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Jessica Snow

1964
(USA) AMERICAN

Jessica Snow 是一位美國抽象藝術家,她的畫作和素描以色彩繽紛和富有趣味的幾何形狀而著稱。藝術家不斷受到一種渴望的驅使,希望每一幅新畫都能比上一幅更好,創作出一幅輕盈地存在於世界中的畫作,表面充滿隱喻的光、空氣、色彩、振奮和自由。

「我作品的顏色和形狀希望能讓那個人感到在這個世界上更有家的感覺。如果這幅畫能做到這一點,那麼我就確實完成了一件相當美妙的事情。」

她常駐於舊金山。

教育

這位藝術家於1988年在加州大學戴維斯分校獲得藝術工作室的學士學位,並於1996年在奧克蘭的米爾斯學院獲得美術碩士學位。當她作為大一新生抵達加州大學戴維斯分校時,她開始修習藝術課程,並同時修習其他人文學科的課程,從那時起,她一直在創作藝術。此外,她搬到巴黎追求電影理論的學習,但最終每天都在城市裡參觀博物館。雖然她考慮過更學術的路徑,但她意識到成為學者並不適合她——她根本上是一位藝術家。後來,她在斯科威根繪畫與雕塑學校度過了一個夏天,然後去米爾斯學院讀研究生。這位藝術家目前在舊金山大學教授繪畫、素描和藝術史。

科技

作為一位多學科藝術家,她使用不同的媒介:在處理紙張、面板或牆壁時,她會使用壓克力顏料,而在畫布或亞麻布上則會使用油畫。她最近還嘗試在Dibond上創作,這是一種輕量級的鋁面板,她會將油畫和壓克力結合使用,有時在表面繪畫時會使用黑色細尖筆。...

每件作品都源自用鋼筆或鉛筆繪製的初步研究,有時可能多達20幅草圖。

在美學上,她希望畫作看起來就像是「剛剛發生」的,並以一種使筆觸消失、層次變得不可察覺的方式進行繪畫。她有強烈的傾向去創造一些看起來直覺且毫不費力的東西。她更喜歡顏料儘可能薄,同時仍能保持顏色,這樣白色表面的光線就能滲透並增強顏色。她深思熟慮地並置顏色,使用盡可能少的顏料來達到所需的效果——不多也不少。結構、形式、顏色和形狀在杰西卡的創作中都是基本要素——她將俏皮的曲線、幾何和線性形狀與明亮的顏色結合在一起。然而,顏色在她的作品中並不是任意的;它們承載著視覺的重量、沉重或輕盈,並且在進行初步素描後,她試圖讓顏色在視覺上達到與她所工作的單色素描相同的效果。

靈感

「我將我的藝術視為在秩序與混沌之間,或在運作的系統與崩潰的系統之間不斷遊玩。這似乎就是我思維的運作方式……在秩序與混沌之間,在邏輯與情感之間。」.

在巴黎學習期間,去博物館對她幫助很大,讓她理解了繪畫的語言以及每位藝術家的語法特點。她在塞尚、馬奈、馬蒂斯和梵谷的畫作前花了無數小時。她的視覺藝術影響包括索非亞·泰伯-阿爾普、索爾·勒維特、盧西奧·馮塔納和艾爾斯沃斯·凱利。為了尋找靈感,這位畫家多次前往倫敦、阿姆斯特丹、馬德里、柏林和佛羅倫斯,在那裡她被佛朗切斯科·安傑利科的聖馬可壁畫所吸引。現在,居住在舊金山的她,最常前往洛杉磯或紐約市欣賞藝術。

相關報價

肯尼斯·貝克(Kenneth Baker)在《舊金山紀事報》(San Francisco Chronicle)中談到傑西卡·斯諾(Jessica Snow)時說:「斯諾通過變化顏色、材料、尺寸和幾何形狀,使我們看到每一個元素都帶有性別特徵。那些看起來像電路或建構主義抽象的段落有著男性的回響;而那些暗示刺繡工藝、園藝或生育的段落則讓我們不管喜不喜歡都會想到‘女性’。斯諾提出了一個重要的問題:這些代碼存在於何處?它們在我們的心中嗎?是什麼文化力量使它們似乎固有於某些顏色和形狀?」

顯著的區別

2007
美國藝術家海外計畫,烏拉圭蒙得維的亞。參與美國大使館的工作坊、講座和展覽。

展覽

這位位於舊金山的畫家花了多年時間來完善抽象畫的藝術,並創作出引人注目的作品,這些作品在美國的許多個展中展出。

她最近的一些以畫布和紙張為媒材的作品,受到打擊樂和建築節奏的啟發,於SF的Galleri Urbane展出。展覽名為視線中的折射,展期從2015年11月到2016年1月。她的畫作也曾在全球各地的多個群展中展出,包括澳大利亞、荷蘭、法國和德國。

畫廊

Pastine Projects, 舊金山
Jen Bekman 畫廊,紐約市

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Education / Residencies

1996 M.F.A., Mills College, Oakland, CA
1992 Skowhegan School of Painting and Sculpture
1988 Université de la Nouvelle - Sorbonne III, Paris, France
1987 B.A. in Art Studio, University of California, Davis, CA

Solo Exhibitions
2015 Refraction in the Line of Sight, Galleri Urbane, Dallas (November)
2013 In Living Color, Galleri Urbane, Dallas
2010 Multiple Plot Points, Jen Bekman Gallery, NYC; Paintings for the Corner of the Eye, Caffe Museo, SFMOMA
2008 Incident in the Territory of Invention, Merge Gallery, NYC
2007 Hi Jinx, Rena Bransten Gallery, San Francisco
2005 Stratagems for Living, Rena Bransten Gallery, San Francisco
2004 Orbits of Paradox, Riverside Art Museum, Riverside, CA
2003 The Optimist’s Conundrum, Rena Bransten Gallery, San Francisco
2001 Definition Proof, Post, Los Angeles
1999 Eccentricity of the Middle Ground, Four Walls, San Francisco
1998 Recent Paintings, SFMOMA Artist’s Gallery, San Francisco
1997 Fragile Boundaries, Susan Cummins Gallery, Mill Valley

Selected Group Exhibitions

2018 ICONS: W13, Bulgakov Museum, Kyiv, Ukraine (curated by Billy Gruner)
2018 Bread & Butter, Galleri Urbane, Dallas (curated by Adrian Zuniga)
2018 Summer Show, Gallery 1317, San Francisco (curated by Jeff Alan Gard)
2018 RNOP San Francisco, The Great Highway Gallery, San Francisco (curated by Billy Gruner)
2018 Artadia - Bay Area Awardees, Ascent, San Francisco (curated by Elizabeth Leach)
2018 KenxArteriors, Arteriors, Dallas (curated by Ken Downing)
2017 Black Box, Boecker Contemporary, Heidelberg, Germany
2017 Personals, Skowhegan New Work Project Space, NYC (curated by Paige Laino)
2017 A Call to Action, Kustera Projects, Red Hook, Brooklyn
2017 With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles
2017 Sanctuary City, San Francisco Art Commission Galleries (curated by Monica Lundy)
2017 Carry On: the Art + Architecture Faculty Triennial, Thacher Gallery, University of San Francisco (curated by USF Museum Studies graduate students)
2017 The Morning After, The Great Highway Gallery, San Francisco (curated by Leo Bersamina)
2015 Colour & Line Are Not Lies, Modern Art Projects, Blue Mountains and Raygun Projects, Toowoomba, Australia (curated by Tarn McLean and Kyle Jenkins)
2015 Formeel Waterverven, Waterland Museum, Purmerend, Netherlands (curated by Piet Knook)
2015 New Abstraction, Traywick Contemporary, Berkeley
2015 Paperazzi 4, Janet Kurnatowski Gallery, NYC
2014 Object, Object!!, Helmuth Projects, San Diego (curated by John Oliver Lewis and Jessica McCambly)
2014 Galleri Urbane Presents S.U.M., Salon Urbane at the Thunderbird, Marfa (curated by Adrian Zuniga)
2014 Steamed, Art + Science: Faculty Triennial, Thacher Gallery, University of San Francisco (curated by Joyce Grimm)
2014 Paperazzi 3, Janet Kurnatowski Gallery, NYC
2013 Light Space Projects/Rituals of Exhibition, H Gallery, Chiang Mai (curated by Giles Ryder)
2013 Color Theory: The Use of Color in Contemporary Art, Sonoma Valley Museum of Art (curated by Katrina Traywick)
2013 Dripping Color Amazement, oqbo galerie, Berlin
2013 Uncharted, Marina Cain Gallery, SF
2013 What's the Point?, Jen Bekman Gallery, NYC (curated by Jeffrey Teuton)
2011 Gifting Abstraction, Soho20 Chelsea Gallery (curated by Mariangeles Soto-Diaz)
2011 Chroma: About Color, Marina Cain Gallery, SF
2010 Touch, Paris Concret (curated by Brent Hallard)
2010 Informal Relations, Indianapolis Museum of Contemporary Art (curated by Scott Grow)
2009 Mixtape, Jen Bekman Projects, NYC
2009 Fate and Freewill, Contemporary Art Space, Riverside, CA (curated by David Leapman)
2007 Colectiva de las Artistas, Galeria Isidro Miranda, Buenos Aires
2007 Art in Embassies, U.S. Embassy, Montevideo, Uruguay
2007 Tree, Linda Hodges Gallery, Seattle, WA
2005 Neo-Mod: New Northern Californian Abstraction, Crocker Art Museum, Sacramento, CA, and the Monterey Art Museum (curated by Diana Daniels)
2005 The Anniversary Show, Rena Bransten Gallery, SF
2004 The World Becomes a Private World: Selections from the Collection of Penny Cooper and Rena Rosenwasser, Mills College Art Museum, Oakland
2004 Architectonics, Rena Bransten Gallery, San Francisco
2004 Observations, Carl Berg Gallery, Los Angeles
2002 New Painting and Sculpture, Traywick Contemporary, Berkeley
2002 Abstraction, Rena Bransten Gallery, San Francisco
2001 Space Oddity, Joseph Nease Gallery, Kansas City
2001 Climax, jennjoy gallery, SF
2001 Poor Walls, Quotidian Gallery, SF
2001 Pierogi Flat Files, H&R Block Artspace, Kansas City Art Institute
2000 Paper Cuts, Rena Bransten Gallery, SF
2000 Works on Paper, Post, Los Angeles
2000 Artcouncil Award Show, Jernigan Wicker Fine Arts, SF
2000 Multiple Sensations: The Pierogi 2000 Flatfiles, Yerba Buena Center for the Arts, SF
2000 Haulin’ Ass: Pierogi in L.A., Post, Los Angeles
2000 Yellow: The First Color, Bedford Gallery, Walnut Creek, CA
1999 No Image at New Image, New Image Art, West Hollywood
1999 Scopic: Magnify the Times, San Jose Institute of Contemporary Art (curated by Julie Deamer)
1999 Nothing But Time, Southern Exposure, SF (curated by David Ross)
1999 A Skowhegan Decade, David Beitzel Gallery, New York
1999 Post-Postcard, Four Walls, San Francisco
1997 Seduced by Surface: 8 Bay Area Painters, University Art Gallery, UC San Diego (curated by Daniel Foster)
1997 Three Artists, Natalie and James Thompson Art Gallery, San Jose State University
1997 Fire and Light, Susan Cummins Gallery, Mill Valley
1996 Master of Fine Arts Exhibition, Mills College Art Museum, Oakland
1996 10th Annual National Exhibition, Berkeley Art Center
1996 Emerging Bay Area Artists, Mace Space for Art, San Francisco

Awards

2007 American Artists Abroad Program, Montevideo, Uruguay – Participation with the U.S. Embassy in workshops, lectures, and exhibitions
2002 SECA Nomination, San Francisco Museum of Modern Art
2000 Artadia Award in the Visual Arts Grant
1995 Edwin and Adalaine Cadogan Fellowship Award
1996 Juror’s Award, Berkeley Art Center’s 10th Annual National Exhibition
1994 First Place Award, San Jose Art League’s 2-D Contemporary

Selected Publications

2005 Baker, Kenneth “Artists Embrace Sleight of Hand,” SF Chronicle, 5/28/05
1999 Baker, K “Journey Through the Middle Way,” SF Chronicle, 6/26/99
2007 Bamberger, Alan “Opening at Rena Bransten Gallery,” Artbusiness.com, 5/24/07 and 5/12/05
1999 Bonetti, David “Gallery Watch,” SF Examiner, 6/30/99
2008 Bogert, Rachael “Cultural Bridge,” UCDavis Magazine, Spring 2008, p.37
2015 Bowie Style Print and Pattern: Geometric, Laurence King Press, London
2001 Cain, Marcus “A is for Abstract,” REVIEW, Vol. 3, Kansas City, July 2001
2007 Callaway, Bob “Jessica Snow at Rena Bransten,” Artfever, Blogspot.com, 6/9/07
Camplin, Todd “Jessica Snow + Donald Martini at Galleri Urbane,” Modern Dallas, 10/13
2001 Crump, Anne “Ordered Abstraction,” SF Examiner, 7/13/01

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