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Elizabeth Gourlay

1961 - 2024
(USA) AMERICAN

Untitled 1Untitled 1
Elizabeth Gourlay
Untitled 1
絵画
55.9 X 45.7 X 0.0 cm 22.0 X 18.0 X 0.0 inch セール価格£3,550.00
C63C63
Elizabeth Gourlay
C63
絵画
45.7 X 61.0 X 0.0 cm 18.0 X 24.0 X 0.0 inch セール価格£2,550.00
GreygreenGreygreen
Elizabeth Gourlay
Greygreen
絵画
50.8 X 40.6 X 0.0 cm 20.0 X 16.0 X 0.0 inch

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D30D30
Elizabeth Gourlay
D30
絵画
47.0 X 33.0 X 0.0 cm 18.5 X 13.0 X 0.0 inch

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M30M30
Elizabeth Gourlay
M30
絵画
45.7 X 47.0 X 0.0 cm 18.0 X 18.5 X 0.0 inch

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With lemonWith lemon
Elizabeth Gourlay
With lemon
絵画
30.5 X 30.5 X 0.0 cm 12.0 X 12.0 X 0.0 inch

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Zeri blueZeri blue
Elizabeth Gourlay
Zeri blue
絵画
20.5 X 20.5 X 0.0 cm 8.1 X 8.1 X 0.0 inch

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Broken line blueBroken line blue
Elizabeth Gourlay
Broken line blue
絵画
22.9 X 22.9 X 0.0 cm 9.0 X 9.0 X 0.0 inch

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Broken line bBroken line b
Elizabeth Gourlay
Broken line b
絵画
22.9 X 22.9 X 0.0 cm 9.0 X 9.0 X 0.0 inch

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Tantara 1Tantara 1
Elizabeth Gourlay
Tantara 1
プリント
40.6 X 38.1 X 0.0 cm 16.0 X 15.0 X 0.0 inch

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Note dNote d
Elizabeth Gourlay
Note d
プリント
43.18 X 35.56 X 0.0 cm 17.0 X 14.0 X 0.0 inch

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Kitha 5Kitha 5
Elizabeth Gourlay
Kitha 5
プリント
38.1 X 40.6 X 0.0 cm 15.0 X 16.0 X 0.0 inch

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Winter tulip 2Winter tulip 2
Elizabeth Gourlay
Winter tulip 2
プリント
38.0 X 40.6 X 0.0 cm 15.0 X 16.0 X 0.0 inch

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Pinck 2Pinck 2
Elizabeth Gourlay
Pinck 2
絵画
30.48 X 22.86 X 0.0 cm 12.0 X 9.0 X 0.0 inch

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Portal 5Portal 5
Elizabeth Gourlay
Portal 5
絵画
30.48 X 22.86 X 0.0 cm 12.0 X 9.0 X 0.0 inch

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Red CRed C
Elizabeth Gourlay
Red C
絵画
40.6 X 50.8 X 0.0 cm 16.0 X 20.0 X 0.0 inch

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Elizabeth Gourlayは、内面的な感情状態と自然や建築の観察に基づいて、色、線、形を重ねる進歩的なプロセスから生まれるアメリカの抽象アーティストです。彼女はコネチカット州チェスターに住み、働いています。

教育

Elizabeth Gourlayは、スコットランドのエディンバラ芸術大学でドローイングとペインティングを学び、1983年に卒業しました。その後、イェール大学美術学校(コネチカット州)に進学し、ペインティングのMFAを取得しました。

技術

Elizabeth Gourlayは、油彩、フラッシュ、アクリル、インク、グラファイトなどの幅広いメディアを使用して、芸術的にシンプルで力強い構成を作り出します。
彼女の作品は通常、色のウォッシュを重ねることから始まり、その後に要素を描くことが続きます。色は鋭く完全に選ばれ、ほぼモノクロームから非常にポリクロームまでの幅広いカラーパレットが使用されます。

彼女の絵画は比喩的です。彼女の作品のいくつかは、座標平面や棒グラフを使って実験を描写することで科学を暗示しています。いくつかは、形が音を定義し、色が音量を定義することで音楽を指しています。さらに、いくつかの絵画は、明らかに擦り切れたまたは破れた紙の層を覆うことで歴史や文化を示唆しています。

インスピレーション

Gourlayは、自身の作品を色、線、形に関する瞑想と考えており、変化する形と色の複雑なネットワークを生み出しています。"形と線は、私自身の抽象的な形の語彙を作り出します。"

彼女は自然、建築、音楽に見られる要素に興味を持ち、それを示すために線、グリッド、幾何学的形状を描いています。実際、彼女の作品はしばしばその音楽性と建築的な含意によって説明されます。

線の使用はアグネス・マーチンからの影響を示唆しており、彼女の色の使い方はパウル・クレーの作品を思い起こさせます。彼女の構成は、線、色、形を用いて秩序と混沌に取り組んでいます。

コレクション

Gourlayの作品は、ルウィットコレクション、マリオットファミリー、イェール大学を含むさまざまな個人および企業のコレクションに展示されています。

展示会

Elizabeth Gourlayは、アメリカ東海岸での個展やグループ展に広く出展しています。

ギャラリー

ケニーズ・バーンズ・ファイン・アート, ケント, CT
シンシア・ウィニングス・ギャラリー, ブルーヒル, メイン州

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少ないことは豊かさ!ここでミニマルな抽象アートを集めましょう

「少ないことは多いこと」というルートヴィヒ・ミース・ファン・デル・ローエの有名な格言は、新興のミニマリズムの本質を簡潔に捉えただけでなく、形式の頑固な単純化に取り組むさまざまな美学的・哲学的な派生運動を刺激しました。ロシアの構成主義やオランダのデ・ステイル(あるいはクレメント・グリーンバーグによるとモネ)への還元的抽象に遡ると、その現代的な突破口は1959年にフランク・ステラの「ブラック・...

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これらの抽象アートプリントをきっと気に入るでしょう!

数世紀にわたるアートワークを作成するプロセスが、視覚の地平線が人間の経験の連鎖的な変革を反映し、再現性をその中心に置く現代アートの最前線に立つことになりました。抽象芸術家たちは、社会的変化を内包するメディウムとして版画を受け入れ、抽象アートに固有の革新的な表現を強化する抽象アートプリントを作成することを可能にしました。今日、版画は、従来の4つの基本カテゴリー(浮彫、凹版、平面印刷、ステンシ...

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Education

1985 MFA in Painting, Yale University School of Art, New Haven, CT
1983 BA (First Class Honors), Edinburgh College of Art, Scotland

Solo Exhibitions

2015 Tempos , Fox Gallery NYC, New York, New York
2015 New Work , ArtHelix, Brooklyn, New York
2013 Sogno , works on paper, The Chester Gallery, Chester , CT
2012 A Year Long Song , Giampietro Gallery, New Haven, CT
2011 Selected Paintings and Works on Paper , Brick Walk Fine Art, West Hartford, CT
2009 The Color of Harmony, The Gallery at Kinderhook, Salisbury, CT
2009 Meridians , eo art lab, Chester, CT
2008 New Work , Diane Birdsall G allery, Old Lyme, CT
2007 Rhythmic Relativism , eo art lab, Chester, CT
2007 Etudes , Diane Birdsall Gallery, Old Lyme, CT
2006 Saturated , Paesaggio Fine Art, Hartford, CT
2005 Grids and Gardens , Moira Fitzsimmons Arons Art Gallery, Hamden, CT
2005 New Work , Paesa ggio Fine Art, Hartford, CT
2004 A Chronology , Cummings Arts Center at Connecticut College, New London
2003 New Work , Paesaggio Gallery, West Hartford, CT
2002 The Chester Gallery, Chester, CT
2001 Recent Works, Paesaggio Gallery, West Hartford, CT
1991 Elizabeth Gourlay, Paintings, 369 Gallery, Edinburgh, Scotlan

Selected Group Exhibitions

2018 State of Abstraction, curated by Daphne Anderson Deeds, Washington Art Association, Washington, Connecticut
2018 Among Friends, DUMBO, 55 Washington St, Brooklyn, New York
2018 Mighty Minis, curated by Suzan Shutan, Melanie Carr Gallery, Essex, Connecticut
2017 Big Idea, The Painting Center, New York, New York
2017 Abstract, curated by Susan Classen-Sullivan, The Hans Weiss Newspace Gallery, Manchester Community College, Manchester, Connecticut
2017 Visual Impressions: Josephine Burr, Elizabeth Gourlay, Anna Helper and David Hornung, Cynthia Winings Gallery, Blue Hill, Maine
2017 Maniac Episode V, Ely Center of Contemporary Art, New Haven, Connecticut
2017 Becoming: 30 Hotchkiss Artists, The Tremain Gallery, The Hotchkiss School, Lakeville, CT
2017 Interplay: Joseph Byrne & Elizabeth Gourlay, curated by Ann Finholt and Walter Kendra, The Annual Maxwell Shepard Memorial Invitational exhibition, The Gallery on the Green, Canton, Connecticut
2017 Mighty Minis, curated by Suzan Shutan, Souterrain Gallery, West Cornwall, Connecticut
2017 Black Box, Boeckercontemporary, Heidelberg, Germany traveling to Centre d'art Contemporain, Metz, France
2016 Laura Moriarty and Elizabeth Gourlay, Kenise Barnes Fine Art, Larchmont, New York
2016 Featured flat-file artist for HUE[S]PACE, an installation by Debra Ramsay, ODETTA Gallery, 229 Cook Street, Brooklyn, New York
2016 Dristi: A Concentrated Gaze, curated by Elizabeth Heskin and Patricia Spergel, 1285 Avenue of the Americas Gallery, New York, New York
2016 Recursive Threads: Elizabeth Gourlay and Ann Stewart Conrad, The Tremaine Gallery, The Hotchkiss School, Lakeville, Connecticut
2016 2nd Hand Pulled Print Exhibition, SITE:BROOKLYN, Brooklyn, New York
2016 Art & Design 20/21, Garvy Rita Art & Antiques, Boston, Massachusetts
2016 4rth National Monotype Exhibition, The Monotype Guild of New England, Attleboro Arts Museum, Attleboro, Massachusetts
2015 Art on Paper , Gallery Molly Krom, Pier 26, New York
2015 Seeing Sound , ODETTA, flat files, Brooklyn, New York
2015 Lost Cat , Cape Cod Museum of Art, Dennis, Massachu setts
2015 Family Ties , 500X Gallery, Dallas, Texas
2015 Going Big , Central Booking, New York, New York
2015 Evolution of Immediacy , Ball & Socket Arts, Cheshire, Connecticut
2015 8th Annual Art & Design 20/21, Gar vy Rita Art & Antiques, Boston
2014 Second Family , curated b y Julie Torres, New York
2014 Mid - Year Exhibition : 2013 - 2014, Nat ional Academy School, New York
2014 Perception Illusion Magic, The Westport Art Center, Westport, CT
2014 Summer Sheets : Selected Works on Paper, Brick Walk Fine Art, West Hartford, CT
2014 The Boston Internatio nal Art Fair, Garv ey Rita Art & Antiques, Boston
2013 Working It Out , The Paint ing Center, New York
2013 Creative Mischief, The National Academy Museum and School of Fine Arts, New York
2013 Art Forms : An exhibition of Artist Fellowship Recipients, Constitution Pla za, Hartford, Connecticut
2013 SOLOS 2013 , The Westport Art Center, Westport, Connecticut
2013 New Work: Elizabeth Gourlay and Kevin Finklea, 91 Orange Street Gallery, Fred.Giampietro, New Haven, Connecticut
2012 Modesty : a Policy, The Bogart Salon, Brooklyn, New York
2012 Paper New England : A 5th Anniversary Look, Manchester Community College, Manchester, Connecticut
2011 Shared Sensibilities : Sol LeWitt and His Friends, The Mattatuck Museum, Waterbury, Connecticut
2011 An exchange with Sol LeWitt , Mass Moca, North Adams, Massachusetts
2011 Abstract Principles , Fairfield Art Center, Fairfield, Connecticut
2011 Out of Line , Artspace, New Haven, Connecticut
2011 Abstracted , DNA Gallery, Provincetown, Massachusetts
2011 Off the Grid: Selected Works on Paper by Elizabeth Gourlay and Peter Acheson, Brick Walk Fine Art, West Hartford, Connecticut
2011 Synesthesia , eo art lab, Chester, Connecticut
2011 Library Science , Artspace, New Haven, Connecticut
2009 Architectural Digest Show, New York, NY, eo art lab, Chester, CT
2008 183 rd Annual: An Invitational of Contemporary American Art , National Academy Museum & School of Fine Art New York
2008 Focus New Haven , PNE, Paper New England, Hartford, Connecticut
2007 Blue Print , The Center for Contemporary Printmaking, Norwalk, Connecticut
2005 Work from The LeWitt Colle ction , Real Art Ways, Hartford, Connecticut
2004 Crossing the Line - Elizabeth Gourlay/Zach Zau s , Bendheim Gallery, Greenwich, CT
2003 The 25th Annual Drawing Center Benefit Exhibition , The Drawing Center, New York
2002 Criss - Cross: Elizabeth Gourlay, Sol LeWitt, Ken Morgan, Cary Smith, Paesaggio Gallery, West Hartford, Connecticut
2001 Collecting at Paesaggio , Paesaggio Gallery, West Hartford, Connecticut
2000 4 Painters: 4 Women, Anderson University, Anderson, Indiana
2000 Connecticut Commission on The Arts Fellowship Exhibition , Hartford
2000 Sum + Substance, Widener Gall ery, Trinity College, Hartford, CT
1997 Eclectic Landscapes , Jorgensen Gallery, University of Connecticut, Storrs, Co n necticut
1995 The Connecticut Open , Real Art Ways, Hartford, Connecticut
1994 Measurement, Metaphor and Color, Maryland College of Art and Design, Silver Spring, Maryland
1990 Contemporary Still Life , The East Hampton Center For Contemporary Art, East Ham p ton, New York
1989 Curator’s Choice/New Directions , The Hecksher Museum, Huntington, New York
1988 The Drawing Show , 1988, The Koslow Gallery, Los Angeles, California
1986 Selections 34 , The Drawing Center, New York, New York

Awards

2012 – 13 Artist Fellowship Grant from the DECD/CT Office of the Arts
2011 Invited artist in residence, studio of Sol LeWitt, Spoleto, Italy
2007 Invited artist, The Center for Contemporary Printmaking, Norwalk, Connecticut
2006 Site - specific painting, The New London Cancer Center, Waterford, Connecticut
2003 Two site - specific wall drawings, The Ashforth Company,Stamford, CT
2000 - 2001 Connecticut Commission on the Arts Fellowship Grant
1986, 1988 & 1993 Fellowship Grant at The Vermont Studio Center, Johnson, Vermont
1982 Fellowship at Yale/Norfolk Summer School of Music & Art, Norfolk, Connecticut
1981 & 1982 The Andrew Grant Traveling Scholarship, Edinburgh College of Art

Collections

Nature Magazine
The Marriott Family
The LeWitt Collection
Agnes and William Peelle, West Hartford, CT
Alliance Capital Management
Safeco Corporation
The Ashforth Company, Stamford, CT
The New London Cancer Center, Waterford, CT
The Smilow Cancer Hospital at Yale-New Haven, New Haven, CT
Yves Gonnet, Inc.
The Vermont Studio Center, Johnson, VT
Edinburgh College of Art, Edinburgh, Scotland

Selected Bibliography

James Panero, The New Criterion, Gallery cronicle, Tempos: Selected Works by Elizabeth Gourlay 2013 - 2015, Fox Gallery, NYC, November, 201 5.
Janis Mink, In Historical Context: Some thoughts about the work of Elizabeth Gourlay, Exhi bition catalog essay for Tempos: Selected Works by Elizabeth Gourlay 2013 - 2015, Fox Gallery NYC, October, 2015
Brett Baker, Painters' Table, Elizabeth Gourlay: Vision Images (December 26, 2013), Painting in Connecticut (December 10, 2012) , Elizabeth Gourl ay: Studio Visit (July 2, 2012).
Richard Benari and Lauren Henkin, Backstory: Elizabeth Gourlay, Tilted Arc, a journal of art, ideas, opinion and verse. (December 16), 2013
Stephen B MacInness, Have you met...Elizabeth Gourlay?, Painter's Progress, (Novemb er 18), 2013
Gorky's Granddaughter, documentary video interview with Zachary Keeting and Christopher Joy, (May), 2012
Joanne Mattera, A Connecticut Afternoon, (November), 2012
Kristin Rasich Fox, Abstract Principles at the Fairfield Art Center, FC Buzz, Arts & Culture of Fairfield County, (September 21), 2011
Sharon Butler, Elizabeth Gourlay's Simple Means, Two Coats of Paint, (October 22), 2009
John Haber, The 2008 National Academy Annual, New.York.Art.Crit, (June 12), 2008
Steve Starger, Physical Culture : Abstracts by Elizabeth Gourlay, Zbigniew Grzyb, Letty Fonteyne, Elizabeth Macdermid and Pamela Stockamore, Art New England (December 2003/January 2004)
Patricia Rosoff, What am I supposed to think? How to read the abstraction of LeWitt, Gourlay, Morgan and Smith, The Hartford Advocate (September 5), 2002
Matt Damsker, Elizabeth Gourlay Evokes Emotion From Strictured Shapes, Hartford Courant (April 30), 2000

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