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Ellen Priest

1951
(USA) AMERICAN

Jazz: Miles ?Someday My Prince' 8Jazz: Miles ?Someday My Prince' 8
Ellen Priest
Jazz: Miles ?Someday My Prince' 8
绘画
76.2 X 76.2 X 0.0 cm 30.0 X 30.0 X 0.0 inch 促销价格£9,000.00
Jazz: Thinking Out Loud, Reaching for Song #13/14Jazz: Thinking Out Loud, Reaching for Song #13/14
Ellen Priest
Jazz: Thinking Out Loud, Reaching for Song #13/14
绘画
76.2 X 152.4 X 0.0 cm 30.0 X 60.0 X 0.0 inch 促销价格£7,200.00
Dolphin Dance 30Dolphin Dance 30
Ellen Priest
Dolphin Dance 30
绘画
53.34 X 53.34 X 0.0 cm 21.0 X 21.0 X 0.0 inch 促销价格£1,500.00
Dolphin Dance 24Dolphin Dance 24
Ellen Priest
Dolphin Dance 24
绘画
53.34 X 53.34 X 0.0 cm 21.0 X 21.0 X 0.0 inch 促销价格£1,500.00
Dolphin Dance 17Dolphin Dance 17
Ellen Priest
Dolphin Dance 17
绘画
53.34 X 53.34 X 0.0 cm 21.0 X 21.0 X 0.0 inch 促销价格£1,500.00
Dolphin Dance 05Dolphin Dance 05
Ellen Priest
Dolphin Dance 05
绘画
53.34 X 53.34 X 0.0 cm 21.0 X 21.0 X 0.0 inch 促销价格£1,500.00

Ellen Priest 是一位美国抽象艺术家,她受到音乐的启发,尤其是爵士乐。她在费城附近生活和工作。

教育

Priest于1977年从耶鲁大学神学院获得神学硕士学位,双重资格为基督教和视觉艺术。作为一名艺术家,她主要是自学成才。

技术

Ellen Priest的基于爵士乐的抽象作品直接平衡在绘画与雕塑的边界上——从远处看是生动的色彩空间幻觉,而近距离观察则是层叠拼贴纸的三维浮雕构造。

灵感

自1990年以来,爵士乐一直是她的主题。绘画始终是她创作过程的核心,同时也独立存在。
艺术家的灵感来自令人惊讶的多样来源:
• 终生的视觉艺术影响包括塞尚晚期的水彩画、马蒂斯的色彩和构图结构,以及抽象表现主义,特别是威廉·德·库宁和琼·米切尔的画作。
• 爵士乐及相关的非洲和拉丁美洲音乐中的节奏和和声结构。
• 她的运动追求,因为她的画作实际上是关于运动的。Priest 最喜欢的运动是 "平衡运动",在这些运动中,动作依赖于重量和平衡的偏移,通常是对地形的反应,比如滑雪。

显著区别

波洛克-克拉斯纳基金会曾两次向Priest颁发重大资助,以支持她的创新。

相关引言

2010年7月,艺术评论家维多利亚·多诺霍在《费城询问者》上撰文评论了Priest在两场威尔明顿展览中的作品:“Priest故意模糊了绘画与爵士乐之间的界限,在她的《委内瑞拉组曲》绘画拼贴中。这些作品将形式作为音乐的语言……将爵士乐视为充满快乐和活力,能够转化悲伤,Priest在这里成功地利用它创造了在实际的色彩空间中物质化的运动。”

画廊

ALVA画廊,康涅狄格州新伦敦

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Education

1977 Master of Divinity, Yale University Divinity School, New Haven, Connecticut.
Christianity and the Visual Arts: Interdisciplinary Program in Collaboration with Yale University School of Art
1972 B.A. Lawrence University, Wisconsin

Solo Exhibitions

2020 On Being American/Jazz: Ryan Cohan’s ‘The River’, Delaware Contemporary, Wilmington, Delaware.
2019 On Being American/Jazz: Ryan Cohan’s ‘The River’, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York.
2015 Jazz Cubano: Color and Paper Constructions, Saint Peter’s Church, 619 Lexington Avenue at 54th Street, New York, New York. March 21 - May 3.
2013 Ellen Priest, Delaware Division of the Arts Gallery, Wilmington, Delaware.
2012 Jazz: Thinking Out Loud, Reaching for Song, Joint painting/jazz project with Berklee College of Music, Boston, Massachusetts. Residency: November 2010.
Improvising on Jazz: Ellen Priest’s Paintings on Collaged Paper, Yale Institute of Sacred Music and Yale Divinity School, New Haven, Connecticut.
2010 Jazz: Improvisations on the ‘Venezuelan Suite,’ Delaware Division of the Arts Gallery, Wilmington, Delaware.
2009 The Art and the Jazz, Gail Pierson Gallery, Cape May, New Jersey.
2007 Jazz Paintings on Paper: Improvisations on the ‘Venezuelan Suite,’ The Philip and Muriel Berman Museum of Art at Ursinus College, Pennsylvania.
2006 The Jazz Series: Paintings on Paper, The Dupont Clifford Brown Jazz Festival in conjunction with Carspecken Scott Gallery Wilmington, Delaware.
2004 Jazz: Paintings on Paper, The Alva Gallery, New London, Connecticut.
Jazz: The Brubeck Series, Bryn Mawr Presbyterian Church, Bryn Mawr, Pennsylvania. In conjunction with performance by Dave Brubeck and Singing City Choir.
2001 The Jazz Series: Paintings on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.
2000 The Jazz Series: Paintings on Paper, Gallery 10 Ltd. Washington D.C.
1983 Soul Devils: Works on paper, J. Hoffman Gallery, Kent, Connecticut.
1982 Soul Devils: Oils and Works on Paper, Berkeley Center, Yale Divinity School. Sponsored by Department of Religion and the Arts, Yale Divinity School.
1979 Works on Paper, Mellon Arts Center, The Choate School, Wallingford, Connecticut.

Selected Group Exhibitions

2018 Transforming Jazz: A Visual Journey, City of Philadelphia Office of Arts, Culture and the Creative Economy, Philadelphia City Hall, Philadelphia, PA.
2017-18 On Another Note: The Intersection of Art and Music, Lyman Allyn Art Museum, New London, Connecticut. Curated by Alva Greenberg.
2016 On Another Note: The Intersection of Art, Green Hall Gallery, Yale School of Art, New Haven, Connecticut. Curated by Alva Greenberg.
2014 35th Anniversary Exhibition, Delaware Center for the Contemporary Arts, Wilmington, Delaware.
2010 SPECTRUM: Contemporary Color Abstraction, Delaware Center for the Contemporary Arts, Wilmington, DE. Curated by Carina Evangelista.
2001 Form and Color, The Alva Gallery, New London, Connecticut.
Artist's Choice 3rd Street Gallery, Philadelphia, Pennsylvania.

Awards

2012 Delaware Division of the Arts Established Artist Fellowship
2010 Delaware Division of the Arts Opportunity Grant
2007 Pollock-Krasner Foundation Grant
2001 Pollock-Krasner Foundation Grant

Publications

“Chapter 7: Ellen Priest: Seeing the World” Camille Colatosti, To Be an Artist: Musicians, Visual Artists, Writers and Dancers Speak. © 2012 E. L. Kurdyla Publishing, LLC, Baltimore, Maryland. (Dr. Colatosti is Dean of Graduate Studies at Berklee College of Music, Boston, Massachusetts.)

Publication Covers

2014 The Kenyon Review, 75th Anniversary Year edition. Literary magazine, full year of cover art.
Edward Simon, The Venezuelan Suite. Sunnyside Records. Music CD.
2013 Thomas Troeger, Music As Prayer. Oxford University Press. Print book, e-book.

Projects Listed By Their Jazz Subject Matter

Each project includes one or more series of preparatory brush studies, finished paintings on layered, collaged paper, and in recent projects, drawings. Each series is based on a single jazz composition. Prior to 2005, work was done from publicly available recorded music and score (where possible).
2012 - Ongoing Afro-Cuban Jazz. Part 1 using the music of Arturo Stable and Elio Villafranca, Part 2 using the music of Stefon Harris and the Ninety Miles Project. Worked in dialog with the composers.
2010 - 2012 Experimental project with Berklee College of Music’s Global Jazz Institute, Boston, Massachusetts. Based on student compositions in progress, recorded during two residency periods at Berklee. Worked in dialog with four student composers and BGJI faculty.
2005 - 2010 Four-movement jazz suite by Venezuelan-born pianist/composer Edward Simon titled, The Venezuelan Suite. Based on Venezuelan song forms, rhythms, and instrumentation. Worked in dialog with the composer.
2003 - 2004 Chick Corea composition titled, Chelsea Shuffle.
2002 - 2006 Herbie Hancock compositions titled, Maiden Voyage and Dolphin Dance.
1994 - 2004 Gonzaguinha composition, Tanacara. Brazilian folk-jazz musician/songwriter.
1994 - 2001 Dave Brubeck composition titled, Take 5.
1999 - 2002 Miles Davis version of Someday My Prince Will Come, arranged by Gil Evans. Composed by Frank Churchill.
1997 - 1998 Luiz Gonzaga composition titled, Asa Branca. Classic Brazilian song, often described as Brazil’s ‘folk’ national anthem.
1990 - 1993 Michel Camilo composition titled, Island Stomp.

Art Education / Teaching

2013-Present and 1992-1999 Created Eyeball It! TM studio art education program for children. Online free to users beginning June 2014 funded by Ellen Priest Projects at Fractured Atlas. Originally written/developed 1992 - 1999. A series of discreet art projects for elementary-age children to do at home with a parent. Adaptable for groups (e.g., after-school programs, public libraries). Currently in pilot phase by Delaware Division of Libraries, Teach for America Delaware. [www.eyeballitart4kids.org](http://www.eyeballitart4kids.org)
2009 New York University, New York, New York, Department of Music Colloquium with Edward Simon, “Composing the Venezuelan Suite – the Music and the Paintings,” February.
2007 - 2010 Delaware Center for the Contemporary Arts, Education Committee.
2002 - 2008 University of the Arts, Philadelphia, Pennsylvania, Professional Institute for Educators.
2002 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania, Adjunct Faculty, Fall.
1979-1999 Taught studio art in schools (primary and secondary) and community arts centers including:
Ocean City Arts Center, Ocean City, New Jersey. 1996-99.
Choate-Rosemary Hall, Wallingford, Connecticut. 1979, 1995-96.
Saint Thomas’s Day School, New Haven, Connecticut. 1992-93.
Educational Center for the Arts, New Haven, Connecticut. 1982-83. (All-arts public high school.)
Concord Academy, Concord, Massachusetts. Art Department Chairperson, 1979-80.

Writing

1980-84 Art in America. “Reggie Bradford,” December 1983. “Robert Taplin,” May 1983.
American Ceramics. “Arnold Zimmerman,” Fall 1983. “Jane Gustin,” Summer 1984.
New Haven Advocate. Series of profiles of local artists and their work. 1980 - 82.

Selected Collections

Agnes Gund, New York, New York.
Yale Institute of Sacred Music, New Haven, Connecticut.
Philip and Muriel Berman Museum of Art at Ursinus College, Collegeville, Pennsylvania.
Christine L. Delucchi, Washington D.C.
Alva Greenberg, Connecticut.
Cil and Gary Knutsen, Cleveland, Ohio.
Lisetta Menardi Orlandi, Cortina D’Ampezzo, Italy.
Jane Lyons and Mark Sucher, Washington D.C.
Astra Zeneca Corporation, Wilmington, Delaware.
Pfizer Corporation, New London, Connecticut.
Morgan, Lewis & Bockius LLP, Philadelphia, Pennsylvania.
BTG, Incorporated, West Conshohocken, Pennsylvania.

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