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Brent Hallard

1957
(AUSTRALIA) AMERICAN

Brent Hallard 是一位澳大利亚出生的抽象艺术家、策展人和作家,他在纸张和铝材上的作品探索极简主义图标和单色表达。
他的作品在对地理形状的精确、正式考察与更具趣味性、独特的创作之间波动。
他目前居住并工作于澳大利亚悉尼。

教育背景

Brent Hallard 于1990年获得美术学士学位,随后于1992年获得新南威尔士大学的艺术硕士学位。

技法

Hallard 使用马克笔、水彩和丙烯等媒介,在纸张和铝材上构建单色和半单色的几何形状图像,如正方形和矩形。

作品常由简单的形状和形状群组成,有时则突破线条和形状的界限。

Hallard 倾向于专注于传达精确和准确的作品,同时也尝试更自由的色彩和形态探索,创造出更具实验性的几何抽象,邀请观者进行更多层次的互动。

灵感

艺术家以空间和几何为主题,操控图像和物体的排列,以挑战观者的感知。

他的作品深植于艺术史的基本原理,特别是在抽象、极简主义和色域艺术家的倾向基础上发展而来。

作品还保持一定的人文特质,融入开放和轻松的感觉,暗示着对形式限制的潜在自由。

相关引述

Young Space 艺术博客的 Kate Mothes 对 Brent Hallard 的作品评价道:

"这些画作……极其简洁。边缘如此分明,色彩如此鲜明,几乎进入了视觉的领域。他的一些作品完全对称,但当我们从一个部分扫视到另一个部分,从一条条纹到另一条条纹时,边界会发生变化,色彩在我们的眼中玩弄着微妙的把戏。他似乎致力于对称、硬边的抽象,但下一刻又创作出似乎在说他知道这些作品被期待是硬边画作,但看?有时并非如此。为了证明这一点,他会在界线之外上色。"

显著荣誉

视觉差异艺术博客创始人

1986年
新南威尔士艺术馆,Sulman 奖,评审展览

展览

Hallard 在美国、欧洲和亚洲举办了多场个人及群展。他的作品也曾入选国内及荷兰的多个博物馆展览。

18 Contemporary Abstract Artists Open Up About Their Lineage - Ideelart

18位当代抽象艺术家谈论他们的传承

教授艺术既危险又不可能。然而,这也是必要的。为了让艺术存在,艺术家必须学习如何成为他们将要成为的任何东西,以及如何创造他们将要创造的任何东西。有些人会在学校学习,从其他像他们一样有缺陷的人那里学习,这些人出于某种原因,承担了与他人分享他们所学知识的危险、不可能和必要的任务。其他艺术家会在课堂外找到老师。他们可能通过与其他艺术家在开幕式或酒吧闲逛来学习成为艺术家的意义。他们可能通过观看在线视...

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Education

1992 Master of Arts, University of New South Wales, COFA
1990 Bachelor of Fine Arts, University of New South Wales, COFA

Selected Exhibitions

2018 Wave, curated, BSA Project Space, Northern Rivers
2018 2 x 2, group show, Olsen Gallery, Sydney
2018 Load, Solo show, Five Walls, Melbourne
2017 0ppler, curated by Mel Prest, Transmitter Gallery, Brooklyn
2017 Mixed Tape, Palmer Art Projects, Sydney
2017 Chromatopia, curated by Louis Blyton, Melbourne
2017 100 years after De Stijl, Openlucht Museum De Lakenhal
2017 Visual Discrepancy, curated for Crawford Gallery, Sydney (2 person)
2017 Trans, curated by Kyle Jenkins, Raygun Projects, Toowoomba
2017 Samenhang, with Jasper van der Graaf and the collection of Camiel Andriessen, Het Kunstgemaal, Netherlands
2017 Dirty Filthy Painting, curated by Michael Cusak, BSA Project Space, Northern Rivers
2017 Line and Space curated by Suzie Idiens, Crawford Gallery, Sydney
2017 Colour and Form, Olsen Gallery, Sydney Contemporary 17, Sydney
2017 The Shape of Things curated for Artpiece, Mullumbimbi
2016 Drawing Conversations, National Art School, East Sydney
2016 Connect & Collect, SJICA, San Jose, CA
2016 Lavender Strike, Conny Dietzschold Gallery, Sydney
2016 The White Collection, Conny Dietzschold Gallery
2016 Hydrography lll, LaKaserna Artspace, Bad Nieuweschans, Netherlands (curated by Henriëtte van't Hoog and Iemke van Dijk)
2016 Engaged Drawing, curated Beatrice Bea, Yifat Gat, Artothèque, Miramas
2015 Nolan Projects, organized by John Adair, Nolan Foundation, Wales, UK
2015 Volume, curated by Mary Judge and Enrico Gomez, Schema Projects, New York
2015 Formal Watercolor, Museum Waterland, Purmerend, Netherlands, curated by Piet Knook
2015 Territory of Abstraction, Pentimenti Gallery, Philadelphia, curated by Christine Pfister
2015 Paperazzi 4, Janet Kurnowski Gallery, New York
2014 un·bound·ed, bi-coastal and international show focusing on conceptual & reductive practices, Root Division, San Francisco
2014 Doppler Shift, curated by Mary Birmingham, New Art Center, New Jersey
2014 Abstract Realities, Jan Van de Ploeg, Brent Hallard, Richard Van der Aa University of Southern Queensland
2014 Dressed in Pink, Raygun Art Projects, Southern Queensland
2014 Hard-Edge Abstraction, curated by Kasarian Dane and Catherine Tedford, Richard F. Brush Art Gallery at St. Lawrence University in Canton, New York
2014 Paperazzi 3, Janet Kurnowski Gallery, New York
2013 Sydney Non Objective Turns 100, SNO Contemporary Art Projects, Sydney, Australia
2013 The Big small Graphic Art Show, Graphic Studio Daglicht Eindhoven
2013 LIGHT SPACE PROJECTS 2013: Rituals of Exhibition II by The Talent Agency, H Gallery Chiang Mai, Thailand
2013 DOPPLER, curated by Mel Prest, Parallel Art Space, Brooklyn, NY
2013 Hydrography - Abstract in Watercolor, De Vishal, Haarlem, The Netherlands, curated by Iemke van Dijk and Henriëtte van 't Hoog.
2013 Rituals of Exhibition curated by Gilbert Hsiao and Giles Ryder Don't Be Selfish, Phayao Thailand
2013 Paperazzi 2 Janet Kurnatowski Gallery, New York
2013 Right and Other Angles curated by Jeffrey Cortland Jones at Soft-spot
2013 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work Wignall Museum of Contemporary Art
2012 Index #3, publication and exhibition organized by Justin Andrews, Melbourne
2012 Dripping Color Amazement, curated by Brent Hallard, Galerie oqbo, Berlin
2012 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work, sponsored by the University of Iowa Museum of Art
2012 Doppler Stop, Rotterdam, Amsterdam, Berlin and Zagreb?Supermarket 2012 IS Projects/SNO/PARISconcret, Stockholm?
2012 Paparazzi, Janet Kurnatowski Gallery, Brooklyn, NY
2011 VOID289, UNVOID curated by Naoshi Okura KOBE Biennale, Japan
2011 A Romance of Many Dimensions ?Brooklyn Artist's Gym, Brooklyn, NY
2011 Saturation Point International Survey of Reductive Art, London
2011 Gifting Abstraction Soho20 Chelsea Gallery, curated by Mariángeles Soto-Díaz, NY
2011 Sugarmountain 2 Galerie van den Berge, curated by Clary Stolte, Goes, NL
2011 Chase the Tear NIAD curated by Timothy Buckwalter, Richmond, CA
2011 Recent Movements in Non-objective Art Reuten Galerie, NL
2011 1st International Festival of Non-Objective Art Organized by Roland Orpük Pont de Claix, Grenoble, France
2011 Plane Speaking McKenzie Fine Art, curated by Valerie McKenzie, NY
2010 Informal Relations Indianapolis Museum of Contemporary Art (IMOCA), curated by Scott Grow
2010 Touch + Paris ParisCONCRET
2010 Hydrography: Abstracts in Watercolor RC de Ruimte in IJmuiden, curated by Iemke van Dijk and Henriëtte van ’t Hoog
2010 25 x 25 traveling Sydney Melbourne, New IS-Projects box, curated by Guido Winkler
2010 Fuzzy Logic Thompson Gallery The Cambridge School of Weston, MA
2009 Editionen aus Deutschland den Niederlanden und der Schweiz - Gesellschaft für Kunst und Gestaltung, Bonn GKG Bonn
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Personal Space three person show with Richard Roth and Henriette van 't Hoog
2009 parisCONCRET, Paris
2009 Kosmos Light and Space curated by Guido Winkler Is projects, Leiden, curated
2009 I-S Box
2009 Trans:formal Pharmaka, Los Angeles
2009 Pour faire simple parisCONCRET, Paris
2008 T-show Polverara, Italy
2008 The Space Between San Jose Institute of Contemporary Art, San Jose, CA
2007 Trans Weltraum, Marienplatz Munich
2007 U-shape Minatomirai Yokohama
2007 Solid Space storefront, Setagaya, Tokyo
2007 New Wall Drawings Bus-Dori Projects, Tokyo

Museum Exhibitions

2017 Openlucht Museum De Lakenhal, 100 years after De Stijl, The Netherlands
2016 LaKaserna Artspace, Bad Nieuweschans, The Netherlands
2015 Museum Waterland, Purmerend, The Netherlands, Hydrography III
2014 Visual Art Center, New Jersey, Doppler Shift
2013 De Vishal, Haarlem, The Netherlands Hydrography
2012/13 University of Iowa Museum of Art & Wignall Museum of Contemporary Art, Never Underestimate a Monochrome
2010 Indianapolis Museum of Contemporary Art, Informal Relations
2008 San Jose Institute of Contemporary Art, The Space Between
1990 S. H. Irvine National Trust, Fresh Art, curators: Felicity Fenner/Anne Loxley
1986 Art Gallery of New South Wales, Sulman Prize, Juried exhibition

Curatorial Work

2017 Visual Discrepancy, Crawford Gallery, Sydney
2014 Unbounded Root Division, San Francisco
2012 Dripping Color Amazement Galerie oqbo, Berlin
2011 A Romance of Many Dimensions, ?Brooklyn Artist's Gym, NY
2010 Touch + Paris, ParisCONCRET, Paris
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Trans:formal Pharmaka, Los Angeles
2009 Touch, Bus-Dori Project Space, Tokyo
2008 Bus-Dori Suitcase, Bus-Dori Project Space, Tokyo

Review/publication

Visual Discrepancy, Sydney Morning Herald, Spectrum, 2017, 100 years after De Stijl ,The Link, Architectural Magazine, Berlin,2017 Lavender Strike, Sydney Morning Herald, Spectrum, 2016, Unbounded boxed set of prints 2014, essay by Joan Waltemath, Doppler Shift Catalog, 2014, Doppler NY 2013, Index 3 (publication), 2012, Doppler Europe 2012, Kunstbeed,Nr 9 Sugarmountain 2 2011, An Exercise in Seeing at Brooklyn Artist's Gym by Eric Sutphin, 2011 Catalogue Retour aux Bases / Back to Basics, Pont de Claix, Grenoble, San Francisco Chronicle November 2009, Abstract commingle well… Kenneth Baker, Peter Selz, "TRANS: Form|Color ", Exhibition Catalog Essay, Meridian, Gallery, San Francisco, The Space Between at SJICA Artweek June 2008 ARTKRUSH 2004 micro review by Christopher Elam, Chief Editor of Artkrush, Sydney Gay Games 2002 Review of Powerplay, Sydney Morning Herald October 1990. Fresh Art S.H. Irvine National Trust, Arts Editor, John McDonald Eastern Herald Art Review, Verisimilitudes, D.C. Art, Sydney Writer, Martine Ranby ArtLink, Spring 1994, Non-profits and their Artists Editorial Highlights Minimal Painting by Brent Hallard currently on show at FIRST DRAFT, SYDNEY EYELINE September 1988 Brisbane Art Publication. Brent Hallard -Imperfect Geometries. Interview with Adriane Boag, First Draft Director