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Brent Hallard

1957
(AUSTRALIA) AMERICAN

Brent Hallard 是一位出生于澳大利亚的抽象艺术家、策展人和作家,他在纸张和铝材上的作品探索极简主义图标和单色表达。
他的作品在对地理形状的精确、正式的考察与更具玩味、特立独行的创作之间波动。
他目前在澳大利亚悉尼生活和工作。

教育

Brent Hallard 于1990年获得美术学士学位,并于1992年获得新南威尔士大学的艺术硕士学位。

技术

使用如马克笔、水彩和丙烯等媒介,Hallard 在纸张和铝材上构建了单色和半单色的可识别几何形状图像,如正方形和矩形。

这项工作通常由简单的形状和形状的簇组成,而在其他时候,它超越了线条和形状的界限。

Hallard 倾向于专注于传达精确性和准确性的作品,同时也与更自由的色彩和形式探索调情,创造出更具实验性的几何抽象,邀请观众进行更多层次的互动。

灵感

这位艺术家以空间和几何为主题,操控图像和物体的排列,以挑战观众的感知。

他的作品深深扎根于艺术史的基础,特别是建立在抽象、极简主义和色域艺术家的倾向之上。

这项工作也保持了一定的人性,融入了一种开放和轻浮的感觉,暗示着一种摆脱形式限制的内在自由。

相关引言

年轻太空艺术博客的凯特·莫斯(Kate Mothes)对Brent Hallard的作品说:

"这些画作……非常简单。边缘如此鲜明,颜色如此明亮,以至于它们几乎进入了光学领域。他的一些作品完全对称,但当我们从一个部分移动到另一个部分,从一条条纹移动到另一条条纹时,边界却在变化,因为颜色在我们眼中玩弄着微妙的把戏。他似乎致力于对称的、硬边的抽象艺术,然后在下一个瞬间创作出一件作品……似乎在说他知道这些作品应该是硬边画,但你看?有时它们并不是。为了证明这一点,他会在边界之外上色。"

显著的区别

视觉差异艺术博客创始人

1986
新南威尔士艺术画廊,苏尔曼奖,评审展览

展览

Hallard 在美国、欧洲和亚洲的多次个人和群体展览中广泛展出。他的作品还曾在全国和荷兰的多个博物馆展览中展出。

The Will to Restraint: Tendencies of Reductive Art

《克制的意志:简约艺术的倾向》

在思考艺术时,能够超越风格、时期或流派的限制性概念的术语是很少见的。但当我们做到这一点时,发现可能与所有艺术作品相关的语言,无论它是何时创作或由谁创作,都可以是解放性的,甚至是统一的。简约艺术就是这样一个术语。它并不指代某个运动、风格或艺术时期。它代表了一种理念。简约艺术是通过旨在简化、整合、浓缩的过程创作的艺术。从某种意义上说,你可以说米开朗基罗的《大卫》雕像是简约的,因为它是通过编辑原...

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How Colorist Painters Speak With Hues

色彩画家如何用色调交流

色彩师给我们的不是一种说“黄色”的黄色,甚至不是一种说“山”或“树”的黄色,而是一种说“永恒”、“凶猛”、“善良”、“力量”、“平静”或“爱”的黄色。色彩画家不仅仅关注颜色,他们通过颜色进行交流。他们与颜色合作,以表达那些无法用言语表达的东西。他们使用颜色不是为了给我们一个表面去凝视,而是邀请我们向内探寻,去发现超越表面的东西,深入画作之中,以及我们内心深处。 用色调说话 最终被称为印象派...

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Education

1992 Master of Arts, University of New South Wales, COFA
1990 Bachelor of Fine Arts, University of New South Wales, COFA

Selected Exhibitions

2018 Wave, curated, BSA Project Space, Northern Rivers
2018 2 x 2, group show, Olsen Gallery, Sydney
2018 Load, Solo show, Five Walls, Melbourne
2017 0ppler, curated by Mel Prest, Transmitter Gallery, Brooklyn
2017 Mixed Tape, Palmer Art Projects, Sydney
2017 Chromatopia, curated by Louis Blyton, Melbourne
2017 100 years after De Stijl, Openlucht Museum De Lakenhal
2017 Visual Discrepancy, curated for Crawford Gallery, Sydney (2 person)
2017 Trans, curated by Kyle Jenkins, Raygun Projects, Toowoomba
2017 Samenhang, with Jasper van der Graaf and the collection of Camiel Andriessen, Het Kunstgemaal, Netherlands
2017 Dirty Filthy Painting, curated by Michael Cusak, BSA Project Space, Northern Rivers
2017 Line and Space curated by Suzie Idiens, Crawford Gallery, Sydney
2017 Colour and Form, Olsen Gallery, Sydney Contemporary 17, Sydney
2017 The Shape of Things curated for Artpiece, Mullumbimbi
2016 Drawing Conversations, National Art School, East Sydney
2016 Connect & Collect, SJICA, San Jose, CA
2016 Lavender Strike, Conny Dietzschold Gallery, Sydney
2016 The White Collection, Conny Dietzschold Gallery
2016 Hydrography lll, LaKaserna Artspace, Bad Nieuweschans, Netherlands (curated by Henriëtte van't Hoog and Iemke van Dijk)
2016 Engaged Drawing, curated Beatrice Bea, Yifat Gat, Artothèque, Miramas
2015 Nolan Projects, organized by John Adair, Nolan Foundation, Wales, UK
2015 Volume, curated by Mary Judge and Enrico Gomez, Schema Projects, New York
2015 Formal Watercolor, Museum Waterland, Purmerend, Netherlands, curated by Piet Knook
2015 Territory of Abstraction, Pentimenti Gallery, Philadelphia, curated by Christine Pfister
2015 Paperazzi 4, Janet Kurnowski Gallery, New York
2014 un·bound·ed, bi-coastal and international show focusing on conceptual & reductive practices, Root Division, San Francisco
2014 Doppler Shift, curated by Mary Birmingham, New Art Center, New Jersey
2014 Abstract Realities, Jan Van de Ploeg, Brent Hallard, Richard Van der Aa University of Southern Queensland
2014 Dressed in Pink, Raygun Art Projects, Southern Queensland
2014 Hard-Edge Abstraction, curated by Kasarian Dane and Catherine Tedford, Richard F. Brush Art Gallery at St. Lawrence University in Canton, New York
2014 Paperazzi 3, Janet Kurnowski Gallery, New York
2013 Sydney Non Objective Turns 100, SNO Contemporary Art Projects, Sydney, Australia
2013 The Big small Graphic Art Show, Graphic Studio Daglicht Eindhoven
2013 LIGHT SPACE PROJECTS 2013: Rituals of Exhibition II by The Talent Agency, H Gallery Chiang Mai, Thailand
2013 DOPPLER, curated by Mel Prest, Parallel Art Space, Brooklyn, NY
2013 Hydrography - Abstract in Watercolor, De Vishal, Haarlem, The Netherlands, curated by Iemke van Dijk and Henriëtte van 't Hoog.
2013 Rituals of Exhibition curated by Gilbert Hsiao and Giles Ryder Don't Be Selfish, Phayao Thailand
2013 Paperazzi 2 Janet Kurnatowski Gallery, New York
2013 Right and Other Angles curated by Jeffrey Cortland Jones at Soft-spot
2013 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work Wignall Museum of Contemporary Art
2012 Index #3, publication and exhibition organized by Justin Andrews, Melbourne
2012 Dripping Color Amazement, curated by Brent Hallard, Galerie oqbo, Berlin
2012 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work, sponsored by the University of Iowa Museum of Art
2012 Doppler Stop, Rotterdam, Amsterdam, Berlin and Zagreb?Supermarket 2012 IS Projects/SNO/PARISconcret, Stockholm?
2012 Paparazzi, Janet Kurnatowski Gallery, Brooklyn, NY
2011 VOID289, UNVOID curated by Naoshi Okura KOBE Biennale, Japan
2011 A Romance of Many Dimensions ?Brooklyn Artist's Gym, Brooklyn, NY
2011 Saturation Point International Survey of Reductive Art, London
2011 Gifting Abstraction Soho20 Chelsea Gallery, curated by Mariángeles Soto-Díaz, NY
2011 Sugarmountain 2 Galerie van den Berge, curated by Clary Stolte, Goes, NL
2011 Chase the Tear NIAD curated by Timothy Buckwalter, Richmond, CA
2011 Recent Movements in Non-objective Art Reuten Galerie, NL
2011 1st International Festival of Non-Objective Art Organized by Roland Orpük Pont de Claix, Grenoble, France
2011 Plane Speaking McKenzie Fine Art, curated by Valerie McKenzie, NY
2010 Informal Relations Indianapolis Museum of Contemporary Art (IMOCA), curated by Scott Grow
2010 Touch + Paris ParisCONCRET
2010 Hydrography: Abstracts in Watercolor RC de Ruimte in IJmuiden, curated by Iemke van Dijk and Henriëtte van ’t Hoog
2010 25 x 25 traveling Sydney Melbourne, New IS-Projects box, curated by Guido Winkler
2010 Fuzzy Logic Thompson Gallery The Cambridge School of Weston, MA
2009 Editionen aus Deutschland den Niederlanden und der Schweiz - Gesellschaft für Kunst und Gestaltung, Bonn GKG Bonn
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Personal Space three person show with Richard Roth and Henriette van 't Hoog
2009 parisCONCRET, Paris
2009 Kosmos Light and Space curated by Guido Winkler Is projects, Leiden, curated
2009 I-S Box
2009 Trans:formal Pharmaka, Los Angeles
2009 Pour faire simple parisCONCRET, Paris
2008 T-show Polverara, Italy
2008 The Space Between San Jose Institute of Contemporary Art, San Jose, CA
2007 Trans Weltraum, Marienplatz Munich
2007 U-shape Minatomirai Yokohama
2007 Solid Space storefront, Setagaya, Tokyo
2007 New Wall Drawings Bus-Dori Projects, Tokyo

Museum Exhibitions

2017 Openlucht Museum De Lakenhal, 100 years after De Stijl, The Netherlands
2016 LaKaserna Artspace, Bad Nieuweschans, The Netherlands
2015 Museum Waterland, Purmerend, The Netherlands, Hydrography III
2014 Visual Art Center, New Jersey, Doppler Shift
2013 De Vishal, Haarlem, The Netherlands Hydrography
2012/13 University of Iowa Museum of Art & Wignall Museum of Contemporary Art, Never Underestimate a Monochrome
2010 Indianapolis Museum of Contemporary Art, Informal Relations
2008 San Jose Institute of Contemporary Art, The Space Between
1990 S. H. Irvine National Trust, Fresh Art, curators: Felicity Fenner/Anne Loxley
1986 Art Gallery of New South Wales, Sulman Prize, Juried exhibition

Curatorial Work

2017 Visual Discrepancy, Crawford Gallery, Sydney
2014 Unbounded Root Division, San Francisco
2012 Dripping Color Amazement Galerie oqbo, Berlin
2011 A Romance of Many Dimensions, ?Brooklyn Artist's Gym, NY
2010 Touch + Paris, ParisCONCRET, Paris
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Trans:formal Pharmaka, Los Angeles
2009 Touch, Bus-Dori Project Space, Tokyo
2008 Bus-Dori Suitcase, Bus-Dori Project Space, Tokyo

Review/publication

Visual Discrepancy, Sydney Morning Herald, Spectrum, 2017, 100 years after De Stijl ,The Link, Architectural Magazine, Berlin,2017 Lavender Strike, Sydney Morning Herald, Spectrum, 2016, Unbounded boxed set of prints 2014, essay by Joan Waltemath, Doppler Shift Catalog, 2014, Doppler NY 2013, Index 3 (publication), 2012, Doppler Europe 2012, Kunstbeed,Nr 9 Sugarmountain 2 2011, An Exercise in Seeing at Brooklyn Artist's Gym by Eric Sutphin, 2011 Catalogue Retour aux Bases / Back to Basics, Pont de Claix, Grenoble, San Francisco Chronicle November 2009, Abstract commingle well… Kenneth Baker, Peter Selz, "TRANS: Form|Color ", Exhibition Catalog Essay, Meridian, Gallery, San Francisco, The Space Between at SJICA Artweek June 2008 ARTKRUSH 2004 micro review by Christopher Elam, Chief Editor of Artkrush, Sydney Gay Games 2002 Review of Powerplay, Sydney Morning Herald October 1990. Fresh Art S.H. Irvine National Trust, Arts Editor, John McDonald Eastern Herald Art Review, Verisimilitudes, D.C. Art, Sydney Writer, Martine Ranby ArtLink, Spring 1994, Non-profits and their Artists Editorial Highlights Minimal Painting by Brent Hallard currently on show at FIRST DRAFT, SYDNEY EYELINE September 1988 Brisbane Art Publication. Brent Hallard -Imperfect Geometries. Interview with Adriane Boag, First Draft Director

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