跳转到内容

购物车

您的购物车为空

Ellen Priest

1951
(USA) AMERICAN

Ellen Priest 是一位美国抽象艺术家,她受到音乐的启发,尤其是爵士乐。她在费城附近生活和工作。

教育

Priest于1977年从耶鲁大学神学院获得神学硕士学位,双重资格为基督教和视觉艺术。作为一名艺术家,她主要是自学成才。

技术

Ellen Priest的基于爵士乐的抽象作品直接平衡在绘画与雕塑的边界上——从远处看是生动的色彩空间幻觉,而近距离观察则是层叠拼贴纸的三维浮雕构造。

灵感

自1990年以来,爵士乐一直是她的主题。绘画始终是她创作过程的核心,同时也独立存在。
艺术家的灵感来自令人惊讶的多样来源:
• 终生的视觉艺术影响包括塞尚晚期的水彩画、马蒂斯的色彩和构图结构,以及抽象表现主义,特别是威廉·德·库宁和琼·米切尔的画作。
• 爵士乐及相关的非洲和拉丁美洲音乐中的节奏和和声结构。
• 她的运动追求,因为她的画作实际上是关于运动的。Priest 最喜欢的运动是 "平衡运动",在这些运动中,动作依赖于重量和平衡的偏移,通常是对地形的反应,比如滑雪。

显著区别

波洛克-克拉斯纳基金会曾两次向Priest颁发重大资助,以支持她的创新。

相关引言

2010年7月,艺术评论家维多利亚·多诺霍在《费城询问者》上撰文评论了Priest在两场威尔明顿展览中的作品:“Priest故意模糊了绘画与爵士乐之间的界限,在她的《委内瑞拉组曲》绘画拼贴中。这些作品将形式作为音乐的语言……将爵士乐视为充满快乐和活力,能够转化悲伤,Priest在这里成功地利用它创造了在实际的色彩空间中物质化的运动。”

画廊

ALVA画廊,康涅狄格州新伦敦

How Colorist Painters Speak With Hues

色彩画家如何用色调交流

色彩师给我们的不是一种说“黄色”的黄色,甚至不是一种说“山”或“树”的黄色,而是一种说“永恒”、“凶猛”、“善良”、“力量”、“平静”或“爱”的黄色。色彩画家不仅仅关注颜色,他们通过颜色进行交流。他们与颜色合作,以表达那些无法用言语表达的东西。他们使用颜色不是为了给我们一个表面去凝视,而是邀请我们向内探寻,去发现超越表面的东西,深入画作之中,以及我们内心深处。 用色调说话 最终被称为印象派...

阅读更多
Spontaneous, Ecstatic and Free: A Primer on Lyrical Abstraction

自发、狂喜与自由:抒情抽象的入门

在讨论抒情抽象是什么,以及它对艺术爱好者和收藏家的意义之前,我们应该对我们中最挑剔的人表示应有的尊重,指出这个术语的起源是一个有时激烈争论的话题。艺术界的许多人说,这个术语起源于1940年代的法国,当时使用“抽象抒情”来描述各种感性和抽象的战后欧洲艺术运动。其他人则坚持认为这是由有影响力的美国艺术收藏家拉里·奥尔德里奇在1969年创造的,他用这个术语来描述1960年代末美国艺术家创作的作品...

阅读更多
An Interview with Ellen Priest

与Ellen Priest的访谈

Ellen Priest 在艺术界留下了深刻的印记,凭借其生动的抽象拼贴画作品已有三十多年。她的职业生涯初期受到塞尚的影响,自1990年代以来又受到爵士乐的启发,她努力通过生动的色彩笔触捕捉各种爵士乐曲的运动和复杂节奏。IdeelArt 有机会讨论她的工作过程,同时深入了解她的影响和对音乐的热情。 你提到你受到了一场名为“塞尚:晚期作品”的展览的巨大影响,该展览展示了他在现代艺术博物馆的晚...

阅读更多

Education

1977 Master of Divinity, Yale University Divinity School, New Haven, Connecticut.
Christianity and the Visual Arts: Interdisciplinary Program in Collaboration with Yale University School of Art
1972 B.A. Lawrence University, Wisconsin

Solo Exhibitions

2020 On Being American/Jazz: Ryan Cohan’s ‘The River’, Delaware Contemporary, Wilmington, Delaware.
2019 On Being American/Jazz: Ryan Cohan’s ‘The River’, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York.
2015 Jazz Cubano: Color and Paper Constructions, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York. March 21 - May 3.
2013 Ellen Priest, Delaware Division of the Arts Gallery, Wilmington, Delaware.
2012 Jazz: Thinking Out Loud, Reaching for Song, Joint painting/jazz project with Berklee College of Music, Boston, Massachusetts. Residency: November 2010.
Improvising on Jazz: Ellen Priest’s Paintings on Collaged Paper, Yale Institute of Sacred Music and Yale Divinity School, New Haven, Connecticut.
2010 Jazz: Improvisations on the ‘Venezuelan Suite,’ Delaware Division of the Arts Gallery, Wilmington, Delaware.
2009 The Art and the Jazz, Gail Pierson Gallery, Cape May, New Jersey.
2007 Jazz Paintings on Paper: Improvisations on the ‘Venezuelan Suite,’ The Philip and Muriel Berman Museum of Art at Ursinus College, Pennsylvania.
2006 The Jazz Series: Paintings on Paper, The Dupont Clifford Brown Jazz Festival in conjunction with Carspecken Scott Gallery Wilmington, Delaware.
2004 Jazz: Paintings on Paper, The Alva Gallery, New London, Connecticut.
Jazz: The Brubeck Series, Bryn Mawr Presbyterian Church, Bryn Mawr, Pennsylvania. In conjunction with performance by Dave Brubeck and Singing City Choir.
2001 The Jazz Series: Paintings on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.
2000 The Jazz Series: Paintings on Paper, Gallery 10 Ltd. Washington D.C.
1983 Soul Devils: Works on paper, J. Hoffman Gallery, Kent, Connecticut.
1982 Soul Devils: Oils and Works on Paper, Berkeley Center, Yale Divinity School. Sponsored by Department of Religion and the Arts, Yale Divinity School.
1979 Works on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.

Selected Group Exhibitions

2018 Transforming Jazz: A Visual Journey, City of Philadelphia Office of Arts, Culture and the Creative Economy, Philadelphia City Hall, Philadelphia, PA.
2017-18 On Another Note: The Intersection of Art and Music, Lyman Allyn Art Museum, New London, Connecticut. Curated by Alva Greenberg.
2016 On Another Note: The Intersection of Art, Green Hall Gallery, Yale School of Art, New Haven, Connecticut. Curated by Alva Greenberg.
2014 35th Anniversary Exhibition, Delaware Center for the Contemporary Arts, Wilmington, Delaware.
2010 SPECTRUM: Contemporary Color Abstraction, Delaware Center for the Contemporary Arts, Wilmington, DE. Curated by Carina Evangelista.
2001 Form and Color, The Alva Gallery, New London, Connecticut.
Artist's Choice 3rd Street Gallery, Philadelphia, Pennsylvania.

Awards

2012 Delaware Division of the Arts Established Artist Fellowship
2010 Delaware Division of the Arts Opportunity Grant
2007 Pollock-Krasner Foundation Grant
2001 Pollock-Krasner Foundation Grant

Publications

“Chapter 7: Ellen Priest: Seeing the World” Camille Colatosti, To Be an Artist: Musicians, Visual Artists, Writers and Dancers Speak. © 2012 E. L. Kurdyla Publishing, LLC, Baltimore, Maryland. (Dr. Colatosti is Dean of Graduate Studies at Berklee College of Music, Boston, Massachusetts.)

Publication Covers

2014 The Kenyon Review, 75th Anniversary Year edition. Literary magazine, full year of cover art.
Edward Simon, The Venezuelan Suite. Sunnyside Records. Music CD.
2013 Thomas Troeger, Music As Prayer. Oxford University Press. Print book, e-book.

Projects Listed By Their Jazz Subject Matter

Each project includes one or more series of preparatory brush studies, finished paintings on layered, collaged paper, and in recent projects, drawings. Each series is based on a single jazz composition. Prior to 2005, work was done from publicly available recorded music and score (where possible).
2012 - Ongoing Afro-Cuban Jazz. Part 1 using the music of Arturo Stable and Elio Villafranca, Part 2 using the music of Stefon Harris and the Ninety Miles Project. Worked in dialog with the composers.
2010 - 2012 Experimental project with Berklee College of Music’s Global Jazz Institute, Boston, Massachusetts. Based on student compositions in progress, recorded during two residency periods at Berklee. Worked in dialog with four student composers and BGJI faculty.
2005 - 2010 Four-movement jazz suite by Venezuelan-born pianist/composer Edward Simon titled, The Venezuelan Suite. Based on Venezuelan song forms, rhythms, and instrumentation. Worked in dialog with the composer.
2003 - 2004 Chick Corea composition titled, Chelsea Shuffle.
2002 - 2006 Herbie Hancock compositions titled, Maiden Voyage and Dolphin Dance.
1994 - 2004 Gonzaguinha composition, Tanacara. Brazilian folk-jazz musician/songwriter.
1994 - 2001 Dave Brubeck composition titled, Take 5.
1999 - 2002 Miles Davis version of Someday My Prince Will Come, arranged by Gil Evans. Composed by Frank Churchill.
1997 - 1998 Luiz Gonzaga composition titled, Asa Branca. Classic Brazilian song, often described as Brazil’s ‘folk’ national anthem.
1990 - 1993 Michel Camilo composition titled, Island Stomp.

Art Education / Teaching

2013-Present and 1992-1999 Created Eyeball It! TM studio art education program for children. Online free to users beginning June 2014 funded by Ellen Priest Projects at Fractured Atlas. Originally written/developed 1992 - 1999. A series of discreet art projects for elementary-age children to do at home with a parent. Adaptable for groups (e.g., after-school programs, public libraries). Currently in pilot phase by Delaware Division of Libraries, Teach for America Delaware. [www.eyeballitart4kids.org](http://www.eyeballitart4kids.org)
2009 New York University, New York, New York, Department of Music Colloquium with Edward Simon, “Composing the Venezuelan Suite – the Music and the Paintings,” February.
2007 - 2010 Delaware Center for the Contemporary Arts, Education Committee.
2002 - 2008 University of the Arts, Philadelphia, Pennsylvania, Professional Institute for Educators.
2002 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, Adjunct Faculty, Fall.
1979-1999 Taught studio art in schools (primary and secondary) and community arts centers including:
Ocean City Arts Center, Ocean City, New Jersey. 1996-99.
Choate-Rosemary Hall, Wallingford, Connecticut. 1979, 1995-96.
Saint Thomas’s Day School, New Haven, Connecticut. 1992-93.
Educational Center for the Arts, New Haven, Connecticut. 1982-83. (All-arts public high school.)
Concord Academy, Concord, Massachusetts. Art Department Chairperson, 1979-80.

Writing

1980-84 Art in America. “Reggie Bradford,” December 1983. “Robert Taplin,” May 1983.
American Ceramics. “Arnold Zimmerman,” Fall 1983. “Jane Gustin,” Summer 1984.
New Haven Advocate. Series of profiles of local artists and their work. 1980 - 82.

Selected Collections

Agnes Gund, New York, New York.
Yale Institute of Sacred Music, New Haven, Connecticut.
Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania.
Christine L. Delucchi, Washington D.C.
Alva Greenberg, Connecticut.
Cil and Gary Knutsen, Cleveland, Ohio.
Lisetta Menardi Orlandi, Cortina D’Ampezzo, Italy.
Jane Lyons and Mark Sucher, Washington D.C.
Astra Zeneca Corporation, Wilmington, Delaware.
Pfizer Corporation, New London, Connecticut.
Morgan, Lewis & Bockius LLP, Philadelphia, Pennsylvania.
BTG, Incorporated, West Conshohocken, Pennsylvania.

close
close
close
I have a question
sparkles
close
product
Hello! I am very interested in this product.
gift
Special Deal!
sparkles