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Brent Hallard

1957
(AUSTRALIA) AMERICAN

Plum (Yellow and Red)Plum (Yellow and Red)
Brent Hallard
Plum (Yellow and Red)
繪畫
37.0 X 37.0 X 0.1 cm 14.6 X 14.6 X 0.0 inch 促銷價£950.00
Orb (Blue and Violet)Orb (Blue and Violet)
Brent Hallard
Orb (Blue and Violet)
繪畫
91.5 X 91.5 X 0.1 cm 36.0 X 36.0 X 0.0 inch 促銷價£5,800.00
Orb (Pink and Blue)Orb (Pink and Blue)
Brent Hallard
Orb (Pink and Blue)
繪畫
91.5 X 91.5 X 0.1 cm 36.0 X 36.0 X 0.0 inch 促銷價£5,800.00
Sundrop sereneSundrop serene
Brent Hallard
Sundrop serene
繪畫
18.0 X 19.0 X 0.1 cm 7.1 X 7.5 X 0.0 inch 促銷價£500.00
Slow coachSlow coach
Brent Hallard
Slow coach
繪畫
19.0 X 19.0 X 0.1 cm 7.5 X 7.5 X 0.0 inch 促銷價£500.00
High WaterHigh Water
Brent Hallard
High Water
繪畫
19.0 X 19.0 X 0.1 cm 7.5 X 7.5 X 0.0 inch 促銷價£500.00
Pale AlePale Ale
Brent Hallard
Pale Ale
繪畫
28.0 X 18.5 X 0.1 cm 11.0 X 7.3 X 0.0 inch 促銷價£600.00
Come and GoCome and Go
Brent Hallard
Come and Go
繪畫
18.0 X 19.0 X 0.1 cm 7.1 X 7.5 X 0.0 inch 促銷價£500.00
ComberComber
Brent Hallard
Comber
繪畫
18.0 X 19.0 X 0.1 cm 7.1 X 7.5 X 0.0 inch 促銷價£500.00
Bondi Bathers ButterflyBondi Bathers Butterfly
Brent Hallard
Bondi Bathers Butterfly
繪畫
25.0 X 50.0 X 0.1 cm 9.8 X 19.7 X 0.0 inch 促銷價£1,000.00
Sure thing ButterflySure thing Butterfly
Brent Hallard
Sure thing Butterfly
繪畫
20.4 X 35.5 X 0.1 cm 8.0 X 14.0 X 0.0 inch 促銷價£600.00
Blue only you IVBlue only you IV
Brent Hallard
Blue only you IV
繪畫
60.0 X 63.0 X 0.0 cm 23.6 X 24.8 X 0.0 inch 促銷價£2,150.00
Black only you IIIBlack only you III
Brent Hallard
Black only you III
繪畫
60.0 X 63.0 X 0.0 cm 23.6 X 24.8 X 0.0 inch 促銷價£2,150.00
Box IIBox II
Brent Hallard
Box II
繪畫
35.56 X 35.56 X 0.0 cm 14.0 X 14.0 X 0.0 inch 促銷價£800.00
Box IBox I
Brent Hallard
Box I
繪畫
35.56 X 35.56 X 0.0 cm 14.0 X 14.0 X 0.0 inch 促銷價£800.00
ShaunaShauna
Brent Hallard
Shauna
繪畫
46.0 X 30.5 X 0.0 cm 18.1 X 12.0 X 0.0 inch 促銷價£900.00
NickelNickel
Brent Hallard
Nickel
繪畫
34.3 X 28.0 X 0.0 cm 13.5 X 11.0 X 0.0 inch 促銷價£600.00
LandedLanded
Brent Hallard
Landed
繪畫
25.4 X 20.3 X 0.0 cm 10.0 X 8.0 X 0.0 inch 促銷價£550.00
Lavender Strike IILavender Strike II
Brent Hallard
Lavender Strike II
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,800.00
FarmFarm
Brent Hallard
Farm
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,800.00
Architectural Butterfly #09Architectural Butterfly #09
Brent Hallard
Architectural Butterfly #09
繪畫
55.0 X 115.0 X 0.0 cm 21.7 X 45.3 X 0.0 inch 促銷價£4,700.00
Boom IVBoom IV
Brent Hallard
Boom IV
繪畫
52.5 X 76.5 X 0.0 cm 20.7 X 30.1 X 0.0 inch 促銷價£3,000.00
Boom IIBoom II
Brent Hallard
Boom II
繪畫
52.5 X 76.5 X 0.0 cm 20.7 X 30.1 X 0.0 inch 促銷價£3,000.00
PGB SlurpPGB Slurp
Brent Hallard
PGB Slurp
繪畫
22.0 X 32.0 X 0.0 cm 8.7 X 12.6 X 0.0 inch 促銷價£700.00
GPB SlurpGPB Slurp
Brent Hallard
GPB Slurp
繪畫
22.0 X 32.0 X 0.0 cm 8.7 X 12.6 X 0.0 inch 促銷價£700.00
Gong (Green, Blue)Gong (Green, Blue)
Brent Hallard
Gong (Green, Blue)
繪畫
52.0 X 61.0 X 0.0 cm 20.5 X 24.0 X 0.0 inch 促銷價£2,400.00
Gong (Red, Blue)Gong (Red, Blue)
Brent Hallard
Gong (Red, Blue)
繪畫
52.0 X 61.0 X 0.0 cm 20.5 X 24.0 X 0.0 inch 促銷價£2,400.00
W4W4
Brent Hallard
W4
繪畫
25.4 X 20.3 X 0.0 cm 10.0 X 8.0 X 0.0 inch 促銷價£870.00
Plumb Purple (mint)Plumb Purple (mint)
Brent Hallard
Plumb Purple (mint)
繪畫
37.0 X 37.0 X 0.0 cm 14.6 X 14.6 X 0.0 inch 促銷價£950.00
Rope (Green and Pink)Rope (Green and Pink)
Brent Hallard
Rope (Green and Pink)
繪畫
23.0 X 30.5 X 0.1 cm 9.1 X 12.0 X 0.0 inch 促銷價£500.00
Fruit LoopFruit Loop
Brent Hallard
Fruit Loop
繪畫
61.0 X 61.0 X 0.1 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,800.00
Zone ButterflyZone Butterfly
Brent Hallard
Zone Butterfly
繪畫
61.0 X 61.0 X 0.1 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,800.00
Bell ButterflyBell Butterfly
Brent Hallard
Bell Butterfly
繪畫
61.0 X 61.0 X 0.1 cm 24.0 X 24.0 X 0.0 inch 促銷價£2,800.00
Capital ButterflyCapital Butterfly
Brent Hallard
Capital Butterfly
繪畫
55.0 X 110.0 X 0.1 cm 21.7 X 43.3 X 0.0 inch 促銷價£4,700.00
Mailer GreenMailer Green
Brent Hallard
Mailer Green
繪畫
23.0 X 30.5 X 0.0 cm 9.1 X 12.0 X 0.0 inch

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Architectural Butterfly BoomArchitectural Butterfly Boom
Brent Hallard
Architectural Butterfly Boom
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch

Sold

Architectural ButterflyArchitectural Butterfly
Brent Hallard
Architectural Butterfly
繪畫
28.0 X 52.5 X 0.0 cm 11.0 X 20.7 X 0.0 inch

Sold

PeakPeak
Brent Hallard
Peak
繪畫
56.0 X 46.0 X 0.0 cm 22.0 X 18.1 X 0.0 inch

Sold

QBE IQBE I
Brent Hallard
QBE I
繪畫
35.6 X 35.6 X 0.0 cm 14.0 X 14.0 X 0.0 inch

Sold

SummercloudSummercloud
Brent Hallard
Summercloud
繪畫
120.0 X 110.0 X 0.0 cm 47.2 X 43.3 X 0.0 inch

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WalkWalk
Brent Hallard
Walk
繪畫
25.4 X 20.3 X 0.0 cm 10.0 X 8.0 X 0.0 inch

Sold

Boom IIIBoom III
Brent Hallard
Boom III
繪畫
52.5 X 76.5 X 0.0 cm 20.7 X 30.1 X 0.0 inch

Sold

Architectural Butterfly (Dandelion)Architectural Butterfly (Dandelion)
Brent Hallard
Architectural Butterfly (Dandelion)
繪畫
61.0 X 61.0 X 0.0 cm 24.0 X 24.0 X 0.0 inch

Sold

Plumb Red (blue)Plumb Red (blue)
Brent Hallard
Plumb Red (blue)
繪畫
37.0 X 37.0 X 0.0 cm 14.6 X 14.6 X 0.0 inch

Sold

Mailer (red)Mailer (red)
Brent Hallard
Mailer (red)
繪畫
23.0 X 30.5 X 0.0 cm 9.1 X 12.0 X 0.0 inch

Sold

Double Stitch (purple and green)Double Stitch (purple and green)
Brent Hallard
Double Stitch (purple and green)
繪畫
33.0 X 28.0 X 0.0 cm 13.0 X 11.0 X 0.0 inch

Sold

Rope (red and yellow)Rope (red and yellow)
Brent Hallard
Rope (red and yellow)
繪畫
23.0 X 30.5 X 0.0 cm 9.1 X 12.0 X 0.0 inch

Sold

Brent Hallard 是一位出生於澳大利亞的抽象藝術家、策展人和作家,他的紙上和鋁製作品探索極簡主義圖像和單色表達。
他的作品在精確、正式的地理形狀檢視與更具玩味、特立獨行的創作之間波動。
他目前在澳大利亞悉尼生活和工作。

教育

Brent Hallard 於1990年獲得美術學士學位,並於1992年從新南威爾士大學獲得藝術碩士學位。

科技

使用如標記筆、水彩和壓克力等媒介,Hallard 在紙張和鋁材上構建可識別的幾何形狀,如正方形和長方形的單色和半單色圖像。

這項工作通常由簡單的形狀和形狀的聚集組成,而在其他時候,它則超越了線條和形狀的界限。

Hallard 傾向於專注於傳達精確性和準確性的作品,同時也與顏色和形狀的更鬆散探索調情,創造出更具實驗性的幾何抽象,邀請觀眾進一步互動的層次。

靈感

這位藝術家以空間和幾何為主題,操控圖像和物體的排列,以挑戰觀者的感知。

他的作品深深植根於藝術史的基本原則,特別是建立在抽象、極簡主義和色域藝術家的趨勢之上。

這項工作也保持了一定的人性質感,融入了一種開放和輕浮的感覺,暗示著一種擺脫形式限制的潛在自由。

相關行情

「年輕太空藝術部落格的凱特·莫斯(Kate Mothes)對Brent Hallard的作品說:」

"這些畫作……簡單得令人驚豔。邊緣如此鮮明,顏色如此明亮,以至於幾乎進入了光學領域。他的一些作品完全對稱,但當我們的目光從一個部分移動到另一個部分,從一條條紋移動到另一條條紋時,邊界卻在變化,顏色對我們的眼睛施加了微妙的幻覺。他似乎堅持對稱、硬邊的抽象,然後在下一個瞬間創作出一件作品……似乎在說他知道這些作品應該是硬邊畫作,但你看?有時它們並不是。為了證明這一點,他會在邊界外上色。"

顯著的區別

視覺差異藝術部落格創辦人

1986
新南威爾士藝術畫廊,蘇爾曼獎,評審展覽

展覽

Hallard 在美國、歐洲和亞洲的多個個展和聯展中廣泛展出。他的作品也曾參加全國及荷蘭的幾個博物館展覽。

Less Is More! Collect Your Minimal Abstract Art Here

少即是多!在這裡收集你的極簡抽象藝術

「少即是多」,這句路德維希·密斯·范·德·羅的流行格言,不僅簡潔地捕捉了新興極簡主義的本質,還激發了這一運動,該運動在多個美學哲學的分支中持續演變,致力於形式的堅定簡化。回溯到俄羅斯構成主義和荷蘭風格派的簡約抽象(甚至根據克萊門特·格林伯格的說法,還有莫奈),其當代突破發生在1959年,當時弗蘭克·斯特拉的黑色畫作展覽展現了這一理念。通過在中性白色底面上繪製僅有黑色的幾何形狀和線條,他擴展...

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Brighten Up Your Quarantine With Some Colorful Abstract Art!

用一些色彩繽紛的抽象藝術來點亮你的隔離生活!

COVID-19疫情正在改變世界,並以前所未有的方式擾亂我們的生活。全球許多國家都採取了隔離措施,以防止COVID-19的進一步擴散。然而,待在家裡不必無聊或沮喪,更不必——沒有文化!藝術被認為能幫助我們在困難時期應對和堅持,正如我們的色彩繽紛的抽象藝術作品系列將有力地展示的那樣。新興的抽象藝術在20世紀的動盪和恐怖中出現並蓬勃發展。它常常沉浸在當時的嚴酷現實中,但它仍然激發了希望、歡欣和...

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Why Small Paintings Can Make a Big Impression on Your Abstract Art Collection

為什麼小型畫作能對你的抽象藝術收藏產生重大影響

大型、嘈雜且大多無法銷售的畫作趨勢,被美國藝術評論家 Peter·施耶達爾稱為節慶藝術,主導了藝術博覽會達二十年之久——從90年代延續到2000年代初。雖然世紀之交充斥著奢華與宏偉,但小型畫作在2008年全球經濟危機中重新引起關注,質疑我們過度膨脹的喜好。小型再次變得美麗,更重要的是,小型在藝術界中變得美麗。小型畫作迅速進入了藝術收藏家的心中——和家中。但許多人對小型抽象畫是否能匹配這一最...

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Anton Ginzburg’s Interpretations of Eastern Europe's Modernist-Formal Vocabulary

安東·金茲堡對東歐現代主義形式詞彙的詮釋

在過去幾年中,俄羅斯出生的多媒體藝術家安東·金茲堡一直在探索將全球當代藝術趨勢與早期俄羅斯現代主義的美學原則相結合的新方法。通過以簡單而視覺刺激的方式運用顏色和空間等形式元素,他找到了一些策略,暫時馴服令人困惑的當下,並將其與烏托邦建構主義思想對齊。他最近的作品目前在紐約的Helwaser畫廊展出,展覽名為《安東·金茲堡:VIEWs》。該展覽遵循了金茲堡在另外兩個近期展覽中所運用的公式——...

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18 Contemporary Abstract Artists Open Up About Their Lineage

18 位當代抽象藝術家談論他們的血脈

教藝術是危險且不可能的。然而,這也是必須的。為了讓藝術存在,藝術家必須學會如何成為他們將要成為的任何事物,以及如何創造他們將要創造的任何事物。有些人會在學校學習,從其他像他們一樣有缺陷的人那裡學習,這些人因為某種原因,承擔了與他人分享他們所學的危險、不可能和必須的任務。其他藝術家則會在課堂之外找到老師。他們可能會通過與其他藝術家在開幕式或酒吧聚會來學習成為藝術家的意義。他們可能會通過觀看網...

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The Secret of Making the Perfect Pastel Drawing

製作完美粉彩畫的秘密

粉彩是一個多用途的詞。它可以作為名詞,指的是粉彩,一個泛指 粉彩畫 或粉彩繪畫的術語。它也可以作為動詞,例如將某物粉彩化,意指創作粉彩畫的行為。它還可以作為形容詞,描述顏色中某些淡雅的特質。這個詞源自意大利語 pastelle,就像意大利語中的 pasta,意為糊狀物,這對於這種媒介的描述非常準確。粉彩含有最高濃度的純色素和最低比例的粘合劑和填充劑,使其具有類似於腻子的物理特性。粉彩在乾燥...

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Decorating a Small Living Room with Abstract Art

用抽象藝術裝飾小客廳

每一種室內設計理念都歸結於一個總體思想:你應該在家中感到舒適。抽象藝術在創造那個完美的室內空間中可以發揮重要作用,讓舒適和快樂得以實現。但我們中的許多人生活在小型城市空間中。用抽象藝術裝飾小客廳 可能看起來令人生畏。你該如何選擇與空間協作而不會佔據它或使其感覺更小的作品?我們匯集了一些專家的建議,幫助你用抽象藝術為小客廳注入活力,因為合適的藝術可以讓任何房間感覺像家。 考慮光 選擇抽象...

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The Complex Minimalism of Robert Mangold

羅伯特·曼戈德的複雜極簡主義

藝術中的魔力是個人的。它始於某人通過美學體驗而轉變,並反過來激發他們去改變世界。許多觀眾認為羅伯特 曼戈德的藝術是神奇的,因為它以微妙、沉思的方式幫助他們改變了看待世界中形狀和圖案的方式。他的作品是極簡的,表達了空間中形式的簡單性。然而,它在美學深度上也同樣奢華。它講述了曼戈德在首次搬到紐約市後的個人美學體驗。城市景觀對他感知周圍環境的方式產生了變革性的影響。他開始將建築、廣場、道路和橋樑...

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The Revolution Abstract Acrylic Painting Brought to the Medium

《革命抽象丙烯畫帶入媒介》

每種藝術媒介都擁有影響觀眾互動方式的特質。作為最新的媒介之一,壓克力 顏料 其中一個傳達的特質是現代性。壓克力還有什麼獨特之處?例如,如果一位畫家創作了一幅抽象的壓克力畫作,然後多次重新繪製同一幅畫,每次使用不同的媒介,那麼這些畫作之間會有什麼根本的差異?當然會有物理上的差異,因為不同媒介的物理特性。但是否也會有形而上的差異?壓克力顏料是否擁有抽象或象徵性的特質,使其引發的內心反應與油畫或...

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Meet Minimal Artists - The Masters of Purity and Reduction

認識極簡藝術家 - 純粹與簡約的大師

研究藝術運動有點像愛麗絲進入那個著名的兔子洞。你越是認為自己已經弄明白了什麼,還有更多的東西等待被發現。當我們第一次學習極簡藝術家時,許多人都是從最大的名字開始和結束:像唐納德·賈德、索爾·勒維特、丹·弗拉文、艾爾斯沃斯·凱利和弗蘭克·斯特拉這樣的藝術家。是的,這些藝術家的作品中確實有足夠的豐富性和天才,能夠提供一個完整而準確的極簡主義本質的畫面。但為什麼不進入兔子洞呢?為什麼不看看還有什...

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Brilliant Examples of Minimal Art

極簡藝術的精彩範例

極簡藝術 容易被誤解。部分原因是藝術家、評論家、藝術史學家和藝術理論家對於極簡主義的目標和定義特徵經常存在分歧。一些極簡主義的知名人物甚至拒絕與這個標籤相關聯。還有一些人聲稱自己創作極簡藝術,儘管他們的作品似乎違背了極簡主義的精神。我們不想在語義的爭鬥中浪費時間,而是保持開放的心態。我們之前曾將極簡主義描述為一種「少即是多」的觀點。我們並不是說極簡藝術中發生的事情更少,或者說享受的東西更少...

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The Will to Restraint: Tendencies of Reductive Art

《克制的意志:簡約藝術的趨勢》

當思考藝術時,很少能夠找到超越風格、時期或運動的限制性概念的術語。但當我們做到這一點時,發現可能參考所有藝術作品的語言,無論它是何時創作或由誰創作,都可以是解放性的,甚至是統一的。簡約藝術就是這樣一個術語。它並不指代某個運動、風格或藝術時期。它代表了一種理念。簡約藝術是通過旨在簡化、整合、濃縮的過程創作的藝術。從某種意義上說,你可以說米開朗基羅的《大衛》雕像,這件用大理石雕刻的作品,是簡約...

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How Colorist Painters Speak With Hues

色彩畫家如何用色調交流

色彩師所給予我們的,不是說「黃色」的黃色,也不是說「山」或「樹」的黃色,而是說「永恆」、「激烈」、「善良」、「力量」、「平靜」或「愛」的黃色。色彩畫家不僅僅專注於顏色,他們通過顏色進行交流。他們與顏色合作,以表達那些無法表達的事物。他們使用顏色,不是為了讓我們凝視一個表面,而是邀請我們向內探索,朝向超越表面的某種東西,深入畫作之中,也深入我們自己之中。 用色調說話 最終被稱為印象派的叛逆畫...

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Education

1992 Master of Arts, University of New South Wales, COFA
1990 Bachelor of Fine Arts, University of New South Wales, COFA

Selected Exhibitions

2018 Wave, curated, BSA Project Space, Northern Rivers
2018 2 x 2, group show, Olsen Gallery, Sydney
2018 Load, Solo show, Five Walls, Melbourne
2017 0ppler, curated by Mel Prest, Transmitter Gallery, Brooklyn
2017 Mixed Tape, Palmer Art Projects, Sydney
2017 Chromatopia, curated by Louis Blyton, Melbourne
2017 100 years after De Stijl, Openlucht Museum De Lakenhal
2017 Visual Discrepancy, curated for Crawford Gallery, Sydney (2 person)
2017 Trans, curated by Kyle Jenkins, Raygun Projects, Toowoomba
2017 Samenhang, with Jasper van der Graaf and the collection of Camiel Andriessen, Het Kunstgemaal, Netherlands
2017 Dirty Filthy Painting, curated by Michael Cusak, BSA Project Space, Northern Rivers
2017 Line and Space curated by Suzie Idiens, Crawford Gallery, Sydney
2017 Colour and Form, Olsen Gallery, Sydney Contemporary 17, Sydney
2017 The Shape of Things curated for Artpiece, Mullumbimbi
2016 Drawing Conversations, National Art School, East Sydney
2016 Connect & Collect, SJICA, San Jose, CA
2016 Lavender Strike, Conny Dietzschold Gallery, Sydney
2016 The White Collection, Conny Dietzschold Gallery
2016 Hydrography lll, LaKaserna Artspace, Bad Nieuweschans, Netherlands (curated by Henriëtte van't Hoog and Iemke van Dijk)
2016 Engaged Drawing, curated Beatrice Bea, Yifat Gat, Artothèque, Miramas
2015 Nolan Projects, organized by John Adair, Nolan Foundation, Wales, UK
2015 Volume, curated by Mary Judge and Enrico Gomez, Schema Projects, New York
2015 Formal Watercolor, Museum Waterland, Purmerend, Netherlands, curated by Piet Knook
2015 Territory of Abstraction, Pentimenti Gallery, Philadelphia, curated by Christine Pfister
2015 Paperazzi 4, Janet Kurnowski Gallery, New York
2014 un·bound·ed, bi-coastal and international show focusing on conceptual & reductive practices, Root Division, San Francisco
2014 Doppler Shift, curated by Mary Birmingham, New Art Center, New Jersey
2014 Abstract Realities, Jan Van de Ploeg, Brent Hallard, Richard Van der Aa University of Southern Queensland
2014 Dressed in Pink, Raygun Art Projects, Southern Queensland
2014 Hard-Edge Abstraction, curated by Kasarian Dane and Catherine Tedford, Richard F. Brush Art Gallery at St. Lawrence University in Canton, New York
2014 Paperazzi 3, Janet Kurnowski Gallery, New York
2013 Sydney Non Objective Turns 100, SNO Contemporary Art Projects, Sydney, Australia
2013 The Big small Graphic Art Show, Graphic Studio Daglicht Eindhoven
2013 LIGHT SPACE PROJECTS 2013: Rituals of Exhibition II by The Talent Agency, H Gallery Chiang Mai, Thailand
2013 DOPPLER, curated by Mel Prest, Parallel Art Space, Brooklyn, NY
2013 Hydrography - Abstract in Watercolor, De Vishal, Haarlem, The Netherlands, curated by Iemke van Dijk and Henriëtte van 't Hoog.
2013 Rituals of Exhibition curated by Gilbert Hsiao and Giles Ryder Don't Be Selfish, Phayao Thailand
2013 Paperazzi 2 Janet Kurnatowski Gallery, New York
2013 Right and Other Angles curated by Jeffrey Cortland Jones at Soft-spot
2013 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work Wignall Museum of Contemporary Art
2012 Index #3, publication and exhibition organized by Justin Andrews, Melbourne
2012 Dripping Color Amazement, curated by Brent Hallard, Galerie oqbo, Berlin
2012 Never Underestimate a Monochrome organized by Mariángeles Soto-Díaz through Abstraction at Work, sponsored by the University of Iowa Museum of Art
2012 Doppler Stop, Rotterdam, Amsterdam, Berlin and Zagreb?Supermarket 2012 IS Projects/SNO/PARISconcret, Stockholm?
2012 Paparazzi, Janet Kurnatowski Gallery, Brooklyn, NY
2011 VOID289, UNVOID curated by Naoshi Okura KOBE Biennale, Japan
2011 A Romance of Many Dimensions ?Brooklyn Artist's Gym, Brooklyn, NY
2011 Saturation Point International Survey of Reductive Art, London
2011 Gifting Abstraction Soho20 Chelsea Gallery, curated by Mariángeles Soto-Díaz, NY
2011 Sugarmountain 2 Galerie van den Berge, curated by Clary Stolte, Goes, NL
2011 Chase the Tear NIAD curated by Timothy Buckwalter, Richmond, CA
2011 Recent Movements in Non-objective Art Reuten Galerie, NL
2011 1st International Festival of Non-Objective Art Organized by Roland Orpük Pont de Claix, Grenoble, France
2011 Plane Speaking McKenzie Fine Art, curated by Valerie McKenzie, NY
2010 Informal Relations Indianapolis Museum of Contemporary Art (IMOCA), curated by Scott Grow
2010 Touch + Paris ParisCONCRET
2010 Hydrography: Abstracts in Watercolor RC de Ruimte in IJmuiden, curated by Iemke van Dijk and Henriëtte van ’t Hoog
2010 25 x 25 traveling Sydney Melbourne, New IS-Projects box, curated by Guido Winkler
2010 Fuzzy Logic Thompson Gallery The Cambridge School of Weston, MA
2009 Editionen aus Deutschland den Niederlanden und der Schweiz - Gesellschaft für Kunst und Gestaltung, Bonn GKG Bonn
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Personal Space three person show with Richard Roth and Henriette van 't Hoog
2009 parisCONCRET, Paris
2009 Kosmos Light and Space curated by Guido Winkler Is projects, Leiden, curated
2009 I-S Box
2009 Trans:formal Pharmaka, Los Angeles
2009 Pour faire simple parisCONCRET, Paris
2008 T-show Polverara, Italy
2008 The Space Between San Jose Institute of Contemporary Art, San Jose, CA
2007 Trans Weltraum, Marienplatz Munich
2007 U-shape Minatomirai Yokohama
2007 Solid Space storefront, Setagaya, Tokyo
2007 New Wall Drawings Bus-Dori Projects, Tokyo

Museum Exhibitions

2017 Openlucht Museum De Lakenhal, 100 years after De Stijl, The Netherlands
2016 LaKaserna Artspace, Bad Nieuweschans, The Netherlands
2015 Museum Waterland, Purmerend, The Netherlands, Hydrography III
2014 Visual Art Center, New Jersey, Doppler Shift
2013 De Vishal, Haarlem, The Netherlands Hydrography
2012/13 University of Iowa Museum of Art & Wignall Museum of Contemporary Art, Never Underestimate a Monochrome
2010 Indianapolis Museum of Contemporary Art, Informal Relations
2008 San Jose Institute of Contemporary Art, The Space Between
1990 S. H. Irvine National Trust, Fresh Art, curators: Felicity Fenner/Anne Loxley
1986 Art Gallery of New South Wales, Sulman Prize, Juried exhibition

Curatorial Work

2017 Visual Discrepancy, Crawford Gallery, Sydney
2014 Unbounded Root Division, San Francisco
2012 Dripping Color Amazement Galerie oqbo, Berlin
2011 A Romance of Many Dimensions, ?Brooklyn Artist's Gym, NY
2010 Touch + Paris, ParisCONCRET, Paris
2009 Trans: Form | Color Meridian Gallery, San Francisco
2009 Trans:formal Pharmaka, Los Angeles
2009 Touch, Bus-Dori Project Space, Tokyo
2008 Bus-Dori Suitcase, Bus-Dori Project Space, Tokyo

Review/publication

Visual Discrepancy, Sydney Morning Herald, Spectrum, 2017, 100 years after De Stijl ,The Link, Architectural Magazine, Berlin,2017 Lavender Strike, Sydney Morning Herald, Spectrum, 2016, Unbounded boxed set of prints 2014, essay by Joan Waltemath, Doppler Shift Catalog, 2014, Doppler NY 2013, Index 3 (publication), 2012, Doppler Europe 2012, Kunstbeed,Nr 9 Sugarmountain 2 2011, An Exercise in Seeing at Brooklyn Artist's Gym by Eric Sutphin, 2011 Catalogue Retour aux Bases / Back to Basics, Pont de Claix, Grenoble, San Francisco Chronicle November 2009, Abstract commingle well… Kenneth Baker, Peter Selz, "TRANS: Form|Color ", Exhibition Catalog Essay, Meridian, Gallery, San Francisco, The Space Between at SJICA Artweek June 2008 ARTKRUSH 2004 micro review by Christopher Elam, Chief Editor of Artkrush, Sydney Gay Games 2002 Review of Powerplay, Sydney Morning Herald October 1990. Fresh Art S.H. Irvine National Trust, Arts Editor, John McDonald Eastern Herald Art Review, Verisimilitudes, D.C. Art, Sydney Writer, Martine Ranby ArtLink, Spring 1994, Non-profits and their Artists Editorial Highlights Minimal Painting by Brent Hallard currently on show at FIRST DRAFT, SYDNEY EYELINE September 1988 Brisbane Art Publication. Brent Hallard -Imperfect Geometries. Interview with Adriane Boag, First Draft Director

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