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崔西·亞當斯

1954
(USA) AMERICAN

118.6118.6
Tracey Adams
118.6
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.5118.5
Tracey Adams
118.5
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.4118.4
Tracey Adams
118.4
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.3118.3
Tracey Adams
118.3
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.2118.2
Tracey Adams
118.2
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.15118.15
Tracey Adams
118.15
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.14118.14
Tracey Adams
118.14
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
118.13118.13
Tracey Adams
118.13
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
(r) evolution 31(r) evolution 31
Tracey Adams
(r) evolution 31
繪畫
76.2 X 152.4 X 0.1 cm 30.0 X 60.0 X 0.0 inch 促銷價£7,100.00
Balancing Act 1Balancing Act 1
Tracey Adams
Balancing Act 1
繪畫
62.0 X 50.8 X 0.0 cm 24.4 X 20.0 X 0.0 inch 促銷價£1,300.00
Balancing Act 3Balancing Act 3
Tracey Adams
Balancing Act 3
繪畫
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch 促銷價£1,300.00
Balancing Act 2Balancing Act 2
Tracey Adams
Balancing Act 2
繪畫
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch 促銷價£1,300.00
Anything You Lose Comes Round in a Different FormAnything You Lose Comes Round in a Different Form
Tracey Adams
Anything You Lose Comes Round in a Different Form
繪畫
122.0 X 91.4 X 0.1 cm 48.0 X 36.0 X 0.0 inch 促銷價£6,800.00
Tangle 17Tangle 17
Tracey Adams
Tangle 17
繪畫
76.2 X 56.0 X 0.0 cm 30.0 X 22.0 X 0.0 inch 促銷價£3,200.00
Sattva 40Sattva 40
Tracey Adams
Sattva 40
繪畫
86.36 X 66.04 X 0.0 cm 34.0 X 26.0 X 0.0 inch 促銷價£2,600.00
Sattva 39Sattva 39
Tracey Adams
Sattva 39
繪畫
86.36 X 66.04 X 0.0 cm 34.0 X 26.0 X 0.0 inch 促銷價£2,600.00
Lumenis 44Lumenis 44
Tracey Adams
Lumenis 44
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,700.00
Lumenis 43Lumenis 43
Tracey Adams
Lumenis 43
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,700.00
Linear MomentumLinear Momentum
Tracey Adams
Linear Momentum
繪畫
91.5 X 91.5 X 0.0 cm 36.0 X 36.0 X 0.0 inch 促銷價£4,500.00
Why I wake earlyWhy I wake early
Tracey Adams
Why I wake early
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch 促銷價£6,250.00
(r) evolution 28(r) evolution 28
Tracey Adams
(r) evolution 28
繪畫
121.92 X 101.6 X 0.0 cm 48.0 X 40.0 X 0.0 inch 促銷價£6,850.00
Guna TTGuna TT
Tracey Adams
Guna TT
繪畫
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch 促銷價£2,750.00
Guna IIGuna II
Tracey Adams
Guna II
繪畫
91.4 X 66.0 X 0.0 cm 36.0 X 26.0 X 0.0 inch 促銷價£2,750.00
0218-110218-11
Tracey Adams
0218-11
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
0218-100218-10
Tracey Adams
0218-10
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch 促銷價£1,300.00
Music is a Means of Rapid TransportationMusic is a Means of Rapid Transportation
Tracey Adams
Music is a Means of Rapid Transportation
繪畫
76.2 X 56.0 X 0.0 cm 30.0 X 22.0 X 0.0 inch

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Balancing Act 4Balancing Act 4
Tracey Adams
Balancing Act 4
繪畫
66.0 X 50.8 X 0.0 cm 26.0 X 20.0 X 0.0 inch

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Teach Us to Sit StillTeach Us to Sit Still
Tracey Adams
Teach Us to Sit Still
繪畫
81.3 X 152.4 X 0.0 cm 32.0 X 60.0 X 0.0 inch

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(r) evolution 51(r) evolution 51
Tracey Adams
(r) evolution 51
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 34(r ) evolution 34
Tracey Adams
(r ) evolution 34
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 14(r ) evolution 14
Tracey Adams
(r ) evolution 14
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 2(r ) evolution 2
Tracey Adams
(r ) evolution 2
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 39(r ) evolution 39
Tracey Adams
(r ) evolution 39
繪畫
101.6 X 101.6 X 0.0 cm 40.0 X 40.0 X 0.0 inch

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(r ) evolution 22(r ) evolution 22
Tracey Adams
(r ) evolution 22
繪畫
76.2 X 152.4 X 0.0 cm 30.0 X 60.0 X 0.0 inch

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(r ) evolution 20(r ) evolution 20
Tracey Adams
(r ) evolution 20
繪畫
101.6 X 76.2 X 0.0 cm 40.0 X 30.0 X 0.0 inch

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Guna RRGuna RR
Tracey Adams
Guna RR
繪畫
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna QQGuna QQ
Tracey Adams
Guna QQ
繪畫
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna HHGuna HH
Tracey Adams
Guna HH
繪畫
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Guna JJGuna JJ
Tracey Adams
Guna JJ
繪畫
98.0 X 66.0 X 0.0 cm 38.6 X 26.0 X 0.0 inch

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Obligation to RetreatObligation to Retreat
Tracey Adams
Obligation to Retreat
繪畫
76.2 X 81.2 X 0.0 cm 30.0 X 32.0 X 0.0 inch

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Utopia for Practical PurposesUtopia for Practical Purposes
Tracey Adams
Utopia for Practical Purposes
繪畫
81.2 X 76.2 X 0.0 cm 32.0 X 30.0 X 0.0 inch

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0218-120218-12
Tracey Adams
0218-12
繪畫
48.0 X 32.0 X 0.0 cm 18.9 X 12.6 X 0.0 inch

Sold

Tracey Adams 是一位美國抽象畫家和版畫家。她的藝術作品反映出對音樂模式、節奏、抒情的構成元素以及她所稱的表演感的強烈興趣。她在加州卡梅爾生活和工作。

教育

亞當斯於1978年從洛杉磯的聖瑪麗山學院獲得學士學位。她於1979年至1981年在波士頓的美術博物館學校學習版畫和繪畫,並於1980年獲得新英格蘭音樂學院的碩士學位。她獲得了幾個獎學金和補助金,包括2015年的波洛克-克拉斯納基金會獎學金、美國國務院和文化部的補助金,以及佛蒙特工作室中心的獎學金。

科技

亞當斯在面板和紙上創作,使用顏料、蠟畫和石墨的混合物,以及單版畫和拼貼的元素。計劃和直覺同樣影響她的創作過程。她經常會從一個精確的數學公式的角度開始一件作品或一系列作品,提前規劃構圖元素。其他時候,她會從一個網格結構開始,然後在該結構內工作,融入有機的、表現性的手勢和富有表現力的筆觸。無論特定作品從何開始,亞當斯都參與一個開放的、探索性的過程,讓作品得以演變。最終的結果往往是她原始想法和直覺的混合,創造出捕捉心靈與情感和諧本質的構圖。

靈感

Tracey Adams 最受啟發的就是她的音樂背景。她的作品深受音樂結構、節奏和作曲的影響。她的顏色選擇反映了她在加州中部蒙特雷附近半島生活的個人環境。水面上的光線、霧氣的柔和效果、落日的色彩以及當地豐富植物的調色板都融入了她的作品中。在研究生期間,Adams 經常與作曲家和藝術家約翰·凱奇合作,這對她的進步產生了深遠的影響。她曾表示,她的作品力求捕捉她希望身處的環境的寧靜與美麗。

藝術家聲明

“我住在太平洋附近,每天都在海灘上散步——所有美麗的像肢體一樣的海藻和藻類都融入了我的作品中,水、天空和樹木的顏色也是如此。我在有機手勢與幾何之間的連續體上工作。它們代表了我身份中兩個截然不同但非常真實的面向。我的思維非常有條理……同時,我也喜歡以不受限制和直覺的方式進行繪畫,並伴隨著大量的身體運動。挑戰在於試圖將這兩者有機地融合在一起。”

展覽

亞當斯在美國各地以及偶爾在歐洲的個展和聯展中廣泛展出。

收藏

亞當斯的作品是幾個博物館的永久收藏的一部分,包括貝克斯菲爾德藝術博物館、蒙特雷藝術博物館、弗雷斯諾藝術博物館、圖森藝術博物館和聖巴巴拉藝術博物館。她的作品也屬於多個企業收藏,包括Adobe系統、AT&T企業總部、Hallmark企業總部、索尼公司和英特爾。

畫廊

溫菲爾德畫廊,加州卡梅爾
布萊恩特街畫廊,加州帕洛阿爾托
M.A. Doran 藝廊,塔爾薩,俄克拉荷馬州
帕特里夏·羅夫扎畫廊,西雅圖,華盛頓州
Anne 路克斯畫廊,格倫科,伊利諾伊州
安·康奈利美術,巴吞魯日,路易斯安那州

Education 

1979 - 1981 Graduate work in printmaking, School of the Museum of Fine Arts, Boston  

1980 MM, New England Co nservatory of Music, Boston 

1978 BA, Mount St. Mary’s College, Los Angeles

Solo Exhibitions 

2018 Primordial Soup San Jose Institute of Contemporary Art, San Jose, CA (Curator: Cathy Kimball) 

2016 Cause and Effect: Mapping a Dialogue Bryant Street Gallery, Palo Alto, CA 

2014 Patterns of Infinity Bryant Street Gallery, Palo Alto and Winfield Gallery, Carmel 

2013 Lumenis Winfield Gallery, Carmel 

2012 Oblique Intention Patricia Rovzar Gallery, Seattle and Bryant Street Gallery, Palo Alto 

2011 Perspectives in Balance Anne Loucks Gallery, Glencoe, IL 

2011 Between Gesture and Geometry Fresno Art Museum, Fresno 

2010 Elements of Harmony Mark Gallery, Englewood, NJ 

2010 Between Gesture and Geometry Gebert Gallery, Venice, CA 

2010 Spontaneous Meditations Anne Loucks Gallery, Chicago 

2009 Synapse/Synapses Monterey Peninsula College, Monterey 

2009 Recent Encaustic Paintings Patricia Rovzar Gallery, Seattle 

2009 Mindful Inversions Santa Cruz Museum of Art and History and Bryant Street Gallery, Palo Alto 

2008 Recent Encaustic Paintings Patricia Rovzar Gallery, Seattle 

2007 Music of Spheres, Rhythm of Squares Melanee Cooper Gallery, Chicago 

2007 Thinking in Circles Bryant Street Gallery, Palo Alto 

2006 The Perfection of Imperfection Bryant Street Gallery, Palo Alto & Winterowd Fine Art, Santa Fe 

2005 The Symmetry of Asymmetry Monterey Museum of Art and Bryant Street Gallery, Palo Alto 

2003 Routines and Rituals Bryant Street Gallery, Palo Alto 

2002 Intervals: Gesture to Icon Kathryn Markel Fine Arts, New York City and Bryant Street Gallery, 

2001 Intimate Possibilities Sandy Carson Gallery, Denver and Bryant Street Gallery, Palo Alto 

2000 Broken Symmetry Kathryn Markel Fine Arts, New York City 

1999 New Work Andrea Schwartz Gallery, San Francisco 

1998 New Monotypes Winfield Gallery, Carmel 

1996 Ambiguities Monterey Peninsula College, Monterey 

Selected Group Exhibitions 

2017 Storied Paper Carl Cherry Center for the Arts Carmel, CA (Curator: Robert Reese) 

2017 Brand Spanking Blue Bryant Street Gallery, Palo Alto, CA 

2017 Work X 5 Clark Gallery, Lincoln, MA 

2017 Art on Paper NY, K. Imperial Fine Art, San Francisco, CA 

2016 PAPER: burned, cut, folded and stitched Bryant Street Gallery, Palo Alto, CA (Curator: Tracey Adams) 

2016 Art on Paper K. Imperial Fine Art, NYC, NY 

2016 In the Abstract Anne Loucks Gallery, Glencoe, IL 

2016 24th Annual Group Exhibition Rovzar Gallery, Seattle, WA 

2015 Between The Spaces, Butters Gallery, Portland, OR (Curator: Elise Wagner) 

2015 Art on Paper, K. Imperial Fine Art, NYC, NY 

2015 ArtHamptons, Bruce Lurie Gallery, Los Angeles, CA 

2015 Adaptations, Patricia Rovzar Gallery, Seattle, WA 

2015 eXXpectations, Cornell Museum of Art, DelrayBeach, FL (Curator: Melanie Johanson) 

2015 Momentum Transferred, Bruce Lurie Gallery, Los Angeles, CA 

2014 Swept Away: Translucence, Transparence, Transcendence in Contemporary Encaustic Hunterdon Art Museum, Clinton, NJ 

2014 SHIFT: Five Decades of Contemporary California Painting Monterey Museum of Art, Monterey 

2014 The Circle Game Tucson Art Museum, Tucson 

2014 Outside/In K. Imperial Fine Art, San Francisco 

2013 Facing Forward, Recent Acquisitions: 2000 to Present Monterey Museum of Art, Monterey 

2013 Swept Away: Translucence, Transparence, Transcendence in Contemporary Encaustic Cape 2013 Cod Museum of Art, Dennis, MA (Curator of Exhibitions: Michael Giaquinto 

2013 Elephant in the Room: Contemporary Work in Encaustic Laconia Gallery, Boston (Curators: Linda Cordner and James Hull) 

2013 Conference Instructors Exhibition Schoolhouse Gallery, Provincetown 

2012 Winter Exhibition: Recent Acquisitions Bakersfield Museum of Art, Bakersfield 

2012 LA Art Show Gebert Gallery, LA Convention Center, Los Angeles 

2012 Affordable Art Fair Patricia Rovzar Gallery, Seattle Center, Seattle 

2011 Action Abstraction Mark Gallery, Englewood, NJ 

2011 Rock, Scissors, Paper: Bay Area Collage Bryant Street Gallery, Palo Alto 

2011 Third Anniversary Show Gebert Gallery, Venice, CA 

2011 San Francisco Fine Art Fair Bryant Street Gallery, San Francisco 

2010 Vessels Bakersfield Museum of Art, Bakersfield (Curator: Aaron Weisenfeld) 

2010 Los Angeles Art Fair Los Angeles Convention Center, Gebert Gallery, Venice, CA 

2010 Working with Wax: Contemporary Encaustic Painting in Northern California Santa Rosa 2010 Junior College, Santa Rosa, CA (Curator: Thomas Morphis) 

2009 PRINTED Cabrillo College Gallery, Aptos, CA (Juror: Archana Horsting) 

2009 Diverse Impressions: Bay Area Abstraction Triton Museum of Art, Santa Clara, CA (Curator: George Rivera) 

2009 225º F: Encaustic Encounters Turchin Center for the Arts, Boone, NC (Curator: Brook Bower) 

2009 4th Annual Encaustic Invitational Conrad Wilde Gallery, Tucson (Curator: Elizabeth Meigs) 

2008 trans+lucent Gebert Gallery, Venice, CA 

2008 New Encaustic Paintings Julie Nester Gallery, Park City 

2008 Relative Geometries Conrad Wilde Gallery, Tucson (Curator: Elizabeth Meigs) 

2008 Contemporary Ruin Escondido Museum, Escondido, CA (Curator: Olivia Luther) 

2008 A View of the Collection Santa Cruz Museum of Art and History, Santa Cruz 

2007 Three Encaustic Painters: Tracey Adams, Mark Rediske, Tony Scherman Carson Masuoka Gallery, Denver 

2007 Encaustic Works 2007 Ball State University, Muncie, IN and Watermark/Cargo Gallery, Kingston, NY (Juror: Joan Snyder) 

2007 California Views National Steinbeck Museum, Salinas, CA (Curator: Scott Shields) 

2007 Affordable Art Fair Julie Nester Gallery and Bryant Street Gallery, New York City 

2006 SFMOMA Art Auction 2006 San Francisco Museum of Modern Art, San Francisco 

2006 Invitational Auction (fundraiser) San Jose Institute of Contemporary Art, San Jose 

2006 Art (212) The 69th Regiment Armory, Kathryn Markel Fine Arts, New York City 

2005 Gallery Artists Allene Lapides Gallery, Santa Fe 

2005 Works on Paper The 69th Regiment Armory, Kathryn Markel Fine Arts, New York City 

2005 Monothon San Jose Institute of Contemporary Art, San Jose 

2004 Between the Lines: Traveling Full Circle Carl Cherry Center for the Arts, Carmel 

2003 Images of Vermont (traveling exhibition) Andy Warhol Museum, Medzilaborce, Slovak Republic; Východoslovenská galéria v Kosiciach, Kosice, Slovak Republic; Sarisská galéria, Presov, Slovak Republic; and US Steel Towers, Pittsburgh 

2001 Juried Exhibition Monterey Museum of Art, Monterey (Juror: Cathy Kimball) 

2000 Invitational Miniature Show Bolinas Museum, Bolinas, CA 

2000 Artstravaganza Hunter Museum of American Art, Chattanooga (Curator: Helene Seeman) 

1999 Small Things Come in Good Packages Kathryn Markel Fine Arts, New York City 

1998 A Three Point Perspective Carl Cherry Center for the Arts, Carmel 

1998 Gallery Artists Solomon Projects, Atlanta 

1996 Five Gallery Artists Los Angeles County Museum Rental and Sales Gallery, Los Angeles 

1996 The Monotype: Method to Magic (Curator: Tobin Keller), Cabrillo College Gallery, Aptos, CA 

1995 Janet Turner National Print Competition CSU Chico, CA (Juror: Marion Epting) 

1995 National Works on Paper VII Valdosta University, Valdosta, GA (Juror: William Walmsley) 

Awards And Honors 

2015 Pollock - Krasner Foundation Grant  

2014 Visual Artist - in - Residence, Music at Menlo Chamber Music Festival & Institute , Atherton, CA  

2007 Third - place , California Views: Portals and People , National Steinbeck Museum, Salinas, CA  

2005 Residency and s tipend , Bemis Art Center, Omaha, NE , to collaborate on public project in 2005 Slovak Republic with Virginia Folkestad and Lena Leskova  

2004 Artist’s Grant , Ministry of Culture, Slovak Republic , Between the Lines: Traveling Full 

2004 Publication invitation , Trillium Press (Brisbane, CA) for a series of monoprints  

2003 Artist’s Grant , US Department of State , to support Images of Vermont exhibit at the Andy Warhol Museum, Medzilaborce, Slovakia  

2003 Artist’s Grant, US Steel , to support Images of Vermont exhibit at the Andy Warhol Museum, Medzilaborce, Slovakia and US Steel Towers, Pittsburgh  

1995 Scholarship, California State University , Long Beach to participate in “The Transient Image”  

1995 Artist’s Grant (p rintmaking ) , The Community Foundation of Monterey  

1995 Artist’s Fellowship, Vermont Studio Center , Johnson, VT

Museums Collections 

Bakersfiel d Museum of Art, Bakersfield Crocker Museum, Sacramento Fresno 

Museum of Art, Fresno Hunterdon Art Museum, Clinton, NJ Mont erey Museum of Art, Monterey Museum of Contempora ry Art, Hot Springs, AR 

New Museum Los Gatos, Los Gatos, CA Santa Barbara Museum of Art, Santa Barbara 

Santa Cruz Museum of Art and History, Santa Cruz Tucso n Museum of Art, Tucson 

Selected Public Collections 

Beverly Hills P ublic Library, Beverly Hills 

Dallas Arboretum and Botanic al Gardens, Dallas 

David & Lucille Packard Foundation, Los Altos, CA 

Monterey Bay Aquarium, Monterey New England C onservatory of Music, Boston 

Ohio State University Medical Center, Columbus 

Planned Parenthood of Massachusetts , Boston 

US Department of the Army, Washington DC 

US Department of the Army, Seoul, Korea 

US Department of State, Washington DC 

University of California, Santa Cruz 

U C Medical Center, San Francisco 

University of Wiscon sin Medical Center, Madison 

Corporate Collections 

Adobe Systems, San Jose 

AT&T Corporate Headquarters, Los Angeles 

Canon Corporation, San Jose 

The Chubb Group, Warren, NJ 

Fidelity Investments, Boston, MA 

Ford Motor Company, Dearborn 

General El ectric Corporation, Stamford, CT 

Hallmark Corporate Headquarters, Kansas City, MO 

Intel, In c., San Jose 

McKinsey & Co., Washington, DC 

Pfizer Pharmaceutical, New York City 

Sony Corporation, San Jose 

Sprint Corporate Headquarters, Overland Park, KS 

Stanford University Hospital, Stanford, CA 

Toyota Corporation, Torrance, CA 

VISA Corporate Headquarters, Sa 

Publications: Catalogs 

2016 PAPER: burned, cut, folded and stitched, Bryant Street Gallery, Palo Alto, CA Issuu (online) 

2014 Swept Away: Translucence, Transparence,Transcendence in Contemp orary Encaustic , Hunterdon Art Museum, Clinton, NJ 

2014 Patterns of Infinity, Paintings of Tracey Adams, Bryant Street Gallery, Palo Alto. Ninth Annual Encaustic Invitational , Conrad Wilde Gallery, Tucson. 

2013 Lumenis , New Paintings of Tracey Ada ms, Wi nfield Gallery, Carmel . 

2013 Swept Away: Translucence, Transparence,Transcendence in Contemporary Encaustic , Cape Cod Museum of Art . 

Elephant in the Room: Contemporary Work in Encaustic , Laconia Gallery, Boston. 

2009 Insight/Inside , LA St. Mary’s College, Los Angeles . 

2007 Encaustic Works 2007 , Ball State University, Muncie, IN . 

2006 SFMOMA Art Auction 2006 , San Francisco Museum of Modern Art . 

2005 The Symmetry of Asymmetry , Monterey Museum of Art, Monterey . 

2004 Between the Lines: Traveling Full Circle , Car l Cherry Center for the Arts, Carmel . 

2003 Images of Vermont (traveling exhibition), Andy Warhol Museum, Medzilaborce, Slovakia . 

2002 Intervals: Gesture to Icon , Kathryn Markel Fine Arts, New York City . 

2001 Intimate Possibilities , Carson Masuoka Gallery , Denver Books 

2015 Linda Womack. Embracing Encaustic: Learning to Paint With Beeswax, Vol. III . 

2013 Catherine Nash. Authentic Visual Voices: Contemporary Paper & Encaustic . 

2012 Michelle Belto. Paper + Wax: Techniques in Handmade Paper and Enca ustic . Cincinnati: North Light Books. 

2010 Lissa Rankin. Encaustic: A Guide to Creating Fine Art with Wax. Watson - Gupthill. 

2010 Selected Reviews/Articles 

2016 Tracey Adams . “ Cut and Paste” , Professional Artist Magazine , Orlando, FL, December 

 2016 Kathryn Markel, “ In Conversation with Tracey Adams” , www.markelfinearts.com , September 

 2016 Elise Morris. The Studio Work blog, March 22 

2015 Images used in Catamaran Literary Reader, Spring, Santa Cruz, CA. 

2014 John Seed. “Everything in My Life is Interconnected.” Huffington Post , August 11. 

2014 Brenda Hope Zappitell. “Tracey Adams: Her Process and Advice.” Professional Artist Magazine , July 30. 

2013 “Lumenis: New Paintings by Tracey Adams on View at the Winfield Gallery.” ar tdaily.org, 15 April. 

2013 Joanne Mattera. “ Extravagent Light ” (catalog essay). Swept Away: Translucence, 2013 Transparence, Transcendence in Contemporary Encaustic . Dennis, MA: The Cape Cod Museum of Art. 

2012 Debbi Lester. “ Tracey Adams and Radix 3 .” Art Access , 21 ( Summer ). 

2011 Donald Munro . “The Human Touch Exhibit Focuses on Form . ” Fresno Bee , February 3 . 

2009 Erin Clark. “Art Book Report: Mindful Inversions . ” Artworks , Fall . 

 Regina Cano. “ Exhibit Uses Patterns to Stimulate the Senses . ” Chautauqua Da ily , July 29 . 

2008 Geoff Wichert. “Color from the Hive . ” 15 Bytes , September ( www.artistsofutah.org ). 

2007 Michael Paglia . “Four Encaustic Artists.” Denver Westword , December 20 . 

2005 Lisa Crawford Wat son. “The Symmetry of Asymmetry.” Monterey Herald , February 17 . 

2005 Rick Deragon. “Shape Shifter . ” Coast Weekly , January 20 . 

2004 “A dvanced States of Concentration. ” Tricycle: The Buddhist Review , Winter . 

2003 “Pripomina vlnu i cudnu husenicu . ” Korzar , March 24 . 

2003 Miloslava Hriadelova. “Hladam ludi, ktori ma zaujmu . ” Kosicky Vecer, March 26 . 

2003 Rick Deragon. “Ancient Voyages . ” Coast Weekly , November 26 . 

2002 Rick Deragon . “Her Art, Her Story. ” Coast Weekly , November 7 . 

2000 Ann Nichols. “Artstravaganza 20 00.” Chattanooga Free Press, May 21 . 

1996 Kathryn M. Nichols. “Monotype Artist’s Plate is Full .” Monterey Herald , February 1, p. 8 . 

1996 Interviews/Presentations 

2014 “Video Project: The Art of Tracey Adams.” Interview at Music at Menlo, July 30. 

2014 “Café Conversations.” Interviewed by Cathy Kimball at Music at Menlo, July 30. 

2014 Visual Artist, Music at Menlo Chamber Music Festival & Institute, Atherton, CA, July - August. 

2013 “Cannibalism and the Art of Collage.” Presentation at the 7 th International Encausti c Conference, Provincetown, 31 May. 

2011 Lynette Haggard . Interview with Tracey Adams, Carmel, CA , July 5 (l ynettehaggard.blogspot.com ) . 

2008 “Becoming a Professional Artist.” Presentation at IEA conference, 10 May. 

2006 GEOFORM online interview on geom etric form and structure in contemporary abstract art. 

2003 Andrea Tomaschova. Vytvarnicka ( television interview ). Vychodoslovenska Galeria, March 25. 

2001 Maia Carroll. “Life in the Arts ” ( p rintmaking demonstration/ interview ). K MEX - TV, January 17 . 

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