跳至內容

購物車

您的購物車為空

文章: Serious And Not-So-Serious: Paul Landauer in 14 Questions

Serious And Not-So-Serious: Paul Landauer in 14 Questions - Ideelart

Serious And Not-So-Serious: Paul Landauer in 14 Questions

THE TRACE OF THE UNSEEN 

 At IdeelArt, we believe an artist’s story is told both inside and outside the studio. In this series, we pose 14 questions that bridge the gap between creative vision and everyday life—mixing professional insight with the personal quirks that make each artist unique.

Today, we meet Paul Richard Landauer. After a career spent capturing the world through filmmaking and photography, Landauer turned to the canvas to explore what lies beneath the surface. From his studio in Belgrade, he treats painting as an act of "controlled coincidence," where the goal is not to depict an object, but to leave a trace of a feeling. Discover why he views his works as living organisms, his unexpected love for the "Pink Panther" theme, and how he balances the intense silence of the studio with the vibrant chaos of life.

The Not-So-Serious Questions

8 questions to reveal unexpected quirks and everyday life of Paul Landauer.

1 - If your art was a song or a piece of music, what would be playing in the background?

It would be a baroque aria, like "Il Giustino" of Vivaldi. The raw, but sensual beauty of the music reflects and supports my search for purity and authenticity in human emotions and their expression.

2 - What's something you're obsessed with or have a strong interest in that has nothing to do with art?

This is a tricky one! I feel, that everything in my life is related to my art. Absolute center of my attention is the exploration of human emotions and how to create a maximum of consciousness. Reiki and meditation are what I spend the most time with, daily.


Paul Landauer - Movement 2 -  2023

3 - Coffee, tea, or something stronger while you work? Or just light and silence?

Only water, or lightly flavored water and a lot of it. Silence, or classic, or meditative music. Best in combination with oriental incense sticks.

4- If you could meet with anyone, dead or alive, who would it be?

God or Jesus. I think I wouldn't ask them anything, but would just try to relax and feel their presence.


Paul Landauer - Flag No 2 - 2024

5 - If you weren't an artist, what would you be doing?

Dancer. Moving my body seems to be one of the most vulnerable aspects of my existence, but it deeply attracts me. Would love to experience that one!

6 - Can you share a short story or moment from your life that had a strong impact on your life as an artist?

I became an artist late in (at 44) after having said "no" for the first time in my life. 

Being able to say "no" to something, was probably one of the first significant acts of being fearless and self-carrying. It was a turning point in my life and the beginning of my artistic journey.

Paul Landauer - Movement - 2023

7 - What does a good day look like for you, outside of the studio?

A day without making art, isn't a fulfilled day. In cases of not being able to make art, I try to work on my consciousness, read and listen to music. Making love with someone you trust and respect is to me a form of meditation which crowns a day that has everything else.

8 - Is there something about you that would probably surprise people who know your work only through your art?

When my wife was pregnant with our first child, I started cooking in order to secure a healthy nutrition for her and the unborn child. Today, 19 years later we have two children and I still cook every day, sometimes running out of ideas. Any recipes to share with me?!

Paul Landauer - Reconstruction Of A Memory II  - 2023

The (More) Serious Interview

6 questions to look deeper into the ideas, experiences, and hopes that shape Landauer's creative journey.

9 - What themes or questions keep coming back in your work?

Fragility, fears, belonging, love, liberation, the human existence as a journey, the search for my purest core, overcoming the ego, liberation and eventually freedom.


Paul Landauer - Helen's Garden (Behind The Gate) - 2024

10 - Can you describe a pivotal moment in your journey as an artist?

The most significant moment in my art career was painting the first painting.

11 - What materials or processes are most important in your practice, and why?

The most inspiring and important material I work with are natural soil pigments, which I collect myself every summer at the very same place, an island in the Adriatic Sea. I try to find other soils, but often I don't succeed to export them, because the border police confiscates it.

I love to work with soil, because it has the energy of nature. It has its own character and resists in a way, that it stimulates a conversation between me and the material. In some paintings it stays hidden behind layers of oil paint, but the final work got initiated by this magic dust and its strength to be my mirror.

12 - How do you want people to feel when they experience your work?

I hope that my work inspires people and comforts their soul by resonating: It's OK to be human. We all have our fears and darkness, you're not alone.


Paul Landauer - The Conversation - 2025

13 - Can you walk us through a typical working day in your studio?

Routine is important to me. I go to the studio every weekday at a similar time, no matter how I feel, or if I'm inspired. Once I arrive in the studio, I try to let go of any ambition and bring my mind into a state of openness and curiosity. I find things, unfinished works, materials and try to follow my intuition as unfiltered as possible. 

Then I lose the sense of time.

14 - What dreams or hopes do you have for your artistic journey?

Absolute fearlessness and connection with my instincts and intuition.

By Francis Berthomier
All images ©Paul Richard Landauer

CLICK HERE TO DISCOVER THE WORK OF PAUL LANDAUER AVAILABLE ON IDEELART

 

您可能喜歡的文章

The Power of Blue: From Historical Masters to Contemporary Abstract Art - Ideelart
Andy Harwood

當代藝術中的三位藍色大師

當你看到藍色時,你感覺如何?你會將它描述為與你聽到藍色這個詞或在頁面上閱讀藍色這個詞時的感受有所不同嗎?顏色所傳達的信息與其名稱所傳達的信息是否不同?無論你感受到什麼,這種感覺是否有可能是普遍的?還是藍色對不同的人有不同的意義?那動物呢?它們是否將顏色與情感聯繫起來,還是僅僅將其顏色感受器用於生存?這些問題幾個世紀以來一直困擾著顏色的研究者,而在某些方面,今天我們對這些問題的回答並不比一百...

閱讀更多
When Art Leaves the Frame: The Nobility of the Artist's Object
Category:Art History

當藝術離開畫框:藝術家物件的高貴

主要藝術家的地毯、屏風、陶瓷和掛毯如何成為博物館級收藏品,以及在帶回家之前需要了解的事項。 1911年,索尼婭·德洛內為新生兒的搖籃縫製了一條拼布毯。她借鑒了童年時期烏克蘭農家記憶中的被子,將布料碎片拼接成不規則的粉紅、奶油色、綠色和栗色方塊。成品如此引人注目,以至於她後來將其裝框展出,題為嬰兒搖籃毯。這條小毯標誌著她從具象轉向抽象的決定性轉折,也預示了她與羅伯特即將共同發展的奧菲主義作品...

閱讀更多
Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still - Ideelart
Category:Art History

Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still

To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...

閱讀更多