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Holly Miller

1958
(USA) AMERICAN

Holly Miller是一位美国抽象艺术家,她的画作努力通过抽象的语言将视觉与触觉融合。她在纽约布鲁克林生活和工作。

教育

艺术家出生于纽约布法罗,成长于意大利罗马,时间是在60年代末和70年代初。她的祖母偶尔会来探望霍莉和她的家人,总是带她去博物馆探索不同的杰作。在纽约的高中时期,她只有一个梦想——回到她度过童年的小镇。毕业后,艺术家搬到了永恒之城,并在但丁阿利吉耶里学校学习艺术史和意大利文学。

二十岁时,这位年轻艺术家回到美国,在视觉艺术学院(SVA)学习素描、绘画和雕塑,并于1984年获得美术学士学位。

技术

经过漫长的实验旅程,这位艺术家开始与线材打交道——一种具有绘画特性的材料,同时又是触觉和雕塑性的,与画布相关,并承载着无尽的隐喻。她开始用长针和线在画布上绘画,而不是用铅笔。她找到了一个结合了绘画、油画和雕塑的视觉媒介,同时保持简单和谦逊。她通过多年的探索、冒险、发现和丢弃那些绝对不必要的东西,达到了经济的境界。通过提炼她的经历、思想、感受和情感,她创造了一种抽象的个人语言,这已成为她作品的本质。...

“缝合线的行为蕴含着刺穿与愈合、连接与破坏、撕裂与修补的隐喻。那些微小的刺痛或刺痒提醒我们,所有美丽或温柔的事物也可能带来些许痛苦。这就是作品中的诗意。”

通过将重复的线条与几何色彩形状相结合,她的作品传达了许多对立面:简约绘画与工艺、幻觉与材料、温暖与冷静、缺失与存在、男性与女性、大胆与细腻、完美与不完美...

这些画作具有一种物质感,通过单色的笔触和穿透画布表面的线条所形成的孔洞来表现。然而,从远处看,它们似乎是平面的,暗示着细线画。当人们靠近这些画作时,惊喜的元素显现出来,激励人们更仔细地观察,并质疑最初的假设或期望。

灵感

毕业后,这位艺术家再次回到了意大利。她在这一时期的大部分作品都受到罗伯特·劳申伯格、让-米歇尔·巴斯奎特和埃贡·席勒的启发。然而,四年后,她觉得生活在这个美丽的城市就像生活在博物馆里,因此她意识到她必须改变一些东西,以便能够作为艺术家成长和扩展;她需要一个更现代的环境和与其他艺术家的更广泛的对话。她回到了纽约,在那里扎根,成为一位女性当代美国艺术家。...

通过触觉(肢体语言)的交流激发了她的触觉抽象画作。Miller的调色板呼应了60年代和70年代意大利工业设计的色调和色彩,而她的形状则让人联想到建筑和城市结构。

她的作品与丰塔纳对其画作的物理方法和布里对画面表面的触觉操控有着巨大的亲和力。埃尔斯沃斯·凯利大胆的形状和色彩在纯粹的视觉层面上与她产生了共鸣。阿格尼斯·马丁细腻、安静、重复的线条,弗雷德·桑德巴克在空间中绘制的强烈建筑感、极简的纤维线条,埃娃·赫斯的情感丰富的结构化网状物,理查德·图特尔古怪而新鲜的绘画和谦逊的物体,布里奇特·赖利动态的光学构图都对Miller产生了深刻的影响,激励她在抽象艺术中开辟出自己的声音。

相关引言

德文·戈尔登,来自Artcritical和Art Monkey Wrench的纽约艺术评论家,写道她的作品:"为了追求统一而付出了如此巨大的努力,但正是人类的不完美在每一个动作中被接受和突出……Holly Miller的实践提供了一种我们可以在眼前浮现但永远无法触及的视觉触感。"

收藏

这位艺术家的作品展出在公共收藏中,包括北卡罗来纳州的韦瑟斯庞艺术博物馆、肯塔基大学艺术博物馆和阿肯色艺术中心。

展览

这位艺术家在许多画廊举办了个人展览,主要在美国海岸以及国际上参加了众多群展,包括伦敦的蛇形画廊和罗马的米斯凯蒂工作室。

Galerie Thaddaeus Ropac Pays Homage to the American Minimal Art

塔达乌斯·罗帕克画廊向美国极简艺术致敬

美国极简艺术的遗产正在巴黎潘廷的Thaddaeus Ropac画廊的纪念性极简展览中展出。展览包括由六位1960年代中期最具影响力的美国极简艺术家创作的20多件作品:Carl Andre、Dan Flavin、Donald Judd、Sol LeWitt、Robert Mangold和Robert Morris。展览中的几件标志性作品之一是Dan Flavin的“V. Tatlin纪念碑”...

阅读更多
Getting the Most in the Simplest Form - Anne Truitt at Matthew Marks

以最简单的形式获得最多 - Anne·特鲁伊特在马修·马克斯

一场由Anne·特鲁伊特创作的画作的罕见展览目前在纽约的马修·马克斯画廊展出。特鲁伊特(1921 – 2004)主要以她的雕塑而闻名,或称之为结构。这是自1970年代以来她的画作首次在美国举办的大型展览——展出作品中只有两件曾公开展出过。这是当代观众重新审视特鲁伊特——她的结构、她的素描和她的画作的绝佳机会。这些二维作品中细腻的手绘线条唤起了孤独与希望的对比情感。这些不精确的、绘画般的形状...

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Education

1984 Bachelor of Fine Arts, School of Visual Arts, New York, NY

Solo Exhibitions

2015 ELIZABETH HARRIS Gallery New York , NY
2010 ELIZABETH HARRIS Gallery New York , NY
1999 CLEMENTINE Gallery New York, NY
1996 GINA FIORE SALON OF FINE ARTS New York, NY
1992 ARENA New York, NY
1986 Galleria STUDIO E Rome, Italy

Group Exhibitions

2018 "The possibilities of line", McKenzie Fine Art, New York City
2017 "Truth" BRIC contemporary, Brooklyn NY
2017 "Deck the walls" curated by Dee Shapiro, National Arts Club, NY
2017 New gallery New work. summer group show Elizabeth Harris NY
2016 Small works Biennial. curated by Don Nice. Garrison Art Center Garrison, NY
2016 Holly Miller & Gregory Montreuil "Dynamic Force / True Colors" Galerie du Tableau Marseille, France
2015 "Keep Out" Lesley Heller Workspace New York NY
2014 "Material way" curated by Kathleen Kucka, Sh irley Fiterman Art Center at BMCC New York NY
2014 "Color as structure" , McKenzie Fine Art New York NY
2013 "Holiday delights" Elizabeth Harris New York NY
2011 "Group Show" Muriel Guepin Gallery New York NY
2010 "Monumental/ Piccolin i" curated by Jenni fer Riley, Allegra LaViola Gallery, New York, NY
2010 "A Better Tomorrow" Galleria Stefania Miscetti, Rome, Italy
2009 "By a thread" Elizabeth Harris Gallery, New York, NY
2008 "Linear manifestations" Jeannie Freilich Fine Art, New York, NY
2004 "Trace Elements" curated by Kristen Frederickson KRISTEN FREDERICKSON GALLERY, New York, NY (catalog)
2004 "Polytechnicolor" MICHAEL STEINBERG FINE ART New York, NY
2003 "The Summer of Lust" GEOFFREY YOU NG GALLERY, Great Barrington, MA
2003 "Subtle" curated by Leslie H e ller THE WORKSPACE New York
2003 "Finely Drawn" WEATHERSPOON ART GALLERY, Greensboro, NC
2000 "Miracle Whip" CLEMENTINE Gallery New York, NY
1998 "Loose Threads" curated by Lisa Corrin (Catalog) SERPENTINE Gallery London, UK
1998 "Work o n paper" NYLON Salon, L ondon, UK
1998 "PIEROGI 2000 NY:The Flat Files" THE KUNSTLERHAUS, Vienna, Austria
1997 "Current Undercurrent" BROOKLYN MUSEUM OF ART, Brooklyn, NY
1997 "Art on Paper" WEATHERSPOON ART GALLERY, Greensboro, NC (catalog)
1997 PIEROGI 2000 Flatfiles THE CORNER HOUSE, Man chester, UK
1997 "Drawer" GAS WORKS, London, UK
1997 "White Out" curated by Theresa Hackett, THE WORKSPACE, New York, NY (catalog)
1997 "Suture" curated by Annie Herron, THE ROTUNDA GALLERY, Brooklyn, NY
1997 "Night of 1000 drawings" ARTIST SPACE, New York, NY
1997 "Artist of the week" PIEROGI 2000, Brooklyn, NY
1994 "Modus Operandi" curated by Natalie Rivera, LEONORA VEGA GALLERY, New York, NY
1993 "Works on paper" ARENA, Brooklyn, NY
1993 "Contemporary drawings Part II" ARENA, New York, NY
1993 "TennisportArt" curat ed by Christian Haub, L.I. City, NY
1992 "Christian Haub, Melissa Kretschmer, Holly Miller, Charles Spurrier" ARENA, New York, NY
1989 Salle Drouot - Montaigne (Catalog), Paris, France
1988 Galleria STUDIO E, Rome, Italy
1988 Broadway, Walker and White Gal lery, New York, NY
1987 Galleria STUDIO E, Rome, Italy
1987 SALA UNO, Rome, Italy
1986 Galleria STUDIO E, Rome, Italy
1986 "Capo D'Africa" Rome, Italy
1984 SVA Gallery New York,NY

Publications

1995 M/E/A/N/I/N/G #20, Contemporary Arts Issues
1995 M/E/A/N/I/N /G #16, Contemporary Arts Issues
1998 "LOOSE THREADS" Catalog, essay by Lisa Corrin
1999 "DICA 33" Poems by Antonella Villa , Art work by Holly Miller

Bibliography

1997 Barry Schwabsky, "Correct me if I'm wrong" - (C atalog Essay)
1997 Alessandro Cassin, "In bilico tra NY e Roma" - Oggi 7
1997 Frances Chapman - WaterfrontWeek - Volume 7.2
1997 Barry Schwabsky - REVIEW magazine
1998 E. Tage Larsen, "A questionable solidarity; Current Undercurrent: Brooklyn Museum of Art."
1998 Zingmagazine, Winter Issue
1998 Richard Cork. "S aying it with thread". The London Times
1998 Michael Archer. "Loose Threads". ART MONTHLY.
1999 Joe Leask, "Rummaging in the drawers at NYLON". Make 83 magazine
1999 Joyce Korotkin - NY ARTS. Vol.4 No.8
1999 Julie Caniglia - "Sidewalk New York" - Hot Pick.
2001 Ken Johnson, "Subtle" the New York Times
2007 "560 Broadway: A New York Drawing Collection at Work, 1991 - 2006 "
2007 Click and Frame" The New York Times Style Magazine, Holiday 2007
2014 Optical and tactile: Art ist Holly Miller - Interview - Nordstrom blog
2014 Artnews "Color as Structure" by Ann Landi
2014 The Broadsheet Daily "What's the matter with art?" by Caroline Press

Collections

Arkansas Arts Center
University of Kentucky Art Museum
Weatherspoon Art Museum

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