Daniel Göttin 在阿姆斯特丹的 PS Projectspace

Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still

To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...

Serious And Not-So-Serious: Paul Landauer in 14 Questions

THE TRACE OF THE UNSEEN   At IdeelArt, we believe an artist’s story is told both inside and outside the studio. In this series, we pose 14 questions that bridge the gap between creative vision and ...

Lyrical Abstraction: The Art That Refuses to Be Cold

Tokyo, 1957. Georges Mathieu, barefoot, wrapped in a kimono, his long body coiled like a spring about to release, stands before an eight-metre canvas. He has been invited by Jiro Yoshihara of the G...