「行動繪畫」一詞由藝術評論家 Harold Rosenberg 在他1952年的文章《美國行動畫家》中提出。Rosenberg 認為，行動畫家並非從作品的「物件性」或形式內容來討論畫作，而是將畫布視為「一個行動的舞台」。因此，畫作成為行動的視覺記錄；一窺激發行動並促成構圖創作的情感、感覺和潛意識思想。
Michael Cusack 是一位行動派畫家，探索自然力量之間的鬥爭。Anthony Frost 融合了行動繪畫和拼貼，以表達搖滾音樂的原始能量和自由。Xanda McCagg 的直覺行動繪畫旨在喚起人類的本質。Melissa Meyer 的書法行動繪畫有時受到一種顏色、一條線，甚至是她在夢中看到的某個片段的啟發。行動繪畫往往以充滿動感和活力的筆觸為主導。它通常是原始的、層疊的、繪畫感強烈且自由的。創作過程中的行動有時甚至被認為比畫作本身更為重要。
Op Art: The Perceptual Ambush and the Art That Refuses to Stand Still
To stand before a major Op Art canvas in the mid-1960s was not merely to look at a picture. It was to experience vision as an active, unstable, bodily process. When the Museum of Modern Art opened ...
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Serious And Not-So-Serious: Paul Landauer in 14 Questions
THE TRACE OF THE UNSEEN At IdeelArt, we believe an artist’s story is told both inside and outside the studio. In this series, we pose 14 questions that bridge the gap between creative vision and ...
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Lyrical Abstraction: The Art That Refuses to Be Cold
Tokyo, 1957. Georges Mathieu, barefoot, wrapped in a kimono, his long body coiled like a spring about to release, stands before an eight-metre canvas. He has been invited by Jiro Yoshihara of the G...
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