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Brent Hallard

1957
(AUSTRALIA) AMERICAN

Brent Hallard 是一位出生於澳大利亞的抽象藝術家、策展人和作家,他的紙上和鋁製作品探索極簡主義圖像和單色表達。
他的作品在精確、正式的地理形狀檢視與更具玩味、特立獨行的創作之間波動。
他目前在澳大利亞悉尼生活和工作。

教育

Brent Hallard 於1990年獲得美術學士學位,並於1992年從新南威爾士大學獲得藝術碩士學位。

科技

使用如標記筆、水彩和壓克力等媒介,Hallard 在紙張和鋁材上構建可識別的幾何形狀,如正方形和長方形的單色和半單色圖像。

這項工作通常由簡單的形狀和形狀的聚集組成,而在其他時候,它則超越了線條和形狀的界限。

Hallard 傾向於專注於傳達精確性和準確性的作品,同時也與顏色和形狀的更鬆散探索調情,創造出更具實驗性的幾何抽象,邀請觀眾進一步互動的層次。

靈感

這位藝術家以空間和幾何為主題,操控圖像和物體的排列,以挑戰觀者的感知。

他的作品深深植根於藝術史的基本原則,特別是建立在抽象、極簡主義和色域藝術家的趨勢之上。

這項工作也保持了一定的人性質感,融入了一種開放和輕浮的感覺,暗示著一種擺脫形式限制的潛在自由。

相關行情

「年輕太空藝術部落格的凱特·莫斯(Kate Mothes)對Brent Hallard的作品說:」

"這些畫作……簡單得令人驚豔。邊緣如此鮮明,顏色如此明亮,以至於幾乎進入了光學領域。他的一些作品完全對稱,但當我們的目光從一個部分移動到另一個部分,從一條條紋移動到另一條條紋時,邊界卻在變化,顏色對我們的眼睛施加了微妙的幻覺。他似乎堅持對稱、硬邊的抽象,然後在下一個瞬間創作出一件作品……似乎在說他知道這些作品應該是硬邊畫作,但你看?有時它們並不是。為了證明這一點,他會在邊界外上色。"

顯著的區別

視覺差異藝術部落格創辦人

1986
新南威爾士藝術畫廊,蘇爾曼獎,評審展覽

展覽

Hallard 在美國、歐洲和亞洲的多個個展和聯展中廣泛展出。他的作品也曾參加全國及荷蘭的幾個博物館展覽。

The Will to Restraint: Tendencies of Reductive Art - Ideelart

《克制的意志:簡約藝術的趨勢》

當思考藝術時,很少能夠找到超越風格、時期或運動的限制性概念的術語。但當我們做到這一點時,發現可能參考所有藝術作品的語言,無論它是何時創作或由誰創作,都可以是解放性的,甚至是統一的。簡約藝術就是這樣一個術語。它並不指代某個運動、風格或藝術時期。它代表了一種理念。簡約藝術是通過旨在簡化、整合、濃縮的過程創作的藝術。從某種意義上說,你可以說米開朗基羅的《大衛》雕像,這件用大理石雕刻的作品,是簡約...

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How Colorist Painters Speak With Hues - Ideelart

色彩畫家如何用色調交流

色彩師所給予我們的,不是說「黃色」的黃色,也不是說「山」或「樹」的黃色,而是說「永恆」、「激烈」、「善良」、「力量」、「平靜」或「愛」的黃色。色彩畫家不僅僅專注於顏色,他們通過顏色進行交流。他們與顏色合作,以表達那些無法表達的事物。他們使用顏色,不是為了讓我們凝視一個表面,而是邀請我們向內探索,朝向超越表面的某種東西,深入畫作之中,也深入我們自己之中。 用色調說話 最終被稱為印象派的叛逆畫...

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Education

1992 Master of Arts, University of New South Wales, COFA
1990 Bachelor of Fine Arts, University of New South Wales, COFA

Selected Exhibitions

2018 Wave, curated, BSA Project Space, Northern Rivers
2018 2 x 2, group show, Olsen Gallery, Sydney
2018 Load, Solo show, Five Walls, Melbourne
2017 0ppler, curated by Mel Prest, Transmitter Gallery, Brooklyn
2017 Mixed Tape, Palmer Art Projects, Sydney
2017 Chromatopia, curated by Louis Blyton, Melbourne
2017 100 years after De Stijl, Openlucht Museum De Lakenhal
2017 Visual Discrepancy, curated for Crawford Gallery, Sydney (2 person)
2017 Trans, curated by Kyle Jenkins, Raygun Projects, Toowoomba
2017 Samenhang, with Jasper van der Graaf and the collection of Camiel Andriessen, Het Kunstgemaal, Netherlands
2017 Dirty Filthy Painting, curated by Michael Cusak, BSA Project Space, Northern Rivers
2017 Line and Space curated by Suzie Idiens, Crawford Gallery, Sydney
2017 Colour and Form, Olsen Gallery, Sydney Contemporary 17, Sydney
2017 The Shape of Things curated for Artpiece, Mullumbimbi
2016 Drawing Conversations, National Art School, East Sydney
2016 Connect & Collect, SJICA, San Jose, CA
2016 Lavender Strike, Conny Dietzschold Gallery, Sydney
2016 The White Collection, Conny Dietzschold Gallery
2016 Hydrography lll, LaKaserna Artspace, Bad Nieuweschans, Netherlands (curated by Henriëtte van't Hoog and Iemke van Dijk)
2016 Engaged Drawing, curated Beatrice Bea, Yifat Gat, Artothèque, Miramas
2015 Nolan Projects, organized by John Adair, Nolan Foundation, Wales, UK
2015 Volume, curated by Mary Judge and Enrico Gomez, Schema Projects, New York
2015 Formal Watercolor, Museum Waterland, Purmerend, Netherlands, curated by Piet Knook
2015 Territory of Abstraction, Pentimenti Gallery, Philadelphia, curated by Christine Pfister
2015 Paperazzi 4, Janet Kurnowski Gallery, New York
2014 un·bound·ed, bi-coastal and international show focusing on conceptual & reductive practices, Root Division, San Francisco
2014 Doppler Shift, curated by Mary Birmingham, New Art Center, New Jersey
2014 Abstract Realities, Jan Van de Ploeg, Brent Hallard, Richard Van der Aa University of Southern Queensland
2014 Dressed in Pink, Raygun Art Projects, Southern Queensland
2014 Hard-Edge Abstraction, curated by Kasarian Dane and Catherine Tedford, Richard F. Brush Art Gallery at St. Lawrence University in Canton, New York
2014 Paperazzi 3, Janet Kurnowski Gallery, New York
2013 Sydney Non Objective Turns 100, SNO Contemporary Art Projects, Sydney, Australia
2013 The Big small Graphic Art Show, Graphic Studio Daglicht Eindhoven
2013 LIGHT SPACE PROJECTS 2013: Rituals of Exhibition II by The Talent Agency, H Gallery Chiang Mai, Thailand
2013 DOPPLER, curated by Mel Prest, Parallel Art Space, Brooklyn, NY
2013 Hydrography - Abstract in Watercolor, De Vishal, Haarlem, The Netherlands, curated by Iemke van Dijk and Henriëtte van 't Hoog.
2013 Rituals of Exhibition curated by Gilbert Hsiao and Giles Ryder Don't Be Selfish, Phayao Thailand
2013 Paperazzi 2 Janet Kurnatowski Gallery, New York
2013 Right and Other Angles curated by Jeffrey Cortland Jones at Soft-spot
2013 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work Wignall Museum of Contemporary Art
2012 Index #3, publication and exhibition organized by Justin Andrews, Melbourne
2012 Dripping Color Amazement, curated by Brent Hallard, Galerie oqbo, Berlin
2012 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work, sponsored by the University of Iowa Museum of Art
2012 Doppler Stop, Rotterdam, Amsterdam, Berlin and Zagreb?Supermarket 2012 IS Projects/SNO/PARISconcret, Stockholm?
2012 Paparazzi, Janet Kurnatowski Gallery, Brooklyn, NY
2011 VOID289, UNVOID curated by Naoshi Okura KOBE Biennale, Japan
2011 A Romance of Many Dimensions ?Brooklyn Artist's Gym, Brooklyn, NY
2011 Saturation Point International Survey of Reductive Art, London
2011 Gifting Abstraction Soho20 Chelsea Gallery, curated by Mariángeles Soto-Díaz, NY
2011 Sugarmountain 2 Galerie van den Berge, curated by Clary Stolte, Goes, NL
2011 Chase the Tear NIAD curated by Timothy Buckwalter, Richmond, CA
2011 Recent Movements in Non-objective Art Reuten Galerie, NL
2011 1st International Festival of Non-Objective Art Organized by Roland Orpük Pont de Claix, Grenoble, France
2011 Plane Speaking McKenzie Fine Art, curated by Valerie McKenzie, NY
2010 Informal Relations Indianapolis Museum of Contemporary Art (IMOCA), curated by Scott Grow
2010 Touch + Paris ParisCONCRET
2010 Hydrography: Abstracts in Watercolor RC de Ruimte in IJmuiden, curated by Iemke van Dijk and Henriëtte van ’t Hoog
2010 25 x 25 traveling Sydney Melbourne, New IS-Projects box, curated by Guido Winkler
2010 Fuzzy Logic Thompson Gallery The Cambridge School of Weston, MA
2009 Editionen aus Deutschland den Niederlanden und der Schweiz - Gesellschaft für Kunst und Gestaltung, Bonn GKG Bonn
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Personal Space three person show with Richard Roth and Henriette van 't Hoog
2009 parisCONCRET, Paris
2009 Kosmos Light and Space curated by Guido Winkler Is projects, Leiden, curated
2009 I-S Box
2009 Trans:formal Pharmaka, Los Angeles
2009 Pour faire simple parisCONCRET, Paris
2008 T-show Polverara, Italy
2008 The Space Between San Jose Institute of Contemporary Art, San Jose, CA
2007 Trans Weltraum, Marienplatz Munich
2007 U-shape Minatomirai Yokohama
2007 Solid Space storefront, Setagaya, Tokyo
2007 New Wall Drawings Bus-Dori Projects, Tokyo

Museum Exhibitions

2017 Openlucht Museum De Lakenhal, 100 years after De Stijl, The Netherlands
2016 LaKaserna Artspace, Bad Nieuweschans, The Netherlands
2015 Museum Waterland, Purmerend, The Netherlands, Hydrography III
2014 Visual Art Center, New Jersey, Doppler Shift
2013 De Vishal, Haarlem, The Netherlands Hydrography
2012/13 University of Iowa Museum of Art & Wignall Museum of Contemporary Art, Never Underestimate a Monochrome
2010 Indianapolis Museum of Contemporary Art, Informal Relations
2008 San Jose Institute of Contemporary Art, The Space Between
1990 S. H. Irvine National Trust, Fresh Art, curators: Felicity Fenner/Anne Loxley
1986 Art Gallery of New South Wales, Sulman Prize, Juried exhibition

Curatorial Work

2017 Visual Discrepancy, Crawford Gallery, Sydney
2014 Unbounded Root Division, San Francisco
2012 Dripping Color Amazement Galerie oqbo, Berlin
2011 A Romance of Many Dimensions, ?Brooklyn Artist's Gym, NY
2010 Touch + Paris, ParisCONCRET, Paris
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Trans:formal Pharmaka, Los Angeles
2009 Touch, Bus-Dori Project Space, Tokyo
2008 Bus-Dori Suitcase, Bus-Dori Project Space, Tokyo

Review/publication

Visual Discrepancy, Sydney Morning Herald, Spectrum, 2017, 100 years after De Stijl ,The Link, Architectural Magazine, Berlin,2017 Lavender Strike, Sydney Morning Herald, Spectrum, 2016, Unbounded boxed set of prints 2014, essay by Joan Waltemath, Doppler Shift Catalog, 2014, Doppler NY 2013, Index 3 (publication), 2012, Doppler Europe 2012, Kunstbeed,Nr 9 Sugarmountain 2 2011, An Exercise in Seeing at Brooklyn Artist's Gym by Eric Sutphin, 2011 Catalogue Retour aux Bases / Back to Basics, Pont de Claix, Grenoble, San Francisco Chronicle November 2009, Abstract commingle well… Kenneth Baker, Peter Selz, "TRANS: Form|Color ", Exhibition Catalog Essay, Meridian, Gallery, San Francisco, The Space Between at SJICA Artweek June 2008 ARTKRUSH 2004 micro review by Christopher Elam, Chief Editor of Artkrush, Sydney Gay Games 2002 Review of Powerplay, Sydney Morning Herald October 1990. Fresh Art S.H. Irvine National Trust, Arts Editor, John McDonald Eastern Herald Art Review, Verisimilitudes, D.C. Art, Sydney Writer, Martine Ranby ArtLink, Spring 1994, Non-profits and their Artists Editorial Highlights Minimal Painting by Brent Hallard currently on show at FIRST DRAFT, SYDNEY EYELINE September 1988 Brisbane Art Publication. Brent Hallard -Imperfect Geometries. Interview with Adriane Boag, First Draft Director

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