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Kim Uchiyama

1955
(USA) AMERICAN

WaveWave
Kim Uchiyama
Wave
绘画
40.6 X 30.5 X 0.0 cm 促销价格£1,350.00
PulsePulse
Kim Uchiyama
Pulse
绘画
40.6 X 30.5 X 0.0 cm 促销价格£1,350.00
Waterway IIWaterway II
Kim Uchiyama
Waterway II
绘画
81.3 X 91.4 X 0.0 cm 促销价格£4,600.00
Waterway IWaterway I
Kim Uchiyama
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SwingSwing
Kim Uchiyama
Swing
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40.6 X 30.5 X 0.0 cm 促销价格£1,350.00
RestRest
Kim Uchiyama
Rest
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40.6 X 30.5 X 0.0 cm 促销价格£1,350.00
OctaveOctave
Kim Uchiyama
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Kim Uchiyama
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Kim Uchiyama
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Kim Uchiyama
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Kim Uchiyama
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CadenceCadence
Kim Uchiyama
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Kim Uchiyama 是一位美国抽象艺术家,她的作品运用色彩创造光与形,激活图像空间的形而上潜力。她在纽约生活和工作。

教育与奖项

Uchiyama 在爱荷华州德雷克大学学习艺术和文学,并在意大利佛罗伦萨学习前文艺复兴艺术史。她曾在耶鲁大学的艺术与音乐暑期学校、皇后学院和纽约绘画、素描与雕塑学院学习艺术。她的奖学金包括纽约艺术基金会、麦克道威尔殖民地、弗吉尼亚创意艺术中心、法国奥维拉和意大利奥特朗托的BAU学院。她是美国抽象艺术家的成员。

技术

内山的水彩画传达出充满神秘光线的色带。她运用饱和的色彩来建立一个整体的合唱,每个色带勾勒出其独特的声音。精确的排列,如同歌曲的音符,将能量从一个瞬间转移到下一个瞬间。...

Uchiyama 在阿尔什纸上使用水彩,在画布和亚麻布上使用油画。她同时发展多个图像。每件作品开始时,她会等待在空白表面上“看到”一种初始颜色,然后再将其应用到她的底面上。每种连续的颜色都建立在最初的冲动之上,形成一个由颜色形状组成的网格。每一层都具有独特的物理和材料特性:有些是不透明的;有些是半透明的;有些是绘画风格的;有些是平面的。艺术家所做的每一个选择都旨在创造一个动态的、多面向的构图,邀请观众的目光与她一起移动,体验绘画的制作过程。

灵感

内山的灵感之一来自于她的老师,画家尼古拉斯·卡罗内,他曾向现代主义大师汉斯·霍夫曼学习。Uchiyama 共享卡罗内和霍夫曼对色彩、图像空间和绘画结构的重视。她在自己的作品中调动这些元素,以创造出独特的张力、和谐与节奏。Uchiyama 经常受到她旅行中遇到的特定地点或风景的光线和氛围的启发。她使用色彩来传达那个地方的情感本质或感觉——它的光与影,它的重量。

艺术评论家米歇尔·阿尔德里奇说:“耐心、专注的观众会在内山的画作中发现很多乐趣。层层叠叠的底层在画布下涌动,颜色在画布上隐退或浮现。音乐是一个有用的类比,因为内山创作的变奏就像作曲家或爵士音乐家一样——质感、节奏、音色和和声是每一件作品不可或缺的部分。”

相关引言

艺术评论家米歇尔·阿尔德里奇谈到Uchiyama的作品时说:“耐心、专注的观众会在内山的画作中发现很多乐趣。层层叠叠的底层在画布下涌动,颜色在画布上隐退或浮现。音乐是一个有用的类比,因为Uchiyama创造了主题的变奏,就像作曲家或爵士音乐家一样——质感、节奏、音色和和声是每一件作品不可或缺的部分。”

展览

Uchiyama 在美国各地的个人和群展中广泛展出,最近在纽约的福克斯画廊、科罗拉多州特柳赖德的头水当代艺术馆,以及纽约布里奇汉普顿的凯瑟琳·马凯尔美术馆举办了个人展览。
即将举行的个人展览包括纽约哈德逊的约翰·戴维斯画廊和意大利巴勒莫的阿戈拉画廊。内田的作品曾在《ARTNews》、《布鲁克林铁路》、《新标准》、《Hyperallergic》杂志和《纽约时报》上被评论。

肖像照片来源:斯蒂芬妮·布赫曼提供,纽约工作室对话,第二部分,2018年5月

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Solo Exhibitions

2019 (forthcoming) John Davis Gallery, Hudson, NY
2019 Galleria Agora, Palermo, Italy
2014 Fox Gallery, New York, NY “Plain Sight”
2013 Headwater Contemporary, Telluride, CO
2013 John Davis Gallery, Hudson, NY “Recent Paintings”
2012 Kathryn Markel Fine Arts, Bridgehampton, NY “Water Color”
2010 Lohin Geduld Gallery, New York, NY “Archaeo”
2008 Lohin Geduld Gallery, New York, NY “Recent Work”
2008 John Davis Gallery, Hudson, NY “Recent Work”
2006 Janet Kurnatowski Gallery, Brooklyn, NY “Strata”
2004 Penine Hart Gallery, New York, NY “Recent Work”
2000 Percival Galleries, Des Moines, IA “Recent Work”
1990 Cedarcrest College, Allentown, PA “Landscape”
1989 John Davis Gallery, New York, NY “New Works”
1988 Leslie Cecil Gallery, New York, NY “New Landscapes”
1986 John Davis Gallery, Akron, OH
1985 Leslie Cecil Gallery, New York, NY

Group Exhibitions

2018 Clara M. Eagle Gallery, Murray State University, Murray, KY “Blurring Boundaries: Continuity to Change, Women of AAA from 1937 to 2017”
2018 Ewing Gallery, University of Tennessee, Knoxville, TN “Blurring Boundaries: Continuity to Change, Women of AAA from 1937 to 2017”
2018 Westbeth Gallery, New York, NY “Beyond Black and White”
2017 The Curator Gallery, New York, NY “Color Perspective”
2016 The Painting Center, New York, NY “Band”
2016 Washington Printmakers Gallery, Washington, DC “Werner Drewes and 80 Years of the American Abstract Artists”
2016 Shirley Fiterman Art Center, Borough of Manhattan Community College, New York, NY “Chromatic Space”
2016 Rush Arts Gallery, New York, NY “21st Century Abstract Painting and Sculpture”
2016 1285 Avenue of the Americas Art Gallery, NY “The Onward of Art”
2016 Morris-Warren Gallery, New York, NY “Visible Histories”
2015 FiveMyles Gallery, Brooklyn, NY “Endless Entire”
2015 Janet Kurnatowski Gallery, Brooklyn, NY “Wave Length”
2014 Brian Morris Midtown, New York, NY “Freak Flag”
2014 Sideshow Gallery, Brooklyn, NY “To Leo, A Tribute from American Abstract Artists”
2014 490 Atlantic Gallery, Brooklyn, NY “Scott Endsley, Richard Timperio and Kim Uchiyama”
2014 Frank Martin Gallery, Muhlenberg College, Allentown, PA “Girl Band”
2013 Brian Morris Gallery, New York, NY “Sleight of Hand”
2012 Jason McCoy Gallery, New York, NY “Paper Band”
2011 Lohin Geduld Gallery, New York, NY “Rotation”
2010 Hofstra University, Hempstead, NY “Color, Time, Space”
2009 Lohin Geduld Gallery, New York, NY “Color, Time, Space”
2009 Janet Kurnatowski Gallery, Brooklyn, NY “Color, Time, Space”
2009 Janet Kurnatowski Gallery, Brooklyn, NY “Inside Abstraction”
2008 San Angelo Museum of Fine Arts, San Angelo, TX “Edward R. Broida: A Collector On the Edge”
2005 New York Studio School, New York, NY “The Continuous Mark: 40 Years of the New York Studio School” curated by Jen Samet
2004 Gallery Schlesinger, New York, NY “First Person”
1987 Des Moines Art Center, Des Moines, IA “Artists Born In Iowa: The Homecoming Exhibition” organized by the Iowa Arts Council curated by Eleanor Heartney

Publications/Catalogues

2018 Buhmann, Stephanie “New York Studio Conversations II” The Green Box, Berlin, May 2018
2016 Lippincott, Jonathan D “Chromatic Space: American Abstract Artists” Exhibition Brochure Essay 2016
2016 Wilkin, Karen “The Onward of Art: American Abstract Artists 80th Anniversary Exhibition” Exhibition Catalogue Essay 2016
2014 Buhmann, Stephanie “Girl Band” Muhlenberg College Exhibition Catalogue Essay 2014
2010 Wei, Lilly “Kim Uchiyama: Archaeo” Exhibition Catalogue Essay 2010
1986 Heartney, Eleanor “Toward An Expanded Regionalism” Artists Born In Iowa: The Homecoming Exhibition Exhibition Catalogue Essay 1986
1986 Stetson, Daniel E “Of Recognition & Reknowing” Artists Born in Iowa: The Homecoming Exhibition Exhibition Catalogue Essay 1986

Reviews and Articles

The New Criterion March 2016 “The Onward of Art: American Abstract Artists 80th Anniversary Exhibition” review by James Panero
The New Criterion January 2015 “Claire Seidl & Kim Uchiyama, Fox Gallery NYC” review by James Panero
The New Criterion February 2014 “Sideshow Nation II: At The Alamo” review by James Panero
ARTNews November 2010 “Kim Uchiyama: Archaeo” review by Doug McClemont
The New Criterion October 2010 “Kim Uchiyama: Archaeo” review by James Panero
The Brooklyn Rail October 2010 “Kim Uchiyama: Archaeo” review by Stephanie Buhmann
The New Criterion October 2009 “Color, Time, Space” review by James Panero
ARTNews December 2008 “Kim Uchiyama and Joanne Freeman” review by Lilly Wei
The New York Sun October 19, 2006 “Abstract Attention” review by Jennifer Riley
The New York Times January 2, 2004 “First Person” review by Ken Johnson
The International Edition of the Journal of Art January 1989 “Edward Broida: A Passion for Collecting the New” by Monica Incisa

Curatorial Projects

Morris-Warren Gallery NY “HeadSpace” with Amanda Church and Izam Zawhara 2016
Brian Morris Midtown, New York NY “Freak Flag” 2014
Brian Morris Gallery, New York NY “Physical Property” 2013
Hofstra University, Hempstead NY “Color, Time, Space” with Joanne Freeman 2010
Lohin Geduld Gallery, New York NY “Color, Time, Space” with Joanne Freeman 2009
Janet Kurnatowski Gallery, Brooklyn NY “Color, Time, Space” with Joanne Freeman 2009

Grants, Awards, Fellowships

American Abstract Artists Member 2014
VCCA Moulin-a-Nef, Auvillar, France 2012
The Bau Institute Artist Residency, Otranto, Italy 2011
The MacDowell Colony, Peterborough, NH Robert Motherwell Fellow 2010
The Virginia Center for the Creative Arts, Amherst, VA 2009
The MacDowell Colony, Peterborough, NH 2007
The Bau Institute Artist Residency, Otranto, Italy 2007
The Bau Institute Artist Residency, Otranto, Italy 2006
The New York Foundation for the Arts 1994
Louis Comfort Tiffany Grant Nominee 1986
Yale Summer School of Art & Music, Norfolk, CT 1976

Publications (Artist's Writings)

“John Opper: Paintings from the 1960’s and 1970’s” Berry Campbell Gallery, Delicious Line February 15, 2018
“Ardent Nature: Arshile Gorky Landscapes, 1943-47” Hauser & Wirth, New York, Delicious Line December 5, 2017
“Larry Zox” Berry Campbell Gallery, Delicious Line April 25, 2017

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