉,是她真情的即时反映。那可能是她感受到的喜悦、愤怒或恐惧;也可能是她脑海中某段记忆的片段,或是她心中珍爱的风景。当我们匆匆或随意地观看她的画作时,或许会感受到米切尔的情感,也可能不会;或许能理解她...

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Education

1981 M.F.A. Hunter College, New York, NY
1978 B.A. Brown University, Providence, RI

Solo Exhibitions

2018 Syntax: Drawings 1993-1995, Lennon Weinberg Inc., New York, NY
2017 play replay, Lennon Weinberg Inc., New York, NY
2016 Paintings and Prints, Heather Gaudio, New Canaan, CT
2016 Hold to Drift, Reynolds Gallery, Richmond, VA
2015 A Decade of Painting, Bentley Gallery, Phoenix, AZ
2014 New Paintings and Works on Paper, Lennon Weinberg Inc., New York, NY
2014 A Suite of Sixteen Street Drawings, The Chamber Music Society of Lincoln Center, NY
2012 New Paintings, Lennon Weinberg Inc., New York, NY
2011 New Paintings, James Kelly Contemporary, Santa Fe, NM
2011 Conversation, Heriard-Cimino Gallery, New Orleans, LA
2011 Stills, Dubner Moderne, Lausanne, Switzerland
2010 Editions, Wade Wilson Art, Houston, TX
2010 New Paintings and Prints, Lennon Weinberg Inc., New York, NY
2009 Sixteen Street, Wade Wilson Art, Houston, TX
2007 New Paintings, Lennon Weinberg Inc., New York, NY
2007 New Work, Wade Wilson Art, Houston, TX
2006 Naming Game, Bentley Projects, Phoenix, AZ
2006 Naming Game, Fine Arts Galleries, URI, Kingston, RI
2005 New Drawings, Studio Caparrelli, London, UK
2005 Naming Game, 1708 Gallery, Richmond, VA
2005 Naming Game, Westby Gallery, Rowan University, NJ
2004 Parings, osp gallery, Boston, MA
2003 Naming Game, Kiang Gallery, Atlanta, GA
2001 New Work, Kiang Gallery, Atlanta, GA
2000 Works on Paper, Kate Ganz Gallery, New York, NY
1999 Recent Work, Jan Maiden Fine Arts, Columbus, OH
1999 Topographies, Instituto Cultural Peruano Norteamericano, Lima, Peru
1998 Topographies: Paintings, Danese Gallery, New York, NY
1996 North Fork Drawings, Wynn Kramarsky, New York, NY
1994 Paintings & Drawings, Black + Greenberg Gallery, New York, NY
1987 Drawings, Damon Brandt Gallery, New York, NY

Selected Group Exhibitions

2018 18-38, Heather Gaudio Fine Arts, New Canaan, CT
2017 Exposicao Arte Collaborativa, Galeria Via Thorey, Vitoria, Brazil
2017 Citings/Sightings, Lennon Weinberg Inc., New York, NY
2016 A Big Enough Umbrella, Planthouse, New York, NY
2016 The Last Picture Show, James Kelly Contemporary, Santa Fe, NM
2015 Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts, St. Petersburg, FL
2015 Salon du Dessin, Lennon Weinberg Inc., New York, NY
2015 Line: Making the Mark, Museum of Fine Arts Houston, Houston, TX
2014 Pouring It On, Herter Art Gallery, University of Massachusetts, Amherst, MA
2013 Playing with Process: Explorations in Experimental Printmaking, Museum of Fine Arts Houston, Houston, TX
2013 How You Gonna Get Back to Jersey, Planthouse, New York, NY
2013 Neo Chroma, Bentley Gallery, Scottsdale, AZ
2011 Au Plaisir du Livre, Librairie Auguste Blaizot, Paris, France
2011 Extravagant Drawing, Dorsky Gallery, Long Island City, NY
2011 Fresh Paint, Reynolds Gallery, Richmond, VA
2010 Between Picture and Viewer: The Image in Contemporary Painting, Curated by Tom Huhn Isabel Taube, Visual Arts Gallery at the School of Visual Arts, New York, NY
2010 Ends and Means, Lennon Weinberg Inc., New York, NY
2010 The White Album, Wade Wilson Art, Houston, TX
2010 Graphic Masters III: Highlights from the Smithsonian American Art Museum, Smithsonian American Art Museum, Washington, D.C.
2010 See Through, Islip Art Museum, Islip, NY
2009 Before Again, Lennon Weinberg Inc., New York, NY
2009 Drawing Itself, Brattleboro Museum and Art Center, Brattleboro, VT
2009 On, Of or About: 50 paper works, Texas State University, San Marcos, TX
2009 New Prints 2009/Spring, International Print Center NY, New York, NY
2009 Beneath the Seen, Wade Wilson Art, Houston, TX
2009 Jill Moser/Lucinda Cobley, El Centro College, Dallas, TX
2008 Flow Chart, Lennon Weinberg Inc., New York, NY
2007 The Unseen, Lee Gallery, Clemson University, Clemson, SC
2007 New Prints 2007/Spring, International Print Center NY, New York, NY
2007 Small is Beautiful, Flowers, New York, NY
2006 Action Precision, Lennon Weinberg Inc., New York, NY
2006 Au Courant, Bentley Projects, Phoenix, AZ
2006 Getting it ‘right’, osp gallery, Boston, MA
2006 Opening Group Show, Wade Wilson Art, Houston, TX
2005 New Prints 2005/Winter, International Print Center NY, New York, NY
2004 Masters of the Obvious, Hampden Gallery, University of Massachusetts, Amherst, MA
2004 From Abstraction to Minimalism: Selections, Bradbury Gallery, Fowler Center, Arkansas State University, Fayetteville, AK
2003 Supercool, Kathryn Markel Fine Arts, New York, NY
2003 Recent Acquisitions: Works on Paper, The Metropolitan Museum of Art, New York, NY
2003 Define Line, Metaphor Contemporary Arts, Brooklyn, NY
2003 Line Dancing, Islip Museum of Art, Islip, NY
2002 Drawn From A Family: Contemporary Works on Paper, Colby College Museum of Art, Waterville, ME
2001 Painting Abstraction II, New York Studio School, New York, NY
2001 Lines, Kiang Gallery, Atlanta, GA
2000 New York-Classicism-Now, Hirschl & Adler Gallery, New York, NY
2000 Snapshot, Baltimore Museum of Contemporary Art, Baltimore, MD
1997 After The Fall: Aspects of Abstract Painting Since 1970, Snug Harbor Cultural Center, Staten Island, NY
1997 Drawing From Life, Stark Gallery, New York, NY
1996 Figuration Forward: Jill Moser/Catherine Lee, Fine Arts Gallery, University of Rhode Island, Kingston, RI
1995 Drawings from the Agnes Gund Collection, The Century Association, New York, NY
1994 Group Show, John McEnroe Gallery, New York, NY
1994 Matter Matters, Proctor Art Center, Bard College, Annandale-on-Hudson, NY
1993 Black & White Drawings, The Museum of Modern Art, New York, NY
1993 The Return of the Cadavre Exquis, The Drawing Center, New York, NY
1992 Slow Art: Painting in New York Now, PS 1, Long Island City, NY
1992 Persistence of Painting, Kohn Pederson Fox, New York, NY
1991 Recent Acquisitions, National Museum of American Art, Washington, D.C.
1989 American Art Since WW II: Prints & Drawings, The Art Institute of Chicago, Chicago, IL
1987 Recent Acquisitions: Drawings, The Museum of Modern Art, New York, NY
1987 Art on Paper, The Weatherspoon Art Gallery, Greensboro, NC
1986 Group Show, Foxley Leach Gallery, Washington, D.C.
1986 Art/Work, Bond Gallery, New York, NY
1985 Group Exhibition, Damon Brandt Gallery, New York, NY
1984 Selections 25, The Drawing Center, New York, NY
1983 The Black & White Show, Kenkeleba Gallery, New York, NY

Selected Bibliography

Boyle, Fintan and Nichols, Jennie. “Studio Visit: Jill Moser,” romanovgrave.com, March 2018
Carey, Brainard. “Jill Moser Interview,” Yale Radio, https://museumofnonvisibleart.com/interviews/jillmoser/, May 2017
Adams Weinberg, Jill. “Play, Replay,” Exhibition Brochure, 2017
Major Jackson and Jill Moser. “Urban Renewal: A Painter and a Poet Collaborate,” The Southampton Review, Volume X, No. 2, (pages 42-49) Summer/Fall 2016
Hirsch, Faye. “A Seemingly Effortless Gesture is Choreographed into an Emptied Field,” Art in Print, Volume 5, Number 6, 2016
Marks Made: Prints by American Women Artists from the 1960s to the Present, catalog of the exhibition, Museum of Fine Arts, St. Petersburg, FL